Sasori Vol.1 - Scorpion

I've seen a handful of women in prison films and before seeing this one, hadn't seen a really good one. It's a genre closely associated with lesbian sex, torture and general sleaze and is one of the staples of the oeuvres of Italian trash directors such as Jess Franco and Joe D'Amato. Female Convict Scorpion adheres to the trends of the genre, but it does it with so much more class than the majority of genre offerings and the result is a film that transcends its trash origins into masterpiece territory. Female Convict Scorpion excellently straddles the boundary between the two types of film - its trash shot as art! Like most women in prison films, this one focuses on one particular prisoner inside a women's prison. The prisoner is Nami Matsushima, a woman betrayed by her boyfriend (a police officer with mob ties) and wrongly imprisoned. She wants revenge on the man who put her in jail, and since she knows a lot of his secrets; he wants her dead. The policeman/mobster soon decides to have one of the other prisoners arrange an "accident" for Nami Matsushima...

The film starts as it means to go on; first we get a prison break that sees two prisoners hunted down and caught by the ruthless prison guards, and the next scene sees a bunch of naked women being directed about by said prison guards. There is not as much sleaze in this film as there is in my other women in prison flicks, but there's more than enough - and the fact that it doesn't go over the top means that the sleaze we do get is far more potent. The film is also rather gory, and although much of the violence is in a comic book style, seeing the blood spill is still a treat. The film features some stunning cinematography, and director Shunya Ito is obviously keen to get the art-house style across as much as possible. There's also several excellently shot sequences; the scene involving a disgruntled inmate rampaging through the showers with a shard of glass being particularly excellent. It's all topped off by a sensational performance by Meiko Kaji in the lead role, and overall; it has to be said that Female Convict Scorpion is a masterpiece that does not deserve to be missed!

The woman in prison exploitation sub-genre doesn't exactly have the best reputation for example Bare behind bars and SS experiment love camp comes to mind but this is something different. Firstly It feels more like an art film by the way its shot. It uses interesting compositions and at lighting. The nudity in the film doesn't feel like its sexual well to me anyway maybe a sadist would see it differently. The initial rape scene in the film is done so it's not too graphic and hard to watch similar to the one seen in Lady Snowblood. On top of all that the writing is terrific, the motivation of the Sasori isn't revenge for the rape. It's revenge for the double crossing which drives her to put up with the struggles of prison life so that she might get out. What i love about the main character is that she hardly talks throughout the film and does all the communicating with her eyes. Which leaves you guessing what she will do next. The music is great and the movie is action packed with a satisfying ending the only part that didn't seem right was the random Lesbian scene which felt out of place but they justify it later. so give it a watch you won't be disappointed.

Just watched Female Prisoner #701: Scorpion 39years after it came out and it is still a good movie.

This is the 1st of the Female Prisoner #701: Scorpion series (I had actually watched it backwards from 4 to 1), and it shows how the "Scorpion" ended up in prison and how hard she is. The Scorpion is HARD.

The movie has all the prison exploitation themes, sadistic guards, naked prisoners, mean prisoners, torture etc. But it also has the Scorpion; imagine Cool Hand Luke but who does not talk, with no humour, a willingness and readiness to kill/injure/maim her tormentors and a single mindedness quest for vengeance. Meiko Kaji (actress) is more widely known for her Lady Snowblood character and movies but IMO her Scorpion Character is way more awesome.

I recommend this movie just so you have a lead up to the second movie Female Convict Scorpion Jailhouse 41 which is a MUST watch.

The "Women in prison" film is a subgenre with a nasty reputation and a devoted fanbase. Usually it's nudity and cruelty galore with a plot barely thin enough to veil the only reason to watch the film is to see the sadist and lesbian (or possibly the lesbian sadist) scenes. Whereas it's true that there are a few good prison films, most of them are only in it for the exploitation. Which is not necessarily a bad point: after all, most blockbusters are only in it for the explosions.

My first Female Convict movie was "Female Convict Scorpion: Jailhouse 41". Purchased as it was released in a series of cult films, most of them were excellent enough to convince you to buy the ones you'd never heard of. To my disappointment the movie turned out to be a sequel, the second film in a series of four starring the ravishing Meiko Kaji as Prisoner 701. One year later Kaji would star as Lady Snowblood in the eponymous films that 'influenced' Tarantino quite a lot whilst shooting "Kill Bill". The Female Prisoner tune "Urami Bushi", written by the director and sung by Kaji, was used in both Kill Bill volumes.

Shunya Ito, director of Female Prisoner 701, directed only 8 movies in 26 years, surprisingly few if compared to the output of other Japanese directors such as Koji Wakamatsu and Seijun Suzuki or if you look at the visual flair displayed in Ito's films. Three out of the eight movies were Female Convict films.

If you haven't seen a W.I.P. (women in prison) film before or don't like the edgier films, "Female Convict Scorpion: Jailhouse 41" (the second one) is the one to go for. It's the most regular film of the series: most of the sequel takes place out of the prison and follows a group of escaped convicts who try to stay away from the guards who're chasing them. It may still be an exploitation film, but it's not really a W.I.P. film. But never mind your difficulty to find a label for the film: just file it under 'good'.

"Female Prisoner 701: Scorpion", the first film, is definitely exploitation, though it must be said it's a classy exploitation film. Sure, the film may start with an escape attempt by Matsu (Kaji) and another prisoner, but one doesn't have to look further than the titles to see this is exploitation cinema: naked women running up and down stairs whilst being watched by guards. But whereas there are a few traditional exploitation scenes (and some of those are pretty nasty), the film never gets tacky.

Visually a masterpiece (impressive visuals and sets), a strong lead, an excellent director, beautiful settings... this is one of the best exploitation films you'll get to see. If you are too afraid to venture into the dark waters of exploitation cinema, watch the sequel first. You won't know why Matsu is seen as such a threat to the prison or why she's imprisoned, but apart from these details you won't be deprived from an enjoyable ride and find yourself hungry to see the other three films. And if you dare, go straight to "Female Prisoner 701: Scorpion".

Some films, while not entirely believable are still able to pull you into them and make you invest your interest and full attention in them nonetheless. This is such a film. While it's not entirely believable, to me it's a film that is still extremely interesting and enjoyable. Of it's subject matter, this may truly be the best film of it's kind. Even with it's age and fairly low budget, somehow it still comes across to me as very poetic. Violent poetry no less, but there's certainly much more to it than just violence. This film inspired at least 6 sequels I believe, and it has been an inspiration for many remakes and imitators too. The Kill Bill films are two of them at least to some degree, they certainly draw inspiration from it at least. This is overall quite an amazing little film. It's brutal, yet still somehow it is also quite beautiful. These are not easy things to balance in the art of filmmaking, but here it is on wonderful display.

8.5/10.