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Paragraph 175

  • 2000
  • 12
  • 1 Std. 21 Min.
IMDb-BEWERTUNG
7,7/10
2251
IHRE BEWERTUNG
Paragraph 175 (2000)
GeschichteKriegRomanzeDokumentarfilm

Füge eine Handlung in deiner Sprache hinzuHistorian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.Historian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.Historian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.

  • Regie
    • Rob Epstein
    • Jeffrey Friedman
  • Drehbuch
    • Sharon Wood
  • Hauptbesetzung
    • Rupert Everett
    • Klaus Müller
    • Karl Gorath
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    2251
    IHRE BEWERTUNG
    • Regie
      • Rob Epstein
      • Jeffrey Friedman
    • Drehbuch
      • Sharon Wood
    • Hauptbesetzung
      • Rupert Everett
      • Klaus Müller
      • Karl Gorath
    • 24Benutzerrezensionen
    • 22Kritische Rezensionen
    • 85Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 9 Gewinne & 7 Nominierungen insgesamt

    Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung12

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    Rupert Everett
    Rupert Everett
    • Self - Narrator
    • (Synchronisation)
    Klaus Müller
    • Self - Historian
    Karl Gorath
    • Self
    Pierre Seel
    • Self
    Heinz F.
    • Self
    Annette Eick
    • Self
    Magnus Hirschfeld
    Magnus Hirschfeld
    • Self
    • (Archivfilmmaterial)
    Albrecht Becker
    • Self
    Gad Beck
    • Self
    Heinz Dörmer
    • Self
    Adolf Hitler
    Adolf Hitler
    • Self
    • (Archivfilmmaterial)
    Ernst Röhm
    Ernst Röhm
    • Self
    • (Archivfilmmaterial)
    • Regie
      • Rob Epstein
      • Jeffrey Friedman
    • Drehbuch
      • Sharon Wood
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen24

    7,72.2K
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    Bil-3

    *** 1/2 Powerful stuff

    Touching documentary by the creators of Common Threads: Stories From The Quilt and The Celluloid Closet that interviews survivors of the Holocaust who had been interred in concentration camps for being homosexual. Directors Jeffrey Friedman and Rob Epstein cleverly use real footage and very powerful interviews, all linked by Rupert Everett's narration to tell a very powerful story and make a very difficult, if not always unforgettable, film. It's not as zesty as The Celluloid Closet was, due to its subject matter naturally, nor is it as compelling as their Oscar-winning effort of 1984 The Times of Harvey Milk, mostly due to a somewhat wobbly narrative, but it's definitely a worthy piece of work, especially since the men who do tell their stories onscreen are at turns brave, wry and heartbreakingly vulnerable.
    10xelag

    Personal experiences adequately enhanced

    This film is an excellent example of letting people tell their story without embellishing the contextual situation. The extra material added to the interviews is perfectly balanced to put the interviews in their historical and personal context, without unduly expanding the context to overshadow what the (very few) survivors had to tell. Enough information is given about paragraph 175 and it's application during Hitler's reign and after for us to get an insight of its consequences, and the situation of denial of our 'civilised' western countries even today regarding the gay victims of this horror. But the focus is on the survivors' tale, not the context. This technique (too rarely applied) produced an extremely powerful documentary. I have seldom seen such a well balanced work.
    10dawh1

    Not the only film on gay male Holocaust survivors

    I agree that this is an excellent film. One has to admire the willingness of these men to tell their story after so many years. Paragraph 175 remained as a law in the German Penal Code until the 1970s, which is why the gay survivors were not given the same reparations that other survivors received. I saw this film on cable and am planning to get a copy on DVD. However, a previous comment incorrectly stated that this was the first film on this subject in 67 years. There was an earlier film which interviewed gay male Holocaust survivors. The title is "We Were Marked With a Big Red A." I do not see it listed in IMDb, but I have it on VHS. I purchased it in the bookshop at the U.S. Holocaust Museum in Washington. I think that Klaus Müller, who is a consultant to the Holocaust Museum, was also on the crew of this film.
    8leliorisen

    Vital film could have been constructed better

    While I think that everyone should see this film because of its vitally important subject matter, I feel that because of lax editing and meandering, incomplete story telling, it was much less effective than it should have been.

