Joyû-rei

For his first ever debut this film has some riveting and chilling moments. In the best horror film fashion the pit of your stomach tightens every moment during this film. The ending is superb. The makers of Blaire Witch obviously watched this film it's ending wasn't an end but a beginning of the end. A great movie and only a piece of Japan's great as far as scare factor a perfect score it makes you think and scared out of your mind.

This Japanese horror film, originally called 'Joyû-rei' and was one of the first films directed by Hideo Nakata of 'Ringu' or 'The Ring' fame, has its fair share of truly creepy and unsettling moments. However, the ending was way too rushed and unfulfilling for this film to merit a higher ranking, in my opinion.

Having said that, I still believe that this spooky Japanese film ought to have more recognition not only for historical reasons because of the similarities to 'Ringu' and as the director Hideo Nakata's first real film but also because it gets some things better than modern horror films.

A worth-while watch for an introduction to the origins of modern J-Horror. As a Freshman directorial effort some aspects show through as "need improvement,"; continuity of story, backstory development, score, lighting - however, the concept of this film became the backbone of J-Horror and the foreshadowing of many of what we now call cliches in Asian Horror. That being said, by today's standards not a "scary" film nor one that will be memorable for younger audiences.

After watching this film last night on Sundance, I realized that much of Nakata's style was first done in this film. Here we have many of the same elements of the RINGU series, especially the idea of the media being the source of the supernatural. Instead of the cursed videotape, we instead having a haunted studio and strange images appearing on film. In fact, the strange images appearing on film brings immediately the cursed videotape in RINGU to mind. The only thing missing was the obsession to water that runs through Nakata's later films. The final scenes are quite chilling, with a bit of a nod to Murnau, what with the door opening by itself ands the ghost entering the room, reminds me immediatly of

NOSFERATU. A chilling movie that will make think twice about going up to a catwalk.

Second feature film from the man who would go on to make The Ring and Dark Water, indeed his very first film if you exclude, as I see IMDb do, a 'pink'. but first or second it is a great effort and if it doesn't totally succeed it certainly has some very creepy moments and is breaking new ground for a ghost film. He is already using the media, ghostly images appear superimposed upon the film he is using to shoot a melodrama, and utilising the long haired maniacal girl/ghost image. Modest running time exactly in accordance with the requirements of the story; if only all directors would go short if the story did not warrant more. A little confusing now and again because Mr Nakata does not lay everything out that obviously but well worth catching.