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Ruang Talok 69 - Eine tödliche Adresse

Originaltitel: Ruang talok 69
  • 1999
  • R
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
7,2/10
2484
IHRE BEWERTUNG
Ruang Talok 69 - Eine tödliche Adresse (1999)
ComedyCrimeThriller

Füge eine Handlung in deiner Sprache hinzuA woman, fired from a financial coorporation during the Asia crisis, returns home with no money. However, she finds a box with a fortune in front of her door, and decides to keep it. However... Alles lesenA woman, fired from a financial coorporation during the Asia crisis, returns home with no money. However, she finds a box with a fortune in front of her door, and decides to keep it. However, the people that left it there soon want it back.A woman, fired from a financial coorporation during the Asia crisis, returns home with no money. However, she finds a box with a fortune in front of her door, and decides to keep it. However, the people that left it there soon want it back.

  • Regie
    • Pen-Ek Ratanaruang
    • Tom Pen-Ek Ratanaruang
  • Drehbuch
    • Pen-Ek Ratanaruang
    • Tom Pen-Ek Ratanaruang
    • Pen-Ek Ratanaruang
  • Hauptbesetzung
    • Tasanawalai Ongartittichai
    • Black Phomtong
    • Lalita Panyopas
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    2484
    IHRE BEWERTUNG
    • Regie
      • Pen-Ek Ratanaruang
      • Tom Pen-Ek Ratanaruang
    • Drehbuch
      • Pen-Ek Ratanaruang
      • Tom Pen-Ek Ratanaruang
      • Pen-Ek Ratanaruang
    • Hauptbesetzung
      • Tasanawalai Ongartittichai
      • Black Phomtong
      • Lalita Panyopas
    • 21Benutzerrezensionen
    • 26Kritische Rezensionen
    • 65Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 2 Nominierungen insgesamt

    Fotos7

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    Topbesetzung42

    Ändern
    Tasanawalai Ongartittichai
    • Jim
    Black Phomtong
    • Kanchit
    Lalita Panyopas
    • Tum
    Sirisin Siripornsmathikul
    • Pen
    Krisada Banjongkaew
    • Sum-Ang
    Sujitra Benjathikul
    • Office Worker 3
    Hana Tassanawalai Chakrabongse
    • Jim
    Pradthana Chonsawat
    • Convict
    Wichai Jongprasitporn
    • Cashier
    Sira Kingmali
    • Tor
    Jessada Klinsuwan
    • Hainanese Chicken Rice Merchant
    Prompop Lee
    • Shop owner
    Prompop Leelapan
    • Shop Owner
    Surapong Mekpongsathorn
    Surapol Mekpongsatorn
    • Young Policeman
    Tan Amorneak Micheli
    • Subin
    Thiti Micheli
    • Subin
    Kamonwan Naksewa
    • Complainant
    • Regie
      • Pen-Ek Ratanaruang
      • Tom Pen-Ek Ratanaruang
    • Drehbuch
      • Pen-Ek Ratanaruang
      • Tom Pen-Ek Ratanaruang
      • Pen-Ek Ratanaruang
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    7,22.4K
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    Empfohlene Bewertungen

    8emmaamore

    a real pleasure....!

    This is one of those films where nothing is overly blatant, hardly anything is granted by ways of the lead character's internal character and history, and it isn't jam-packed with various sceneries, dialog, etc. Nothing is too 'in your face', hardly any emotion is shown or felt throughout the film, and even (despite the various killings), action seems to be lacking... It's decidedly quiet, introverted and monotone and YET, somehow completely quirky, insane and colorful at the same time. The film is intelligently crafted in such a way that, by the end of the film, you aren't sure WHAT to make of it, or how to classify it... Except you do know one thing; whatever you just watched, you know, in retrospect, you loved it. And even after identifying the fact that you enjoyed the ride, you still wouldn't rank this strange, ambiguous little film as your top film, but for that you just love it all the more.

    It's bizarre, zany, quirky, inane, insane, full of black humor and wit, and full of hidden metaphors and analogies not immediately accessible. You can tell when its over that despite its absurdity, within all the intermediary spots where much is left unsaid, the director has packed a good deal for you to think about, and clearly had some lucid, thought-out objectives for the film.

    An intelligent, unique little film that's a heck of a fun ride to watch. Highly recommended!
    7lastliberal

    The more the economy flops, the hornier people get.

    An interesting little film that asks what would you do if you had just been laid off and someone mistakenly drops a million bucks at your doorstep? Would you kill to keep the money?

    Tum (Lalita Panyopas) has to answer that question quickly as the bad guys are knocking on her door. And, the bodies keep piling up in this funny comedy.

    Writer/director Pen-Ek Ratanaruang, who wrote and directed the great Last Life in the Universe, certainly kept my interest throughout the movie. but I have to say that the ending really sucked.

    By the way, don't any men in Thailand raise the seat?
    8Onderhond

    A darker shade of Pen-Ek

    The last couple of years, Thailand has been outputting some interesting films, both commercial flicks and art-house endeavors. On the good side of the art-house fence, Pen-Ek Ratanaruang (gotta love Thai names) has been one of the front runners and main flagships of the Thai film industry. Ruang Talok 69 is one of his earlier films and probably the one that made many heads turn his way.

