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IMDbPro

Sasori Vol.1 - Scorpion

Originaltitel: Joshû 701-gô: Sasori
  • 1972
  • 18
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
7,2/10
5355
IHRE BEWERTUNG
Meiko Kaji in Sasori Vol.1 - Scorpion (1972)
Gefängnis-DramaDramaKriminalitätThriller

Nachdem sie von dem Detektiv, in den sie sich verliebt hatte, benutzt und verraten wurde, wird die junge Matsu in ein Frauengefängnis voller sadistischer Wachen und ungehorsamer Gefangener g... Alles lesenNachdem sie von dem Detektiv, in den sie sich verliebt hatte, benutzt und verraten wurde, wird die junge Matsu in ein Frauengefängnis voller sadistischer Wachen und ungehorsamer Gefangener geschickt.Nachdem sie von dem Detektiv, in den sie sich verliebt hatte, benutzt und verraten wurde, wird die junge Matsu in ein Frauengefängnis voller sadistischer Wachen und ungehorsamer Gefangener geschickt.

  • Regie
    • Shun'ya Itô
  • Drehbuch
    • Fumio Kônami
    • Hirô Matsuda
    • Tooru Shinohara
  • Hauptbesetzung
    • Meiko Kaji
    • Rie Yokoyama
    • Yayoi Watanabe
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    5355
    IHRE BEWERTUNG
    • Regie
      • Shun'ya Itô
    • Drehbuch
      • Fumio Kônami
      • Hirô Matsuda
      • Tooru Shinohara
    • Hauptbesetzung
      • Meiko Kaji
      • Rie Yokoyama
      • Yayoi Watanabe
    • 44Benutzerrezensionen
    • 53Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 3:02
    Trailer

    Fotos83

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    Topbesetzung52

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    Meiko Kaji
    Meiko Kaji
    • Nami Matsushima (aka Matsu the Scorpion)
    Rie Yokoyama
    Rie Yokoyama
    • Katagiri
    Yayoi Watanabe
    Yayoi Watanabe
    • Yukiko Kida
    Yôko Mihara
    Yôko Mihara
    • Masaki
    Akemi Negishi
    Akemi Negishi
    • Otsuka
    Keiko Kuni
    • Nemoto
    Yumiko Katayama
    • Kitô
    Emi Jô
    • Morikawa
    Sue Mitobe
    • Imune
    Chie Kobayashi
    • Dobashi
    Rie Yuki
    • Tatsuno
    Hideo Murota
    • Okizaki
    Saburô Date
    Saburô Date
    • Kaizutoshi
    Shinzô Hotta
    • Furuya
    • (as Shinzo Hotta)
    Yôichi Numata
    • Soga
    Takeo Kamura
    Shirô Hisano
      Takashi Hio
      • Takenaka
      • (as Kôji Hio)
      • Regie
        • Shun'ya Itô
      • Drehbuch
        • Fumio Kônami
        • Hirô Matsuda
        • Tooru Shinohara
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen44

      7,25.3K
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      8EVOL666

      Another Great Japanese Exploit/Pinky Film...

      I'm really starting to love this era in Japanese exploit film-making. As of this writing I've only seen slightly more than a handful of these films, but they all tend to be top-notch. I end up saying the same things about all of them, and FEMALE PRISONER SCORPION is not much different - excellent sets, interesting and deep story lines, good acting, beautiful camera-work - all the sorts of things that you wouldn't expect to see in an exploitation film, but the Japanese did it consistently in those days spawning plenty of truly excellent trash films...

      The FEMALE PRISONER in question is a nice girl who just had a run of bad luck. Her scumbag boyfriend is an overly ambitious cop who uses her as bait in trying to bust a crime ring. When the bust goes to hell, the criminals and the ever chivalrous boyfriend/cop make a deal to hang homegirl out to dry. She ends up in jail and after a failed jailbreak, is abused in all kinds of fun and sleazy ways. A riot eventually ensues in the jail and this time our heroine makes it out to seek revenge on the man who scorned her...

      I have to honestly say that FEMALE PRISONER is not quite as compelling and "beautiful" as say, LADY SNOWBLOOD (who is also played by our leading lady in this film...), or maybe SCHOOL OF THE HOLY BEAST, but it is still a very enjoyable, artfully sleazy film that definitely holds up on it's own. Recommended to fans of any Japanese exploit/pinky film - this one won't disappoint. 8.5/10
      8mmushrm

      Still good after 39 years

      Just watched Female Prisoner #701: Scorpion 39years after it came out and it is still a good movie.

      This is the 1st of the Female Prisoner #701: Scorpion series (I had actually watched it backwards from 4 to 1), and it shows how the "Scorpion" ended up in prison and how hard she is. The Scorpion is HARD.

      The movie has all the prison exploitation themes, sadistic guards, naked prisoners, mean prisoners, torture etc. But it also has the Scorpion; imagine Cool Hand Luke but who does not talk, with no humour, a willingness and readiness to kill/injure/maim her tormentors and a single mindedness quest for vengeance. Meiko Kaji (actress) is more widely known for her Lady Snowblood character and movies but IMO her Scorpion Character is way more awesome.

      I recommend this movie just so you have a lead up to the second movie Female Convict Scorpion Jailhouse 41 which is a MUST watch.
      7EdIsInHell

      KIller Japanese W.I.P. Film, Now This Is How They Should Be Done.

      Brutal, evil, nasty and gory. Looking very much forward to the second film in the series.

