The Mission - Ihr Geschäft ist der Tod

Shot lovingly at a measured pace, the Mission is one of the best films I've seen all year.

The cinematography is simply incredible. Combined with a strong score and excellent sound, it sets the tone and pace of the film. Rather than rushing the gun battles and creating the furious duels of John Woo films, the Mission takes a slow measured approach. The bodyguards cover one another and move in harmony, taking up advantageous positions from which to strike. They do this slowly and methodically, but with an air of cinematic perfection to their languid movements. When they fire their guns, the weapons thunder and bullets either ricochet off or shatter their targets. No stock sound effects here - this is as good as Heat or Saving Private Ryan in the intensity and quality of its weapons fire.

The acting is first rate with much of the communication left unspoken. These men don't need to ramble on to one another, a few sentences or a simple gesture convey all the information that is required. All five of the bodyguards turn in first rate performances that leave you with a real sense of both who these men are and what they are all about.

The theme here is loyalty - and while it might be a simple one, this is one of its finest presentations. Definitely worthy of one's time.

I really enjoyed this movie, from the first 5 minutes. It's an edgey, not very dialogue driven action movie, but the cast really did a great job. This isn't to say the movie was just one shootout after another.

It isn't a mainstream "A Better Tomorrow" type Hong Kong gangster movie, and doesn't pretend to be. It's dark, the characters don't verbalise what they want to do or are thinking, but the nuances are all there. But it's befitting of the setting - they're Asian, male hired hands. It's not realistic expect them to be all philosophical and willing to wear their hearts out on their sleeve.

I also liked the movie because it cast some of the finest Hong Kong actors who were really working as a team, and no one was really glamourised to be the hero. Anthony Wong epitomises cool as his character Curtis (in Chinese his character's name was really "Ghost") with more grunts than dialogue.

Francis Ng does his edgey best, as does Roy Cheung. All three went on to make Infernal Affairs, one of my all-time favourites.

Five bodyguards find out who plotted the abortive attempt to kill their boss. Their quest in nocturnal Kowloon stands out from most Hong Kong gangster movies. Beautifully shot in widescreen format it has a repetitive score that emphasizes the camaraderie between the five main characters.

Having sworn to never watch Hong Kong films, save those by Wong Kar Wei, the only reason I saw this film was the good reviews it received from the Hong Kong Film Critic Society. And I must admit it was a most pleasant surprise.

The film is a slick and well packaged story of five strangers in gangland coming together to get a job done, namely that of keeping a triad boss alive. The characters, while still stereotyped to a certain extent, are not the usually uncontrolled triad powermongers that are often portrayed in other less palatable fare. These people are professionals, and they knew how to get a job done. Faced with a sniper, none of them panic, and each of them know exactly what to do. The scene in the mall was tightly controlled and well orchestrated, with minimal movement and gun fire adding more to the tension then any hail of bullets can.

The direction of Johnnie To evokes images of films by John Woo, whose scenes of gun fights have always, in my opinion, verged on poetry in motion. To's characters are restrained, while the same degree of subtlety is employed with the plot. The audience, in my opinion an often mindless group who are unwilling to think and must be spoon fed every little detail, are left to find meanings and hints in little gestures.

The film also reminds me of Things To Do In Dallas, When You Are Dead. Five strangers, called together to serve a mob boss who is past his prime. And again, there is conflict among members of this special 'team'.

In the end, aside from a less than believable plot line, The Mission scores high on its entertainment value, both in its visual style and delivery.

i saw this movie at local festival named "the art of enmity", playing several well-known hong kong flicks. those i already knew were the popular "bloods & guts & dance & fight" type. so i expected "the mission" to at best be an entertaining action movie with lots of stereotypes.

it turned out to be quite different, and i felt pleasantly surprised.

the basic plot is rather classic: 5 guys are hired to protect a triad boss, who is assaulted on a regular base.

the difference to other movies from this genre is that none of the 5 turns out to "the hero" (they work as a group), there are no ridiculous stunts, stupid over-reactions, or silly pride (they calmly do their job), and the main character is not the boss or his right hand (his bodyguards are).

of course there is some fighting and shooting, but with comparably small amounts of bullets and blood. the highlight is a scene in a mall, where the bodyguards and the assassins are only a few meters apart, and calmly wait for each other to make the first move. several minutes of people standing around and smooth music in the background - and yet, more tension than in any hollywoodesque thriller.

occasionally, there are small scents of humor (for example when they start a soccer match with a paper ball while waiting for their boss), but no "fun".

we often see the boring side of the work as a bodyguard: drinking coffee, watching surveillance cameras, walking circles, driving the wife shopping. these sequences are short enough to not bore the viewer, but long enough to make him feel glad not to be in their position.

on the negative side, i found that it took the movie unnecessary long to get going. there's not much interesting happening before the 5 get together. clearly, the movie is about their relationships among each other, and their behavior as a group. so the short introduction to the characters alone didn't really add much.

if you are just looking for yet-another-hong kong-flick, you will be disappointed. i myself am glad it didn't fulfill my expectations. 8 of 10.