IMDb-BEWERTUNG
5,4/10
8185
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuGopal's blissful married life with Radha blemishes when Radha gets obsessed with the career of her friend, Suraj, who is a singer. Ripped apart by jealousy, Gopal deserts Radha.Gopal's blissful married life with Radha blemishes when Radha gets obsessed with the career of her friend, Suraj, who is a singer. Ripped apart by jealousy, Gopal deserts Radha.Gopal's blissful married life with Radha blemishes when Radha gets obsessed with the career of her friend, Suraj, who is a singer. Ripped apart by jealousy, Gopal deserts Radha.
- Auszeichnungen
- 2 Nominierungen insgesamt
Suman Ranganath
- Nita
- (as Suman Ranganathan)
Aishwarya Rai Bachchan
- Special Appearence
- (as Aishwarya Rai)
Alok Nath
- Dev Narayan
- (as Aloknath)
Laxmikant Berde
- Hasmukh
- (as Laxmimkant Berde)
Empfohlene Bewertungen
Hum Tumhare Hain Sanam is a total misfit in the age of Lagaan and Dil Chahta Hai or even Mere Yaar Ki Shaadi Hai. Gopal (Shahrukh Khan) gets married to Radha (Madhuri Dixit) whose childhood friend is Suraj (Salman Khan). Gopal is suspicious of Radha's continuing friendship with Suraj which leads to tensions between the married couple. That's about it! Other than that, the movie consists of long, boring and regressive monologues from Gopal on his ideas of an ideal wife and marriage. And how poor Radha suffers as a result of her husband's archaic beliefs. Paradoxically, the saving grace is Shahrukh Khan himself who incredibly manages to pull off each scene quite convincingly. However the movie is interspersed with light moments which provide relief from the hi-pitched drama. Madhuri expectedly looks quite old in some scenes (the movie took 8 years to complete) but delivers a reasonably good performance. Salman Khan, as always appears comfortable with his happy-go-lucky role. Aishwarya Rai in a guest appearance is completely wasted. The songs have the feel of the eighties (sample the 'khatiya' song making a comeback!), except for the hummable title song. On the whole the movie is just about watchable. But, if you have something else to do, give it a pass.
Hum Tumhare Hain Sanam is a jewel of a film in many ways. Shahrukh Khan and Madhuri Dixit turn in a couple of really fine performances. Salman Khan, in spite of having a good chemistry with both Dixit and the other Khan, fails to excite me much, however. He was competent, but I felt that his musical numbers were an unwelcome intrusion into what is otherwise a very mature, realistic look at a married relationship. As in real relationships, it is often the little misunderstandings that fester until they threaten to destroy lives.
In this case, the husband Gopal (Shahrukh), although devotedly in love with his new bride Rhada (Madhuri) is self-centered and short-tempered, and misinterprets the fond affection she feels for her childhood friend Suraj (Salman) as romantic love. In their turn, Suraj and Rhada are too immature and blind to realize how their relationship is tormenting Gopal. Gopal, instead of being honest with Rhada and expressing his frustrations, remains silent until it is nearly too late to save the marriage.
I think this is one of the best performances of Shahrukh Khan's career. Not generally known for restrained performances, he shows here that in the hands of a competent director he is a wonderful actor with a huge range; he goes from subtle to frantic to silly without ever losing the honesty of the character. His performance as Gopal is mature and finely nuanced with a depth of layers not generally common to Hindi films. Madhuri is wonderful, as always.
The two Khans always share a good screen chemistry, in spite of Salman's stilted acting talents, and they share one really well-acted scene together when Gopal, nearly mad with frustration, presses a gun into Suraj's hand and invites Suraj to shoot him, shouting "Don't you know I die each day because of you?"
It's a shame that this film didn't get more attention, but admittedly it has some problems. The sets are often shabby and cheap looking, the story doesn't always flow well, and as mentioned before, Salman's dance numbers are overblown and out of place. On the plus side, however, is the hauntingly beautiful title song, beautifully picturised with Sharukh and Madhuri. But on the whole, the film doesn't quite measure up to the callibre of Shahrukh Khan and Madhuri Dixit's performances.
In this case, the husband Gopal (Shahrukh), although devotedly in love with his new bride Rhada (Madhuri) is self-centered and short-tempered, and misinterprets the fond affection she feels for her childhood friend Suraj (Salman) as romantic love. In their turn, Suraj and Rhada are too immature and blind to realize how their relationship is tormenting Gopal. Gopal, instead of being honest with Rhada and expressing his frustrations, remains silent until it is nearly too late to save the marriage.
I think this is one of the best performances of Shahrukh Khan's career. Not generally known for restrained performances, he shows here that in the hands of a competent director he is a wonderful actor with a huge range; he goes from subtle to frantic to silly without ever losing the honesty of the character. His performance as Gopal is mature and finely nuanced with a depth of layers not generally common to Hindi films. Madhuri is wonderful, as always.
The two Khans always share a good screen chemistry, in spite of Salman's stilted acting talents, and they share one really well-acted scene together when Gopal, nearly mad with frustration, presses a gun into Suraj's hand and invites Suraj to shoot him, shouting "Don't you know I die each day because of you?"
It's a shame that this film didn't get more attention, but admittedly it has some problems. The sets are often shabby and cheap looking, the story doesn't always flow well, and as mentioned before, Salman's dance numbers are overblown and out of place. On the plus side, however, is the hauntingly beautiful title song, beautifully picturised with Sharukh and Madhuri. But on the whole, the film doesn't quite measure up to the callibre of Shahrukh Khan and Madhuri Dixit's performances.