      Meiko Kaji is a beast. If you are into this genre then do not pass this one up I guarantee you will dig it.
      8TheAnimalMother

      Her Song Of Vengeance

      Some films, while not entirely believable are still able to pull you into them and make you invest your interest and full attention in them nonetheless. This is such a film. While it's not entirely believable, to me it's a film that is still extremely interesting and enjoyable. Of it's subject matter, this may truly be the best film of it's kind. Even with it's age and fairly low budget, somehow it still comes across to me as very poetic. Violent poetry no less, but there's certainly much more to it than just violence. This film inspired at least 6 sequels I believe, and it has been an inspiration for many remakes and imitators too. The Kill Bill films are two of them at least to some degree, they certainly draw inspiration from it at least. This is overall quite an amazing little film. It's brutal, yet still somehow it is also quite beautiful. These are not easy things to balance in the art of filmmaking, but here it is on wonderful display.

      8.5/10.
      10Witchfinder-General-666

      Brilliant - The Definition Of Exploitation-Art

      Shunya Ito's "Joshuu 701-gô: Sasori" aka "Female Prisoner #701: Scorpion" of 1972 is an absolutely brilliant masterpiece of Japanese Exploitation cinema that is not quite comparable to anything else. The WIP (Women In Prison) sub-genre may have brought a bunch of highly entertaining flicks, but each of the four "Sasori" films (all of which were released between 1972 and 1973) outshines any other movie of the kind by a million times. Not only does "Joshuu 701-gô: Sasori", or "Sasori: Scorpion" as it is entitled here, outshine any other kind of WIP flick, this is one of the films that reign supreme in Exploitation cinema generally. More than any other movie, this film combines Exploitation and Art-house cinema, sleaze and artistic beauty in a most unique way. The absolutely divine Meiko Kaji is the star of this unforgettable film and nobody else could have played the leading role of Nami Matsushima aka. Sasori with such brilliance. Not only does she play the lead, Meiko Kaji also sings the beautiful theme song to this film, one of the greatest and most memorable pieces of Japanese film score ever, "Urami-Bushi", which became known to a wider Western audience when Tarantino used it for the soundtrack of "Kill Bill 2".

      Raped, imprisoned tortured and abused, female prisoner #701, Nami Matsushima lives only for two things, escape from the hellhole of a woman's prison she is incarcerated in, and revenge on her former lover, who used her for his benefit and is responsible for all her misery. Due to her toughness and power of endurance, Nami, who is constantly tortured by sadistic guards in order to break her will, is referred to as "Sasori" ("Scorpion") by her fellow female prisoners...

      The stunningly beautiful Meiko Kaji, one of my personal favorite actresses of all-time, plays her role with sheer brilliance. Sasori, who hardly says a word has an incomparably vengeful determination in her eyes, and Kaji's performance seems to become greater each time I see this movie. The rest of the performances are also outstanding, above all Riye Yokoyama, who is excellently sadistic as Katagiri, another female prisoner who hates Sasori, and Fumio Watanbe as the sadistic prison warden Goda. "Sasori" truly is an absolute exploitation highlight, and probably THE movie in which exploitation and art-house elements complement each other the most. The opening sequence, in which hundreds of naked women have to walk down a narrow hallway in a humiliating exercise (to the song "Urami-Bushi") alone is the best example for that, and furthermore one of the most memorable sequences ever in exploitation cinema. This movie is sleazy and often extremely brutal, with nasty scenes of rape, murder and sadistic torture, and yet so incomparably beautiful and often symbolic in its extreme violence and sleaze. The entire "Sasori" series with Meiko Kaji reigns supreme in the WIP sub-genre, and is a truly brilliant highlight of Japanese Exploitation cinema. Every fan of Exploitation and every lover of film in general MUST SEE this first "Sasori" film and personal favorite of mine, which easily deserves the highest rating of 10/10!

      Verwandte Interessen

      Morgan Freeman and Tim Robbins in Die Verurteilten (1994)
      Gefängnis-Drama
      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Drama
      James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Die Sopranos (1999)
      Kriminalität
      Cho Yeo-jeong in Parasite (2019)
      Thriller

      Handlung

      Ändern

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      • Wissenswertes
        Japanese director Sion Sono references this series in many of his movies: Lady Scorpion from Love Exposure (2008), art-house horror elements in Exte - Hair Extensions (2007): hair extensions and revenge sexual torture in Guilty of Romance (2011).
      • Patzer
        Quite a few of the strikes in torture, attack and fight sequences obviously didn't actually make contact with the victim. One of the worst is when an inmate causes "blood" to gush from a guard's head when the shovel blade she swung at him missed by at least 6 inches.
      • Zitate

        Nami Matsushima: To be deceived is a woman's crime.

      • Verbindungen
        Edited into S/s/s: Beyond Any Doubt (2012)
      • Soundtracks
        Urami-Bushi
        (Song of Vengeance)

        Written by Shun'ya Itô and Shunsuke Kikuchi

        Sung by Meiko Kaji

      Top-Auswahl

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      FAQ13

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      Details

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      • Erscheinungsdatum
        • 25. August 1972 (Japan)
      • Herkunftsland
        • Japan
      • Sprache
        • Japanisch
      • Auch bekannt als
        • Female Prisoner #701: Scorpion
      • Drehorte
        • Japan
      • Produktionsfirma
        • Toei Company
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Technische Daten

      Ändern
      • Laufzeit
        • 1 Std. 27 Min.(87 min)
      • Farbe
        • Color
      • Sound-Mix
        • Mono
      • Seitenverhältnis
        • 2.35 : 1

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