IMDb-BEWERTUNG
2,9/10
1681
IHRE BEWERTUNG
Ein gut aussehender, brillanter Aktienhändler, gelangweilt von seiner Existenz, wird zum Serienmörder.Ein gut aussehender, brillanter Aktienhändler, gelangweilt von seiner Existenz, wird zum Serienmörder.Ein gut aussehender, brillanter Aktienhändler, gelangweilt von seiner Existenz, wird zum Serienmörder.
Michael Paré
- Jim Renart
- (as Michael Pare)
Ken Camroux-Taylor
- Forensics
- (as Ken Camroux)
Nathaniel DeVeaux
- Talk Show Host
- (as Nathaniel Deveaux)
Adam J. Harrington
- Hank
- (as Adam Harrington)
Empfohlene Bewertungen
You may not believe this, but when the credits to this movie rolled, I looked for the director's name. When I saw it, I burned it into my memory and I never forgot it. This movie is beyond terrible. It makes Ed Wood's films look like Orsen Welles. At least B movies are entertaining, this was a soul deadening experience. The quality was so bad, I began to wonder who allowed this to happen.
I hear Uwe Boll runs fourteen miles a day. This is because wherever his movies are viewed, the people must run him out of town with flame and pitchfork. The script was terrible, the lighting was like that of a high school football game, and the cinematography was just above the quality of Roger Patterson's Bigfoot video. The acting was executed by people too ashamed of the production to say their lines with any credibility. In the end was a film Alan Smithee wouldn't have put his name on. I learned that day to avoid any movie by this man despite the circumstances. From what I hear, this is not a bad thing to do.
I hear Uwe Boll runs fourteen miles a day. This is because wherever his movies are viewed, the people must run him out of town with flame and pitchfork. The script was terrible, the lighting was like that of a high school football game, and the cinematography was just above the quality of Roger Patterson's Bigfoot video. The acting was executed by people too ashamed of the production to say their lines with any credibility. In the end was a film Alan Smithee wouldn't have put his name on. I learned that day to avoid any movie by this man despite the circumstances. From what I hear, this is not a bad thing to do.
My friend & I rented this movie and within the first 5 mins we had no idea what was going on. It felt like it should have been over within the first 15 mins. It was a terrible movie, my little brother could have been a better actor than some of the ones in the movie, and the plot (if you can call it that) was full of holes. Never would I recommend this movie to my worst enemy, yet anybody I actually like.
The only reason I watched this is because of its stars, CASPAR Van Dien, Micheal Pare & Eric Roberts & catherine Oxenburg * & Jeniffer Rubin, All capable actors & have given good performances in the past,. NOT THIS TIME,, a weak serial killer story, You can guess who the killer is in the first scene. Very contrived in all aspects there is nothing to recommend in this disaster, my rating is *1/2 POOR
Oh, my goodness. I would have never thought it was possible for me to see a thriller worse than Domestic Disturbance this soon, but here it is. Armed with rotten plot, terrible editing, stilted acting, and headache-inducing 'style' (sorry, I have no other words for it), Sanctimony is the kind of movie that almost forces you to re-evaluate an entire genre; that is, this film is so bad that even the thrillers I condemned as complete failures now seem a little better.
Now, not only Sanctimony is a terrible film in itself, it also succeeds in the difficult task of ripping off better movies and do a pathetic job with it. Right from the main titles -- nothing but a blatant attempt to reproduce the ones from Se7en -- I was under the impression that something didn't smell quite right. As soon as the movie started with a series of corny, wanna-be hip quick-cuts full of gory images and bombastic colors, I knew where that smell was coming from.
It turns out that two policemen, or rather policeman Jim Renart (Michael Paré) and policewoman Dorothy Smith (Jennifer Rubin), are investigating on a murder spree in Vancouver. A serial killer, known as "Monkey Killer" (what a menacing, chilling nickname, uh?) for his working methods, has killed quite a lot of people. You see, this nut apparently works following the proverb "see no evil, hear no evil, speak no evil" and cuts eyes, ears, and tongues out of his victims. So far, six eyes, six ears, and three tongues. In very ingenious fashion, Renart and Smith figure out that the Monkey Killer is probably going to kill other three people... well, because he probably wants to complete the number 666. So suddenly the film focuses on Tom Gerrick (Casper Van Dien), a young, successful, good-looking businessman, with a dreadful temper. And that's where the rip-off of American Psycho kicks in.
So we follow the life of the two police officers and the young psychopath, none of which is interesting in the least, until they finally meet. Along the way to that, a disco where Renart barely misses Gerrick unintentionally offers us one of the funniest scenes in recent memory: Renart goes in the back of the disco club, because... well, just because the script tells us it's a suspect place; then, with one single punch in the stomach, Renard gets rid of a big guard who blocks the path, and the guard is never heard of again? Does this scene strike anyone else as completely unrealistic?
Anyway, after another murder, Gerrick turns in as a witness, but Smith and especially Renart immediately suspect he might be the killer. In typical Basic Instinct fashion, Smith gets some dates with the young businessman, under the assumption that she might discover his true identity.
