Mudhalvan

If I had'nt seen this movie before seeing the same director's Indian/Hindustani which had released 3 years earlier, I may not have been so very impressed. While Mudhalvan represents an excellent movie by itself, the director had already produced a movie which was simply much bigger and better, earlier, which thus takes expectations a bit higher.

One of the subjects handled in Mudhalvan, namely caste-based politics and vote banks, is very important. If it were'nt for the running time, I think that the same subject should have been explored further. I also did'nt appreciate Arjun in the movie, reducing the caste nos to 4, instead of eliminating caste based reservation in totality? I guess caste based politics have a hand even in movies. See some vijaykanth movies if you want more on that subject.

This movie is without a shadow of a doubt, Arjun's best performance in his career. While it may not be Shankar's best, it is again without doubt, one of Shankar's better movies and a must watch.

The movie revolves around Pugazhendi, a journalist who gets a chance to become one day CM of Tamilnadu. What happens next forms the crux of the story. Arjun as Pugazhendi and Raghuvaran as Aranganathan were apt. Manisha Koirala doesn't have much job. Other character artists like Manivannan, Vadivelu did thier job pretty well. Shankar's story and screenplay are totally lit. Coming to the technicalities, Production value, set designs, fight choreography, CGI were totally great (at that time). Music by A. R. Rahman is a highlight. The movie runs for around 3 hours, but you never feel lag. Shankar succeeds in giving a commercial movie with some social message. Highly recommended movie!

Needless to say this is one of shankar's magnum opus back in the days at the dawn of the millenium. a thought provoking innovative storyline that deserves lot of praise and credit. The technical values production and music by AR Rahman are simply one of the best. down south.

One of the highlights is the sharp 35mm cinematography by KV anand at its finest follows a creative ad style nuance with quick cuts and zoom in effects. The story screenplay follows continuously throughout the film keeping u at the edge of the seat. AR Rahman's music needs no mention here as again the maestro has given us his finest tunes.The real star of the film was veteran Raghuvaran who played the corrupt politician role in a perfect manner. All the other subcasts did justice to their roles. Anyone will be truly amazed by the ending climax scene and what it meant to the protagonists.A truly trendsetter movie.

The movie has its usual cinematic moments. But, the message comes from the heartfelt anguish. The happenings in the country currently attest to this fact and instead of just pointing out the problems, this attempts to point out some of the solutions as well. Very commendable.

You all may find this review to be a little exaggerated but that is exactly the truth. Nothing but the truth. I have to say, till this date, except for a few exceptions like the movies by Shyam Benegal or Satyajit Ray or for that matter, Satya and Khamoshi, Sholay, Angoor and a few others, I haven't seen such a DIFFERENT and THOUGHT PROVOKING, PRAISE INVOKING AND MARVELLOUS movie as Mudhalvan.

It is and will remain an eye-opener for all those in the Indian film industry who have been experimenting with the same love formula umpteen number of times and in effect, producing some of the most sensationally boring love stories of all times (Example: Kaho..Naa Pyar Hai). Hitting us like a bullet, the plot moves swiftly, never leaving any time to think. The story and screenplay, by Shankar himself, deserve mention for being creative, complete and utterly enjoyable to watch.

Shankar deserved an award for making this movie with such style and technique, while also keeping the story and other aspects in mind.

Pros. Award winning direction, dialogues, script, music, background music, cinematography, first-rate performances by Arjun, Manivannan, Raghuvaran and above all, the super climax, and excellent song picturization.

Cons. Manisha, who looks too flabby and old in some scenes