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7,2/10
5334
IHRE BEWERTUNG
Nachdem sie von dem Detektiv, in den sie sich verliebt hatte, benutzt und verraten wurde, wird die junge Matsu in ein Frauengefängnis voller sadistischer Wachen und ungehorsamer Gefangener g... Alles lesenNachdem sie von dem Detektiv, in den sie sich verliebt hatte, benutzt und verraten wurde, wird die junge Matsu in ein Frauengefängnis voller sadistischer Wachen und ungehorsamer Gefangener geschickt.Nachdem sie von dem Detektiv, in den sie sich verliebt hatte, benutzt und verraten wurde, wird die junge Matsu in ein Frauengefängnis voller sadistischer Wachen und ungehorsamer Gefangener geschickt.
- Regie
- Drehbuch
- Hauptbesetzung
Shinzô Hotta
- Furuya
- (as Shinzo Hotta)
Takashi Hio
- Takenaka
- (as Kôji Hio)
Empfohlene Bewertungen
A beautiful young woman is double-crossed by her corrupt cop boyfriend, raped by his Yakuza thug associates, and then--to add insult to injury--unjustly sentenced to a brutal women's prison. She becomes increasingly stoical, however, biding her time until she can have her revenge on all her enemies both in and out of prison.
This is an enjoyable movie which manages to be both a WIP film and a rape-revenge film. It's also probably the best of the "Female Scorpion" series because it focuses more on the WIP elements while the later films are mostly rape-revenge (or eventually just revenge)movies. To be honest, I've never quite gotten the appeal of these female action movies. While some of their fans are female, the vast majority are men, and it's beyond me the masochistic thrill these guys get out of the "butt-kickin' babe"(personally I prefer women that do NOT beat me up, shoot me, or run me through with a samurai sword). Meiko Kaji's Female Scorpion character is in a class by herself though in that her strength comes not so much from her ability to dish out extreme punishment as to quietly endure it until she has a chance to turn the tables. The epitome of this is when she is she is strung up by the other prisoners (quite naked of course) and tortured with hot lamp bulb--Ouch!
This is also the only film in the series where Meiko has nude scenes. They're pretty tame by WIP standards, but there are plenty of other naked Japanese girls (if you're into that sort of thing)including in one hilarious scene where the female prisoner "rape" a couple of male prison guards during a riot (poor bastards!). It's a matter of taste I guess, but I liked this better than the more famous "Lady Snowblood" (also with Kaji) and definitely better than "Kill Bill".
This is an enjoyable movie which manages to be both a WIP film and a rape-revenge film. It's also probably the best of the "Female Scorpion" series because it focuses more on the WIP elements while the later films are mostly rape-revenge (or eventually just revenge)movies. To be honest, I've never quite gotten the appeal of these female action movies. While some of their fans are female, the vast majority are men, and it's beyond me the masochistic thrill these guys get out of the "butt-kickin' babe"(personally I prefer women that do NOT beat me up, shoot me, or run me through with a samurai sword). Meiko Kaji's Female Scorpion character is in a class by herself though in that her strength comes not so much from her ability to dish out extreme punishment as to quietly endure it until she has a chance to turn the tables. The epitome of this is when she is she is strung up by the other prisoners (quite naked of course) and tortured with hot lamp bulb--Ouch!
This is also the only film in the series where Meiko has nude scenes. They're pretty tame by WIP standards, but there are plenty of other naked Japanese girls (if you're into that sort of thing)including in one hilarious scene where the female prisoner "rape" a couple of male prison guards during a riot (poor bastards!). It's a matter of taste I guess, but I liked this better than the more famous "Lady Snowblood" (also with Kaji) and definitely better than "Kill Bill".
Just watched Female Prisoner #701: Scorpion 39years after it came out and it is still a good movie.
This is the 1st of the Female Prisoner #701: Scorpion series (I had actually watched it backwards from 4 to 1), and it shows how the "Scorpion" ended up in prison and how hard she is. The Scorpion is HARD.
The movie has all the prison exploitation themes, sadistic guards, naked prisoners, mean prisoners, torture etc. But it also has the Scorpion; imagine Cool Hand Luke but who does not talk, with no humour, a willingness and readiness to kill/injure/maim her tormentors and a single mindedness quest for vengeance. Meiko Kaji (actress) is more widely known for her Lady Snowblood character and movies but IMO her Scorpion Character is way more awesome.
I recommend this movie just so you have a lead up to the second movie Female Convict Scorpion Jailhouse 41 which is a MUST watch.
This is the 1st of the Female Prisoner #701: Scorpion series (I had actually watched it backwards from 4 to 1), and it shows how the "Scorpion" ended up in prison and how hard she is. The Scorpion is HARD.
The movie has all the prison exploitation themes, sadistic guards, naked prisoners, mean prisoners, torture etc. But it also has the Scorpion; imagine Cool Hand Luke but who does not talk, with no humour, a willingness and readiness to kill/injure/maim her tormentors and a single mindedness quest for vengeance. Meiko Kaji (actress) is more widely known for her Lady Snowblood character and movies but IMO her Scorpion Character is way more awesome.
