Die Stadt frisst ihre Kinder

An excellent movie about real life. Desperate life stories mixed with some uplifting details. Moving and real. You shouldn't watch it, tough, if you're in a bit of a depressive mood because the uplifting moments are rather far in between. The hopelessness of heroin drug-addiction is shown very powerfully. Maybe a tick too hopeless, though... Still, even though I wasn't in the best of moods when I watched it, I did enjoy the experience quite a lot.

In the contemporary Marseilles, Michèle (Ariane Ascaride) is a worker in the fishing market. She supports her family, composed by her unemployed husband, her addicted daughter Fiona (Julie-Marie Parmentier) and her granddaughter Ameline. Fiona prostitutes to buy drugs. Paul (Jean-Pierre Darroussin) is a stevedore, who betrays his colleagues and the union in a strike and buy a taxi with his indemnity. Gérard (Gérard Meylan) is a mysterious owner of a bar. Abderramane (Alexandre Ogou) is a black man who left jail and has an affair with a bourgeois. The lives of these characters are interconnected along the story. This movie is about ordinary people and touches in serious wounds in most of the worldwide societies, like unemployment, drugs, violence, crime, prostitution, prejudice against immigrants, loneliness, racism, low salaries, corrupts politicians. There is one particular scene that really touched me, when Michèle comments that only books have happy end. The title "The Town is Quiet" is very ironical and unfortunately the plot shows reality. I do not know if Robert Guédiquian wants to give some hope to the viewer, with that boy magnificently playing the piano he has finally bought in the end, but I found the story very bitter and pessimist. The direction and the performance of the cast are outstanding, and the soundtrack is excellent, highlighting Janis Joplin singing 'Summertime' and 'Cry Baby'. My vote is eight.

Title (Brazil): 'A Cidade Está Tranquila' ("The Town is Quiet")

A very humanistic film. The persons appearing are really of flesh and blood. Marseille and even France is described as a stagnating society where fascism and racism is increasing. The old methods of the socialist/communist movement to improve the living conditions are generally regarded as obsolete. This is of course a very pessimistic view. But in the same time we feel that the film is taking side for the oppressed persons. Besides the misery we also meet men and women with warm hearts. The way the persons appear and how the story is told is so captivating that this must be regarded as one of the great films this year.

I guess Robert Guidiguian loves his wife Ariane Ascaride because he photographs her so lovingly but he sure likes to make her suffer. In the only film I can recall off the top of my head in which she had both a husband, child and stable family relationship (the superb Marie-Jo and her 2 loves) she was unable to settle for this and had to take a lover. Normally, as here, she is unhappy in her relationship - assuming she has one and is not a single mother. Here she is really up against it; married to a waste of space who hasn't worked since Ludivine Sagnier made a movie with her clothes on, working herself all night at the fish market, caring for her teenage single mother and junkey with it daughter and getting insults for her pains, and finally turning tricks herself to pay for the monkey on her daughter's back. Against all the odds this is actually a Joy to watch because Ascaride is so luminescent and just one smile can light up Marseilles. As usual the director is flogging his pet hobby-horse and by now he really COULD train a pig to encapsulate it via the refrain Nobody Knows The Truffles I've Seen. For all that he does manage a light touch and most of the vignettes come off thanks to his repertory company of first-rate actors. As long as this cat keeps on churnin em out I'll keep getting it up at the box-office and you can't say fairer than that. 8/10

"The Town is Quiet" is a plaintive and somber look at the lives of several ordinary people who by choice or by chance find extraordinary solutions to their ordinary problems. Set in Marseilles, this typically fatalistic French flick weaves an austere story around loosely interconnected characters including a taxi driver, a fish packer, a bar owner, a drug addicted mother, etc. as it takes on issues from drugs to politics to assassination...etc. sans the tinsel and sensationalism of the usual Hollywood fare. Not likely to have broad appeal, this 2+ hour long subtitled film will be most appreciated by realists with a taste for French cinema. (B)