The Mission - Ihr Geschäft ist der Tod

As the movie began, I heard some cheesy, yet haunting, music sounding off. "Oh, great," I said. "Another lame Hong Kong shoot-em-up flick!" This film is definitely not that. The story may be simple, but that fine. It's solid. It's more of a character driven film anyway. I really liked the characters a lot. The gunplay was realistic for the most part and provided good action. The ending is excellent.

I really enjoyed this movie, from the first 5 minutes. It's an edgey, not very dialogue driven action movie, but the cast really did a great job. This isn't to say the movie was just one shootout after another.

It isn't a mainstream "A Better Tomorrow" type Hong Kong gangster movie, and doesn't pretend to be. It's dark, the characters don't verbalise what they want to do or are thinking, but the nuances are all there. But it's befitting of the setting - they're Asian, male hired hands. It's not realistic expect them to be all philosophical and willing to wear their hearts out on their sleeve.

I also liked the movie because it cast some of the finest Hong Kong actors who were really working as a team, and no one was really glamourised to be the hero. Anthony Wong epitomises cool as his character Curtis (in Chinese his character's name was really "Ghost") with more grunts than dialogue.

Francis Ng does his edgey best, as does Roy Cheung. All three went on to make Infernal Affairs, one of my all-time favourites.

Five bodyguards find out who plotted the abortive attempt to kill their boss. Their quest in nocturnal Kowloon stands out from most Hong Kong gangster movies. Beautifully shot in widescreen format it has a repetitive score that emphasizes the camaraderie between the five main characters.

Shot lovingly at a measured pace, the Mission is one of the best films I've seen all year.

The cinematography is simply incredible. Combined with a strong score and excellent sound, it sets the tone and pace of the film. Rather than rushing the gun battles and creating the furious duels of John Woo films, the Mission takes a slow measured approach. The bodyguards cover one another and move in harmony, taking up advantageous positions from which to strike. They do this slowly and methodically, but with an air of cinematic perfection to their languid movements. When they fire their guns, the weapons thunder and bullets either ricochet off or shatter their targets. No stock sound effects here - this is as good as Heat or Saving Private Ryan in the intensity and quality of its weapons fire.

The acting is first rate with much of the communication left unspoken. These men don't need to ramble on to one another, a few sentences or a simple gesture convey all the information that is required. All five of the bodyguards turn in first rate performances that leave you with a real sense of both who these men are and what they are all about.

The theme here is loyalty - and while it might be a simple one, this is one of its finest presentations. Definitely worthy of one's time.

Having sworn to never watch Hong Kong films, save those by Wong Kar Wei, the only reason I saw this film was the good reviews it received from the Hong Kong Film Critic Society. And I must admit it was a most pleasant surprise.

The film is a slick and well packaged story of five strangers in gangland coming together to get a job done, namely that of keeping a triad boss alive. The characters, while still stereotyped to a certain extent, are not the usually uncontrolled triad powermongers that are often portrayed in other less palatable fare. These people are professionals, and they knew how to get a job done. Faced with a sniper, none of them panic, and each of them know exactly what to do. The scene in the mall was tightly controlled and well orchestrated, with minimal movement and gun fire adding more to the tension then any hail of bullets can.

The direction of Johnnie To evokes images of films by John Woo, whose scenes of gun fights have always, in my opinion, verged on poetry in motion. To's characters are restrained, while the same degree of subtlety is employed with the plot. The audience, in my opinion an often mindless group who are unwilling to think and must be spoon fed every little detail, are left to find meanings and hints in little gestures.

The film also reminds me of Things To Do In Dallas, When You Are Dead. Five strangers, called together to serve a mob boss who is past his prime. And again, there is conflict among members of this special 'team'.

In the end, aside from a less than believable plot line, The Mission scores high on its entertainment value, both in its visual style and delivery.