    I've been on to Ratanaruang ever since I watched Last Life In The Universe, a collaboration with Asano and Doyle (at a later time successfully repeated in Invisible Waves). The film left a permanent impression and since then I've been on the look-out for more Ratanaruang's films. When I finally came across Ruang Talok 69 I didn't have to think twice before checking it out.

    I'm usually a bit apprehensive about older films of directors I like, especially when I was introduced to their more recent work first. These films are often a little less polished, sometimes just downright dire and dull (it happened to Tsai Ming-Liang). In that sense, Ruang Talok 69 was a very interesting surprise. While it does not equal Ratanaruang's later work, it stands very well on its own and manages to keep a fresh appeal.

    That said, the movie does start off a little slow. Tum is a rather dull woman who crawls back home after being fired from her work just a little earlier. Her place is as dull as she is and up until that point, nothing much interesting seems to be happening. That changes when a little box with loads of cash is left at her doorstep. An ideal opportunity for Tum to make a fresh start.

    Sadly, things won't go easily for Tum. In no time, two scruffy looking guys are knocking on her door searching for the money. When they both fall dead on Tum's floor only five minutes after entering her home, Tum suddenly turns from a dull-downed woman into a woman with a plan. Money does strange things to people.

    From there on, the film slips into an endless spiral of bad luck and coincidence, adding a healthy streak of dark humor and some amusing plot twists, ending up in a sprawling finale with bodies littered all over the place. Most of the action takes place in Tum's apartment, where boxes keep stacking up in order to dump the ever growing pile of dead people that end up inside her house.

    It's this streak of black humor that adds a lot of flavor to the film. Without it, the films would've been a little plain. Luckily Ratanaruang has an excellent sense of humor (without becoming too bonkers - Thai humor can be pretty freaky). Top scene is probably the blow job scene, which is a lot less obscene than it actually sounds.

    Visually Ratanaruang has everything under control. Nice and colorful settings (a typical Thai film look in other words) and some interesting camera tricks often mimicking the movement of characters. The film is not as polished or brilliant as Doyle's work, but I guess nobody would be expecting that. It's still a very clean and solid looking film.

    More praise goes out to the soundtrack. While littered with funky Thai music, the darker scenes are scored with some very interesting tracks. I've found little so far about the composer of the soundtrack, but there's some major influence of Kenji Kawai's work in Ghost in the Shell. Not something you'd expect in a film like this, and the association is a little weird at times, but it does work wonders.

    Some very interesting ambient tracks are placed underneath the key scenes, featuring instruments almost directly lifted from the GitS soundtrack. It adds heaps to the atmosphere and already defined Ratanaruang's preference for soothing (dark) ambient to score his films.

    In the end, Ruang Talok 69 is a very fun ride, nicely shot and awesomely scored, presented with a great sense of humor and key scenes that are wonderfully executed. It starts off a little slow, the pace is pretty sluggish at first, but as the film continues it keeps getting better and better. Another hit for Ratanaruang, who's easily my favorite Thai director to date. 4.0*/5.0*
    7MAXIMUMMOVIE

    Nice surprise!

    Although I watch numerous Asian films I believe "6ixtynin9" was the first Thai movie I have seen and I must say I was very impressed. From start to end it had a comedic "whatever can go wrong will go wrong" feel about it while moving along rather smoothly as a mildly bloody quasi action flick. The story itself wasn't overly complicated nor jumbled up like some Asian stuff tends to be. I could see a large group of viewers enjoying this nice little Thai surprise.

    The acting wasn't "lights out" but was effective and although the filming was mainly done in an apartment it moved around more than enough to avoid getting stale.

    I viewed the on the US version DVD and found the quality good enough but not top notch and it wasn't in surround sound. I would certainly recommend giving this film a watch but you might want to rent before you buy it.
    mya_andaman

    Great breakaway from typical Thai movies

    I had to watch this film too many times for a film studies course and by the end of the course I was so fed up with it. However, I do think it's a very interesting film...the way the story goes and the way it was made. It definitely is very different from other Thai movies and personally, I think that's why it never made it big in Thailand. I thought the editing was great and the filming technique makes it more realistic and closer to everyday life. Plus the plot surely suited the situations within the country at the time. As for the story I really liked the idea of how everything turned out the total opposite and upside down just cuz of the poorly attached room number "6". I never thought it would be showed in other countries, let alone it gaining foreign fans. I'm glad other people appreciate a small production Thai movie as much as I did.

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    Handlung

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    • Wissenswertes
      Lalita Panyopas wore no make-up at all.
    • Patzer
      When the dead cop is propped up behind the bathroom door and the assassin comes in and sees the body in the mirror, the "dead man" raises his eyebrows right before the shot changes.
    • Verbindungen
      Followed by 6ixtynin9: The Series (2023)

    Top-Auswahl

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    FAQ13

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    Details

    Ändern
    • Erscheinungsdatum
      • 19. November 1999 (Thailand)
    • Herkunftsland
      • Thailand
    • Offizieller Standort
      • Palm Pictures
    • Sprache
      • Thailändisch
    • Auch bekannt als
      • 6ixtynin9
    • Drehorte
      • Bangkok, Thailand
    • Produktionsfirmen
      • Five Star Production Co. Ltd.
      • Five Stars Production Company
      • The Film Factory
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 58 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital

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