I recommend this movie just so you have a lead up to the second movie Female Convict Scorpion Jailhouse 41 which is a MUST watch.
Shunya Ito's "Joshuu 701-gô: Sasori" aka "Female Prisoner #701: Scorpion" of 1972 is an absolutely brilliant masterpiece of Japanese Exploitation cinema that is not quite comparable to anything else. The WIP (Women In Prison) sub-genre may have brought a bunch of highly entertaining flicks, but each of the four "Sasori" films (all of which were released between 1972 and 1973) outshines any other movie of the kind by a million times. Not only does "Joshuu 701-gô: Sasori", or "Sasori: Scorpion" as it is entitled here, outshine any other kind of WIP flick, this is one of the films that reign supreme in Exploitation cinema generally. More than any other movie, this film combines Exploitation and Art-house cinema, sleaze and artistic beauty in a most unique way. The absolutely divine Meiko Kaji is the star of this unforgettable film and nobody else could have played the leading role of Nami Matsushima aka. Sasori with such brilliance. Not only does she play the lead, Meiko Kaji also sings the beautiful theme song to this film, one of the greatest and most memorable pieces of Japanese film score ever, "Urami-Bushi", which became known to a wider Western audience when Tarantino used it for the soundtrack of "Kill Bill 2".
Raped, imprisoned tortured and abused, female prisoner #701, Nami Matsushima lives only for two things, escape from the hellhole of a woman's prison she is incarcerated in, and revenge on her former lover, who used her for his benefit and is responsible for all her misery. Due to her toughness and power of endurance, Nami, who is constantly tortured by sadistic guards in order to break her will, is referred to as "Sasori" ("Scorpion") by her fellow female prisoners...
The stunningly beautiful Meiko Kaji, one of my personal favorite actresses of all-time, plays her role with sheer brilliance. Sasori, who hardly says a word has an incomparably vengeful determination in her eyes, and Kaji's performance seems to become greater each time I see this movie. The rest of the performances are also outstanding, above all Riye Yokoyama, who is excellently sadistic as Katagiri, another female prisoner who hates Sasori, and Fumio Watanbe as the sadistic prison warden Goda. "Sasori" truly is an absolute exploitation highlight, and probably THE movie in which exploitation and art-house elements complement each other the most. The opening sequence, in which hundreds of naked women have to walk down a narrow hallway in a humiliating exercise (to the song "Urami-Bushi") alone is the best example for that, and furthermore one of the most memorable sequences ever in exploitation cinema. This movie is sleazy and often extremely brutal, with nasty scenes of rape, murder and sadistic torture, and yet so incomparably beautiful and often symbolic in its extreme violence and sleaze. The entire "Sasori" series with Meiko Kaji reigns supreme in the WIP sub-genre, and is a truly brilliant highlight of Japanese Exploitation cinema. Every fan of Exploitation and every lover of film in general MUST SEE this first "Sasori" film and personal favorite of mine, which easily deserves the highest rating of 10/10!
Raped, imprisoned tortured and abused, female prisoner #701, Nami Matsushima lives only for two things, escape from the hellhole of a woman's prison she is incarcerated in, and revenge on her former lover, who used her for his benefit and is responsible for all her misery. Due to her toughness and power of endurance, Nami, who is constantly tortured by sadistic guards in order to break her will, is referred to as "Sasori" ("Scorpion") by her fellow female prisoners...
The stunningly beautiful Meiko Kaji, one of my personal favorite actresses of all-time, plays her role with sheer brilliance. Sasori, who hardly says a word has an incomparably vengeful determination in her eyes, and Kaji's performance seems to become greater each time I see this movie. The rest of the performances are also outstanding, above all Riye Yokoyama, who is excellently sadistic as Katagiri, another female prisoner who hates Sasori, and Fumio Watanbe as the sadistic prison warden Goda. "Sasori" truly is an absolute exploitation highlight, and probably THE movie in which exploitation and art-house elements complement each other the most. The opening sequence, in which hundreds of naked women have to walk down a narrow hallway in a humiliating exercise (to the song "Urami-Bushi") alone is the best example for that, and furthermore one of the most memorable sequences ever in exploitation cinema. This movie is sleazy and often extremely brutal, with nasty scenes of rape, murder and sadistic torture, and yet so incomparably beautiful and often symbolic in its extreme violence and sleaze. The entire "Sasori" series with Meiko Kaji reigns supreme in the WIP sub-genre, and is a truly brilliant highlight of Japanese Exploitation cinema. Every fan of Exploitation and every lover of film in general MUST SEE this first "Sasori" film and personal favorite of mine, which easily deserves the highest rating of 10/10!
