Füge eine Handlung in deiner Sprache hinzuAfter 13 years in prison, the mad scientist from Der Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate de... Alles lesenAfter 13 years in prison, the mad scientist from Der Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.After 13 years in prison, the mad scientist from Der Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.
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1- The effects in this film are top notch.
2- Jeffrey Combs again shows his acting chops playing Herbert West.
3- There is a new twist to the re-animation process that shows some promise in `clinical trials'.
There are some really convincing effects throughout the film. Makeup and effects are more than window dressing in a film of this nature. Inadequate attention to either would have dropped the value of this film immediately. You believe that these guys have been dead and now no longer are. They are much more believable than JarJar Binks.
Herbert West is over a decade older in this film. Combs takes this maturity and adds it to the character he molded in the previous efforts. It's obvious that he is the same Dr. West yet it is also obvious that time has added to the character. Even more interesting, at the beginning of the film is a flashback where Combs plays the younger West. It's an opportunity to compare the two portrayals almost side by side. The essence of West remains, the speech pattern, the physicality remain. What Combs added to West's character is a veil to the intensity. What was once a roaring fire is now under control. He is no less determined, just a bit more subdued in expressing it.
The addition to the re-animation process, which I will not discuss in particular, adds another moral dimension to the question of the correctness of bringing back the dead. Although this moral dimension is directly addressed in the film, Medical Ethics 101 it is not. The ethical question is covered briefly and in the context of the fate of West's nemesis. As with all Re-animator activity conducted by West time is valuable and little of it is wasted. Events are happening rapidly and under less than ideal circumstances.
The DVD version has an music video on it, which was a surprise. It also has a `making of' short that should have had about another five or six days of work done to it before including it. It does have interviews with the principle actors and with the director. Have your subtitles turned on, the actors, with two exceptions speak Spanish even during the clips from the movie included in the short.
As any good sequel will, this one leaves open the possibility of yet another Re-animator movie. Hopefully the production quality will continue its improvement. Maybe Bruce Abbott and Barbara Crampton can be re-animated for the fourth film.
The opening and closing of the film was cool (with the intro of West and him walking away into the mist). I could deal with the new protege, Howard, or whatever his name is, though I would have rather he used his native accent to give the film some more flavour. (but having Dan Cain back would have been so much better)
My first biggest problem with the film comes from what they do with the basic concept. To me, they never fully realized it. I kept waiting for everything to go to the next level... especially when the riot broke out, I was hoping they'd take the massacre at the end of the first movie and just let loose. That never happened. Instead, they opted for a couple truly idiotic moments and what at the end of the day felt like a stale re-mix of elements from the first and second. I didn't want to see reflective moments from the first, though that might have been fine in a better movie... nor of Bride. I wanted something taken to a new level, much like Bride did after the original.
They had the concept. They had the setting. And I believe that Brian Yuzna can still direct a decent movie had he a good script and cast to work with. More and more, I wish they could have convinced Stuart Gordon to come back and take his rightful place as director of Beyond Re-Animator. I loved Dagon, very much showing he's still got it (not to mention the fact I love Re-Animator and enjoy From Beyond), and I could only imagine what he could have done with Beyond Re-Animator.
I think the script is the biggest fault of the film. Performances or the direction of those performances is next. The only truly golden character in the film is obviously Herbert West, with Jeffry Combs doing a wonderful job given the material he has to work with. I would rather they focused more on West than the silly little romance between Howard and that reporter (with an annoying voice recorded, which I believe must be because of bad dubbing to hide a thick accent. And if it wasn't dubbing, please dear god go back in time and cast someone else). The reporter subplots would have been better written out than to have to sit through them again. The only part I could get behind with that whole mess was at the end, when Howard had lost it and he was going back and forth calling out Emily (his sister) and Laura, the reporter, mixing the two up in his head, and just before that cradling her head in his hands. From that point on, the film was back on target... exactly as it should of been all along. Too bad there was only a couple minutes left in the film.
Don't get me started about the final Rat shadow sequence.
All I have to say in regards to the Warden was that he was no Dr Hill.
Overall, I was left with a bitter taste in my mouth. A disappointment. At the back of my mind, there was a hope that it'd be at least on the level of Bride. Not great, but a decent Re-Animator fix. The final result is anything but.
Oh and continue watching during the end credits.
Jeffrey Combs returns as the insane scientist, Dr Herbert West. Unfortunately, Dan Cain (Bruce Abbott) from the other two films doesn't return, but Re-Animator was always Combs' series anyway, so although it's a loss; the show must, and most certainly does go on. Jeffrey Combs was made for the part of Herbert West; his portrayal of the character is absolutely wonderful. He catches just the right atmosphere of a man obsessed by his work in all three films. He also manages to tie a lot of humour in, which is obviously a good thing for a tongue in cheek movie such as this. The rest of the cast acts as a support to Combs, and succeeds fairly well in that respect but none really impress much on their own. Jason Barry (who had a small role in the rubbish movie; Titanic) acts as Dan Cain's replacement and Herbert West's new understudy; Howard Phillips. He never really impresses in the movie and it would seem that his main objective in the movie is to make West look more insane, and through his subdued performance; he does that well. Elsa Patasky looks good as the lady of the film, but her performance is terrible; even embarrassingly bad at times. Simón Andreu is the only member of the cast other than Combs that really impresses, and he plays the prison warden; the villain of the piece.
Gorehounds won't be disappointed with this film, I can guarantee you that! Re-Animator became infamous for it's heavy amounts of overly gory sequences, and this movie features lots of them too; from an exploding chest to a severed torso that walks on it's hands; this movie has it all. Many sequels, particularly horror sequels just recap the original with more gore, but the Re-Animator sequels haven't so far, all have something new. In Bride of Re-Animator (Re-Animator 2), a new idea about animated different parts of a dead corpse emerged, and in this film the new idea is adding the 'soul' to the re-animated body. It is admirable for the series to take that route as for a film of this ilk, more gore could simply be added and it's fans would almost certainly happy, but here you get a story to chew on aswell.
The last two films ended with a riot, which has become a part of the Re-Animator tradition, and this film doesn't break that great tradition. The last 30 minutes or so are absolutely insane, with many things going on all at once and that is sure to please fans of the original movies. Overall, Beyond Re-Animator is an incredible gory ride and is recommended to anyone with the stomach for this sort of movie.
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- WissenswertesThe only installment of the Re-Animator series not filmed in the United States. It was entirely shot in Spain.
- PatzerWhen Emily searches the house for the strange noise right before being surprised by her brother, she crosses the living room. A cameraman is visible in the large wall mirror for the entire tracking shot.
- Zitate
Howard Phillips: God damn you!
Herbert West: Religion has nothing to do with this.
- Crazy CreditsThe end credits are accompanied by a fight between a rat and the warden's severed penis.
- Alternative VersionenUS premiere of the film, other than isolated festival screenings, was on Sci-Fi channel, which heavily trimmed gore and sex. Several scenes were cut out entirely.
- VerbindungenFeatured in The Kill Count: Beyond Re-Animator (2003) Kill Count (2019)
- SoundtracksRe-Animator Theme
Composed by Richard Band
Published by Re-Animator Music
Main Title Music by Reyn Ouwehand
Top-Auswahl
Details
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 302.586 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1