Intacto

This film puts you in the middle of a world where luck isn't all luck. In this world some people really *do* have more luck than others, and it can be transferred from one person to another by touch. But this isn't a film that spells things out-you're immersed and have to figure it out on your own.

Very early in the film we see Federico win several rounds of roulette in a row, betting on single numbers. He goes to see the owner of the casino, Sam (Max von Sydow), who hugs Federico (taking his luck) and then throws him out of the casino. Federico wants revenge, so he begins to look for a very lucky person to help him. He finds Tomás, the sole survivor of a plane crash.

To say more about the plot would give away too much, so I won't. The film is visually beautiful and unique, and there are a few scenes that will likely stick with you for weeks (I can say this with certainty since as I write this it's been over two weeks since I watched the film). I'm not normally someone who seeks out thrillers, but I'm very glad I saw this one.

Seen on 11/9/2002 at the 2002 Hawaii International Film Festival.

The more I think about this film, the more I liked it. The script was extremely well-written, with appropriate twists and turns for each of the numerous characters-- not just the antagonist and one other, as usually happens.

It's a great idea. What if Luck were a quantifiable commodity, and certain people had the ability to take it from others? What if such people were only one in a billion? The premise reminded me somewhat of "Unbreakable," but this movie has so many more complex characters and is so much better written-- yes, really.

However, the more I think about this film, the more I realize how much I disliked the cinematography, editing, production design, and lighting. I know they probably didn't have a lot of money to spend, but a good DP isn't hard to find. Making much of the movie literally dark to go with the psychological darkness was a fine idea, but executed poorly. It's unfortunate.

The script would make a great read, though, and I suspect that's why the film was able to be made. Those talking about "Adaptation" as an argument for a screenplay to be a legitimate piece of literature would do well to read "Intacto," and leave it at that.

As a film, though, I'd still recommend it. Good job keeping Max von Sydow away from the other actors... he acts circles around them. But the others do okay too. 8/10.

What is perhaps crucial about this movie is that it is shaped for a sophisticated cine-maniac,not so very keen about action and plot,rather willing to focus on the very atmosphere of the movie and the questions it puts in front of the viewer.

Whole idea of the movie is to find the real connection between love and luck,to investigate whether they are two sides of the same story. If one believes love could be a drug much more powerful than heroine , what to tell about luck - especially if one's life is all about taking advantage and satisfaction of luck possessed.

Slow,bit dream-like narration,avoiding obvious solutions,think-forcing movies and great photography makes Intacto my favorites.

To conclude I can quote Jill Scott:"gave me things to think about"

A masterpiece of the new wave of Spanish cinema that is invading the world in this new millennium, this strange, fascinating thriller has one of the greatest ideas of all times used very well till the end of the movie: imagine someone who has the power to steal good luck from other people and using it he may become powerful, but bored in the end. So he uses his wealth to research other people who has the same power or a similar one (people who has survived all sort of terrible accidents) to challenge them in a sort of Russian roulette. Max Von Sydow is the old concentration camp survivor that establish this "game", while other interesting faces of the Spanish scenario are his comrades in this trade over each other destiny that is gripping, tense and full of surprise until the end, when all comes full circle and you exit from the cinema conscious that you have seen a gem, a rare, rare gem.

There is a strange atavistic, primitive even primeval core to this film. I spent part of my childhood in south west Ireland; I can clearly remember that people (men with a winning streak at the races or at cards or anything where luck is involved) would be touched by others to steal some of their luck. Those individuals with the lucky streak would do their best to avoid such contacts, often with threats of violence! This was all over sixty years ago. These primitive superstitions ought not to be easily discounted. Not so long ago man was much closer to the shadows of the forest than we sophisticates. The evil eye was a real force, the green man really existed. Our ancestors knew this. I loved this film I know something of what the film is trying to recapture before it's lost forever. It's not an easy film to sit through first time but stick with it. There's gold here. Technically it's making is first class. The acting is flawless and the directing to die for; it succeeds brilliantly on every front. This film will remain in my collection of great film memories. I recommend it to all and pay homage to those who made it.