Coupling - Wer mit wem?

One of the best sitcoms for many years. Clever comedy that doesn't cross the pond well. Each episode is an absolute gem, written to tease and tantalise you towards its climax which usually isn't quite what you thought it was going to be. It's Friends with intelligent humour. Overblown as the characters are you can relate to each and every one of them and the two straight characters offset the other four so perfectly you're never quite sure which you'd rather be. Jeff who is so cringe-worthy but lands himself in the most incredible positions, Patrick with his suave naivety and ignorance but with the image, the job and the reputation. Then Steve the calm centre who is anything but calm, full of doubt and fear and so like you that it's uncanny. Facing off against these three we have the panic-ridden self-obsessive Sally, the utterly ditzy but so desireable Jane and the seemingly composed Susan with her devilish streak.

The episode about Jeff and the prosthetic leg without doubt made me laugh more than anything I have ever watched - except perhaps the first viewing of Del Boy keeling over in that Wine Bar in Fools 'n' Horses but where that was one moment this is half an hour of gut-aching laughter.

I totally disagree with the previous reviewer's comments. I found "Coupling" to be hilarious. It was unlike anything I had ever seen before. This person seemed to be totally confused as to the origins of the show. First it is said to be a copy of an American show, then it is stated that it is unbelievable that America wants to make their own version. It is originally a British show. It will tell you that on the special features of the DVD. The special features also include a lovely story about how the concept of the show came about. Everyone is entitled to their opinion, and mine is that "Coupling", while different, is brilliant and should be given a chance by all to form their own opinions of it. By the way, here's an example of the hilarity:

Sally: Mary Kelly thinks you're a complete idiot.

Patrick: Then why does she keep looking at my arse when we're talking?

Sally: She's lip-reading.

Steve Moffat has created a rare thing. A rude sitcom which is actually funny. Most people will say that Richard Coyle steals the show with his fantastical character Geoff, but I personally believe that most of the credit should go to Ben Miles for his interpretation of the character Patrick. When Miles produces just one funny line he steals the show, and the other actors and actresses aren't bad either. Each person who has seen it has their favourite character whether it be statistical Sally, mad Jane, sensible Susan or paranoid Steve. It is virtually impossible not to like this show. I love this show, and I recommend that you should see it today for you will fall in love with it too.

I'm an American who just saw Season 1 of "Coupling" on DVD for the first time. Based on those first six episodes, I think the BBC's "Coupling" -- along with a new US series over here called "Arrested Development" -- is possibly the sharpest, funniest, and best-written situation comedy since the golden days of Norman Lear and MJM Productions.

The cast chemistry is amazing. The archetypes are extremely identifiable, even over here, which is why the series translates so well. In comedies the subject of sex is often treated adolescently, and it's true that the characters in "Coupling" have some childish, "American Pie" reactions to sexual politics, but they're still, clearly, adults. As with "American Pie," there's a big heart behind the hormones and phermones. But the gags in "Coupling" are brilliantly written and executed. The writers don't take the easy way out; the bawdiness of their humor is cut with intelligence and a really, REALLY great sense of left-field punch lines. Maybe naysayers have to wander through the bereft nature of many American sitcoms to understand why "Coupling" is so appreciated by a cult American audience, but it's the real deal.

Episode 4 of Season 1, called "Inferno," contains an extended monologue in which an embarrassed male character attempts to outline the plot of a lesbian porn film. He is forced to defend his affection for the stuff by being asked to give a cogent plot summary. He's squirming under this challenge -- he's got to defend his proclivities, maintain a balance between self-defense and self-effacement, and STILL intellectualize the plot of the film enough to prove he's smart enough to rise above it. This whole sequence is, possibly, the best-written and funniest 5-minute quasi-monologue ever to be televised.

"Coupling" takes a traditionally pubescent subject matter, the puerile male fascination with sex, opposes it with the progress of rational thought, and is extremely funny in the process. Lots of US sitcoms (and some UK ones) are lucky if they get one horse laugh from the viewer every three minutes. "Coupling's" ratio is more like one horselaugh every thirty seconds. It's that good.

(I never saw the NBC version of this show, incidentally, and have no interest -- apparently it sucked. I can understand why someone would want to use the BBC version as source material, though.)

I came across "Coupling" quite by accident one evening on BBC America. I have always been a fan of most Britcoms, and watched the remainder of the episode that was being aired, and then the next episode that followed immediately thereafter.

I discovered something very interesting. Somehow this show could present just about anything and not only get away with it, but made it extremely funny at the same time. Subjects that would come across as crude, rude, and in poor taste in American sitcoms are presented here with surprisingly funny results. The cast's ensemble is just about perfect, and all are very likable in their own quirky way.

It's been a very long time since I have laughed so hard watching a television show. I believe the last time was watching "The Vicar of Dibley" -- surprise! -- another Britcom.