I won't spoil the ending but it is, quite simply, an embarrassment; there are contradictions, some plot holes, issues that never get resolved, and especially there is one last scene where a brutal mass murder, supposed to be shocking and sad, comes off as such laughably overdone and nonsensical that I frankly can't imagine how anyone could not laugh at it.
At 87 minutes, Sanctimony is really pushing it. You never care about one single character, because they are all so flat (not to mention boring) that you know exactly who is who the first time you meet them. You are never pulled into the story, because the scenes are connected through weak plot devices when not downright unnecessary and out of place. The acting ranges from average (Van Dien) to downright atrocious (Rubin, and most of the supporting cast); the music is abysmal generic techno, and the photography is one of the worst I have ever seen. Of course, like every fiasco of the genre, we are provided with a little bit of gratuitous nudity.
3/10
Now, not only Sanctimony is a terrible film in itself, it also succeeds in the difficult task of ripping off better movies and do a pathetic job with it. Right from the main titles -- nothing but a blatant attempt to reproduce the ones from Se7en -- I was under the impression that something didn't smell quite right. As soon as the movie started with a series of corny, wanna-be hip quick-cuts full of gory images and bombastic colors, I knew where that smell was coming from.
It turns out that two policemen, or rather policeman Jim Renart (Michael Paré) and policewoman Dorothy Smith (Jennifer Rubin), are investigating on a murder spree in Vancouver. A serial killer, known as "Monkey Killer" (what a menacing, chilling nickname, uh?) for his working methods, has killed quite a lot of people. You see, this nut apparently works following the proverb "see no evil, hear no evil, speak no evil" and cuts eyes, ears, and tongues out of his victims. So far, six eyes, six ears, and three tongues. In very ingenious fashion, Renart and Smith figure out that the Monkey Killer is probably going to kill other three people... well, because he probably wants to complete the number 666. So suddenly the film focuses on Tom Gerrick (Casper Van Dien), a young, successful, good-looking businessman, with a dreadful temper. And that's where the rip-off of American Psycho kicks in.
So we follow the life of the two police officers and the young psychopath, none of which is interesting in the least, until they finally meet. Along the way to that, a disco where Renart barely misses Gerrick unintentionally offers us one of the funniest scenes in recent memory: Renart goes in the back of the disco club, because... well, just because the script tells us it's a suspect place; then, with one single punch in the stomach, Renard gets rid of a big guard who blocks the path, and the guard is never heard of again? Does this scene strike anyone else as completely unrealistic?
Anyway, after another murder, Gerrick turns in as a witness, but Smith and especially Renart immediately suspect he might be the killer. In typical Basic Instinct fashion, Smith gets some dates with the young businessman, under the assumption that she might discover his true identity.
I won't spoil the ending but it is, quite simply, an embarrassment; there are contradictions, some plot holes, issues that never get resolved, and especially there is one last scene where a brutal mass murder, supposed to be shocking and sad, comes off as such laughably overdone and nonsensical that I frankly can't imagine how anyone could not laugh at it.
At 87 minutes, Sanctimony is really pushing it. You never care about one single character, because they are all so flat (not to mention boring) that you know exactly who is who the first time you meet them. You are never pulled into the story, because the scenes are connected through weak plot devices when not downright unnecessary and out of place. The acting ranges from average (Van Dien) to downright atrocious (Rubin, and most of the supporting cast); the music is abysmal generic techno, and the photography is one of the worst I have ever seen. Of course, like every fiasco of the genre, we are provided with a little bit of gratuitous nudity.
3/10
Did Uwe Boll seriously just rip off the basic idea and dialogue from Se7en?! Why is it so fekking difficult for this douchebag to be original?! He even mentioned in an interview with Gametrailers that he chooses stuff like games to make into movies because the characters, plots, backstories and so on are already there and ready for him to screw with.
Guess it isn't too much of a stretch for him to rip off another movie entirely...
I mean, seriously, what the hell...? Here's something I made in Uwe's 'honor'...
http://zuucka.deviantart.com/art/Uwe-Boll-is-a-Douchebag-70369862
Guess it isn't too much of a stretch for him to rip off another movie entirely...
I mean, seriously, what the hell...? Here's something I made in Uwe's 'honor'...
http://zuucka.deviantart.com/art/Uwe-Boll-is-a-Douchebag-70369862
Wusstest du schon
- PatzerThe main character's last name is Turner but in the closing credits it reads Tom Gerrick, not Tom Turner.
- Alternative VersionenA rape scene was cut in the UK version. The British censors expressed concern that elements of the rape scene, which eventually led to consensual sex, endorsed a myth that women enjoy being raped. Approximately one minute of footage was removed.
- VerbindungenFeatured in Fuck You All: The Uwe Boll Story (2018)
- SoundtracksCry In The Night
Performed by M-Virus
© 2000 CS-Records
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Sanctimony - Auf mörderischem Kurs
- Drehorte
- Riverview Hospital, Coquitlam, British Columbia, Kanada(Police Station)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
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