The Score

The caper doesn't have a perfect plot -- either as a movie or a crime. Too much is left to chance or quite formulaic. How many times have we seen a soon-to-retire/just-retired master thief called up by a life-long friend/partner/lover for one last job with a huge pay-off and forced but whatever means to work with a young, arrogant unknown? But despite my best efforts to dismiss this movie, the three main actors are captivating ... passing the viewers' attention around as effortlessly as the Harlem Globetrotters with a basketball. It's well-worth seeing just for the acting, but it's sad to think what was missed by not giving these guys a better script.

Seven of ten from me.

A robber, Nick (Robert De Niro) wants to retire and marry his girlfriend (Angela Bassett). But a friend of his Max (Marlon Brando) convinces him to do one last job with young brash Jackie (Edward Norton). Naturally something goes wrong. Nothing new or inventive here but very well-done and engrossing. Also it's a pleasure to see three exceptional actors doing good work and enjoying themselves (especially Brando). Only complaint--Bassett (another great actor) is completely wasted. Worth catching. Also, it needs to be seen on a wide screen--director Frank Oz uses the whole screen inventively more than once.

Yes, it's a cliché script, but it's a good one. De Niro, Norton and Brando in a classic heist movie from 20 years ago. What do you want more? It's 2 hours of oldschool moviewatching. Not too deep, no psychology, just a plan to rob an artefact and everything that can go wrong with that. De Niro and Norton team up with Brando on the background doing his cottonball in mouth dialogues. The movie delivers what it promises.

First of all, I didn't hate this movie. The acting was good, the locations were colorful and interesting, and I wasn't bored. (Even though the plot of the movie moved slowly, each scene was interesting for one thing or another.) But we've all seen this basic plot many times. Sometimes seeing a formula once again can be fun, if it's filled with energy or a different perspective. But this movie just seemed content to present what we've seen before, and add nothing new to them. If you're bored this movie will do, but I don't think it's one to go out of your way for.

(P.S. - Fans of Brando and Bassett will be disappointed; not only are their roles very small, but their parts could easily have been written out with no real consequence to the story.)

`The Score' is a fun, stylish return to the `Rififi,' `Topkapi' school of crime drama. The object of this particular heist is a 17th Century royal scepter from France that happens to be languishing in the basement of the Montreal customhouse just asking to be taken. One of the would-be takers is Nick Wells (Robert De Niro), a seasoned heister dreaming of the quiet life of retirement but compelled to do this one last job as a favor to Max (Marlon Brando), an old buddy in hock to some pretty dangerous mob figures. Completing the triangle is Jack Teller (Edward Norton), a brilliant but brash young criminal mastermind whose high-risk temperament is placed in direct counterpoint to Nick's cool, levelheaded demeanor.

Perhaps the most amazing triumph for director Frank Oz is his success at pulling together this impressive cast of stellar heavyweights who cut across three generations of movie acting. Of course, one might wish to see them in roles more demanding of their thespian talents, but we moviegoers will take these three superstars any way we can get them. And `The Score' is certainly very entertaining on its own terms. The technical elements involved in the planning of the heist are beautifully detailed from start to finish. And Oz generates genuinely nail-biting suspense in many sequences involving close quarters and close calls. In addition, the Montreal setting is novel and fresh and it is enhanced by some very impressive wide screen photography.

A film like `The Score' lives or dies based on the intricacy of its plotting and the expertise of its craft. In both cases, `The Score' excels as an outstanding example of this noble and time-honored genre. And watching these three acting giants doing their thing in a movie together is OUR well-earned reward.