    As just one example, and I have been studying Nazi persecution of homosexuals, the movie briefly refers to a gay man's friend who was killed by German Shepherd dogs in front of 300 people. I read a similar account on the Internet (I suspect it was the same case), in which graphic details were given of the brutality of the crime, details which, if you heard or read about, you would never forget. To just gloss over this compelling tale in the manner the movie does is inexcusable. How can one understand the true horror when it is glossed over.

    Additionally, one of the major points of this film should be how many gay concentration camp victims were still treated as prisoners after the war, specifically because of Paragraph 175. It is barely a footnote in the movie. This is inexplicable to me.

    What is good is having a record of living survivors of gay detention during the Holocaust. It remains the reason for seeing this movie. But the narrative is very meandering and a few of the lingering close-ups of some of the survivors breaking down almost feels exploitative.

    Bottom line: because of the important subject matter and the live interviews the film needs to be seen. I just wish it had been made more coherently. A film with this type of material will always be powerful. It could have been far more so had it been made by better filmmakers.
    9didi777

    very moving

    I have seen the movie yesterday and was quite moved by it. I did not expect much (because usually I am not the documentary type), but the mixture of old film footage and photos (with some 20s and 30s music) and interviews of a few of the survivors (7 homosexualls, 1 lesbian) was very interesting. The big thing about this movie is to get to know about what happened in that time, because no one spoke about this when we were talking about the second world war in history class. it is unbelievable that the paragraph 175 existed even till 1969. this is a must-see film !

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    • Wissenswertes
      The statute of Paragraph 175 was amended several times. The Nazis broadened the law in 1935 and increased its prosecutions by an order of magnitude; thousands died in concentration camps, regardless of guilt or innocence. East Germany reverted to the old version of the law in 1950, limited its scope to sex with youths under 18 in 1968, and abolished it entirely in 1988. West Germany retained the Nazi-era statute until 1969, when it was limited to "qualified cases"; it was further attenuated in 1973 and finally revoked entirely in 1994 after German reunification.
    • Zitate

      Annette Eick: I think in all of Berlin you were free, you could do what you wanted. We had three very well known clubs. One was in the north where proletarian girls came. Usually in their Sunday best costume, their smoking costume. I was a bit scarred, I must say. If you have never seen boyish and masculine lesbians and such a heap of them. I was surprised I had to get used to it. And funnily enough, I saw one woman which looked a little bit like Marlene Dietrich. I don't know. Anyway, I wanted to get to know her; but, she didn't care for me, of course. I was a silly little girl. But, she is the one I saw occasionally later on who saved my life. Because, she was the one who sent me this permit. She went to England before.

    • Verbindungen
      Featured in 50 Documentaries to See Before You Die: Episode 2 (2011)
    • Soundtracks
      Falling in Love Again
      Written by Friedrich Hollaender

      English Lyrics by Samuel Lerner

      Performed by Marlene Dietrich

      Courtesy of BMG Music

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    Details

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    • Erscheinungsdatum
      • 7. Februar 2002 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Deutschland
      • Vereinigte Staaten
    • Offizieller Standort
      • Telling Pictures
    • Sprachen
      • Englisch
      • Deutsch
      • Französisch
    • Auch bekannt als
      • 175. Madde
    • Drehorte
      • Berlin, Deutschland
    • Produktionsfirmen
      • Channel Four Films
      • Cinemax
      • HBO Theatrical Documentary
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 96.630 $
    • Eröffnungswochenende in den USA und in Kanada
      • 25.007 $
      • 17. Sept. 2000
    • Weltweiter Bruttoertrag
      • 99.655 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 21 Minuten
    • Farbe
      • Black and White
      • Color
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.78 : 1

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