Many people seem to dislike 'Hum Tumhare Hain Sanam', but according to me it was a very entertaining and watchable picture. The film deals with such themes as marriage, friendship, crisis, envy, ego and separation. I cannot say these issues were dealt with in a very realistic way, neither can I say the writing was at its best, but the film was generally well-made and the issues did provoke some thoughts in my mind despite the uneven execution.
This is the story of a newly married couple - Gopal and Radha. Radha is very close to Suraj, a childhood friend and a popular singer at present, and this is the film's main conflict. Gopal is increasingly more suspicious of his wife's continuing friendship with Suraj, whom she actually treats like a brother, but this leads to tensions and makes Gopal's life miserable. The story follows this conflict, Gopal's frustration, and looks at this triangle from many angles, letting the viewer have mixed feelings about the situation.
I liked the story and the concept was quite efficient. The dialogues ranged from poor to good to amazing, and the film, though fairly outdated, remains thoroughly enjoyable and engaging. Although towards the second half the proceedings become more intense, it for the most part works as a dramedy. The editing could have been better, but the music was excellent, especially the title song "Hum Tumhare Hain Sanam", which was a pleasure to the ears and which was well pictured on-screen. Another beautiful song is "Sab Kuchh Bhula Diya", sung by Sapna Awasthi and Sonu Nigam.
Where acting goes, the film is dominated by Shahrukh Khan who steals the show with his hilarious yet relatable character of a suspicious and principled husband. He is sincere, witty, sharp, uninhibited and impulsive here, and that's what makes his performance so entertaining and moving. Madhuri Dixit is as always very compelling and beautiful, while Salman Khan plays the golden-hearted pop star with restraint. Hum Tumhare Hain Sanam has many nice moments, and though it may not be an extraordinary film, it should definitely be a worthy watch for lovers of this genre and of Hindi films in general.
This is the story of a newly married couple - Gopal and Radha. Radha is very close to Suraj, a childhood friend and a popular singer at present, and this is the film's main conflict. Gopal is increasingly more suspicious of his wife's continuing friendship with Suraj, whom she actually treats like a brother, but this leads to tensions and makes Gopal's life miserable. The story follows this conflict, Gopal's frustration, and looks at this triangle from many angles, letting the viewer have mixed feelings about the situation.
I liked the story and the concept was quite efficient. The dialogues ranged from poor to good to amazing, and the film, though fairly outdated, remains thoroughly enjoyable and engaging. Although towards the second half the proceedings become more intense, it for the most part works as a dramedy. The editing could have been better, but the music was excellent, especially the title song "Hum Tumhare Hain Sanam", which was a pleasure to the ears and which was well pictured on-screen. Another beautiful song is "Sab Kuchh Bhula Diya", sung by Sapna Awasthi and Sonu Nigam.
Where acting goes, the film is dominated by Shahrukh Khan who steals the show with his hilarious yet relatable character of a suspicious and principled husband. He is sincere, witty, sharp, uninhibited and impulsive here, and that's what makes his performance so entertaining and moving. Madhuri Dixit is as always very compelling and beautiful, while Salman Khan plays the golden-hearted pop star with restraint. Hum Tumhare Hain Sanam has many nice moments, and though it may not be an extraordinary film, it should definitely be a worthy watch for lovers of this genre and of Hindi films in general.
Horribly cobbled together script make this film a torture to watch. The only saving grace is the acting of the three main actors, who try their best to rescue the cringey dialogues and awkward plot twists. They really deserved a much better script. Some of the scenes are so bad, so many plotholes. Also so much misogyny -- not just from Shahrukh's character, but in the entire film. Madhuri's character is infuriatingly childish to the point of appearing simple-minded. The aim was to make her naive, especially where Suraj is concerned, but she ends up coming off as an 8-year-old in a 30-year-old's body. The only redeeming moments are Shahrukh's comic moments, which he executes brilliantly.
I really enjoyed watching this movie from start to finish, and the music was great especially the soundtrack, that would have to be my favourite song.
All 3 actors Salman Khan,Shah Rukh and Madhuri gave great performances, Shah Rukh and Madhuri are a couple and Salman plays her best friend and of course like every bollywood film things get complicated, but in my eyes i believe that a man and woman can be friend, i have loads of guy friends and if i need some relationship advice i would go and see one of my guy friends, they can offer better advice than a woman can.
The ending was really nice as well, i don't want to say much but i can say that it is worth watching.
All 3 actors Salman Khan,Shah Rukh and Madhuri gave great performances, Shah Rukh and Madhuri are a couple and Salman plays her best friend and of course like every bollywood film things get complicated, but in my eyes i believe that a man and woman can be friend, i have loads of guy friends and if i need some relationship advice i would go and see one of my guy friends, they can offer better advice than a woman can.
The ending was really nice as well, i don't want to say much but i can say that it is worth watching.
Wusstest du schon
- WissenswertesThe film was eight years in the making - a very long time, even for Bollywood.
- PatzerDue to delays in filming, Salman Khan's hairstyles keeps oscillating between 1997 and 2002.
- Crazy CreditsDue to a legal dispute between music director duo Nadeem-Shravan and producer K.C. Bokadia over the soundtrack, the "Music by" credit reads as "6 Top Music Directors", with no credit to Nadeem-Shravan for two songs they composed in the film.
- SoundtracksAa Gaya Aa Gaya
(Uncredited)
Written by Sameer
Composed by Nadeem Saifi and Shravan Rathod
Performed by Udit Narayan
Courtesy of Super Cassettes Industries Limited (T-Series)
Top-Auswahl
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Details
Box Office
- Weltweiter Bruttoertrag
- 3.657.644 $
- Laufzeit
- 2 Std. 54 Min.(174 min)
- Farbe
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