I've seen a handful of women in prison films and before seeing this one, hadn't seen a really good one. It's a genre closely associated with lesbian sex, torture and general sleaze and is one of the staples of the oeuvres of Italian trash directors such as Jess Franco and Joe D'Amato. Female Convict Scorpion adheres to the trends of the genre, but it does it with so much more class than the majority of genre offerings and the result is a film that transcends its trash origins into masterpiece territory. Female Convict Scorpion excellently straddles the boundary between the two types of film - its trash shot as art! Like most women in prison films, this one focuses on one particular prisoner inside a women's prison. The prisoner is Nami Matsushima, a woman betrayed by her boyfriend (a police officer with mob ties) and wrongly imprisoned. She wants revenge on the man who put her in jail, and since she knows a lot of his secrets; he wants her dead. The policeman/mobster soon decides to have one of the other prisoners arrange an "accident" for Nami Matsushima...
The film starts as it means to go on; first we get a prison break that sees two prisoners hunted down and caught by the ruthless prison guards, and the next scene sees a bunch of naked women being directed about by said prison guards. There is not as much sleaze in this film as there is in my other women in prison flicks, but there's more than enough - and the fact that it doesn't go over the top means that the sleaze we do get is far more potent. The film is also rather gory, and although much of the violence is in a comic book style, seeing the blood spill is still a treat. The film features some stunning cinematography, and director Shunya Ito is obviously keen to get the art-house style across as much as possible. There's also several excellently shot sequences; the scene involving a disgruntled inmate rampaging through the showers with a shard of glass being particularly excellent. It's all topped off by a sensational performance by Meiko Kaji in the lead role, and overall; it has to be said that Female Convict Scorpion is a masterpiece that does not deserve to be missed!
The film starts as it means to go on; first we get a prison break that sees two prisoners hunted down and caught by the ruthless prison guards, and the next scene sees a bunch of naked women being directed about by said prison guards. There is not as much sleaze in this film as there is in my other women in prison flicks, but there's more than enough - and the fact that it doesn't go over the top means that the sleaze we do get is far more potent. The film is also rather gory, and although much of the violence is in a comic book style, seeing the blood spill is still a treat. The film features some stunning cinematography, and director Shunya Ito is obviously keen to get the art-house style across as much as possible. There's also several excellently shot sequences; the scene involving a disgruntled inmate rampaging through the showers with a shard of glass being particularly excellent. It's all topped off by a sensational performance by Meiko Kaji in the lead role, and overall; it has to be said that Female Convict Scorpion is a masterpiece that does not deserve to be missed!
I'm really starting to love this era in Japanese exploit film-making. As of this writing I've only seen slightly more than a handful of these films, but they all tend to be top-notch. I end up saying the same things about all of them, and FEMALE PRISONER SCORPION is not much different - excellent sets, interesting and deep story lines, good acting, beautiful camera-work - all the sorts of things that you wouldn't expect to see in an exploitation film, but the Japanese did it consistently in those days spawning plenty of truly excellent trash films...
The FEMALE PRISONER in question is a nice girl who just had a run of bad luck. Her scumbag boyfriend is an overly ambitious cop who uses her as bait in trying to bust a crime ring. When the bust goes to hell, the criminals and the ever chivalrous boyfriend/cop make a deal to hang homegirl out to dry. She ends up in jail and after a failed jailbreak, is abused in all kinds of fun and sleazy ways. A riot eventually ensues in the jail and this time our heroine makes it out to seek revenge on the man who scorned her...
I have to honestly say that FEMALE PRISONER is not quite as compelling and "beautiful" as say, LADY SNOWBLOOD (who is also played by our leading lady in this film...), or maybe SCHOOL OF THE HOLY BEAST, but it is still a very enjoyable, artfully sleazy film that definitely holds up on it's own. Recommended to fans of any Japanese exploit/pinky film - this one won't disappoint. 8.5/10
The FEMALE PRISONER in question is a nice girl who just had a run of bad luck. Her scumbag boyfriend is an overly ambitious cop who uses her as bait in trying to bust a crime ring. When the bust goes to hell, the criminals and the ever chivalrous boyfriend/cop make a deal to hang homegirl out to dry. She ends up in jail and after a failed jailbreak, is abused in all kinds of fun and sleazy ways. A riot eventually ensues in the jail and this time our heroine makes it out to seek revenge on the man who scorned her...
I have to honestly say that FEMALE PRISONER is not quite as compelling and "beautiful" as say, LADY SNOWBLOOD (who is also played by our leading lady in this film...), or maybe SCHOOL OF THE HOLY BEAST, but it is still a very enjoyable, artfully sleazy film that definitely holds up on it's own. Recommended to fans of any Japanese exploit/pinky film - this one won't disappoint. 8.5/10
Wusstest du schon
- WissenswertesJapanese director Sion Sono references this series in many of his movies: Lady Scorpion from Love Exposure (2008), art-house horror elements in Exte (2007): hair extensions and revenge sexual torture in Guilty of Romance (2011).
- PatzerQuite a few of the strikes in torture, attack and fight sequences obviously didn't actually make contact with the victim. One of the worst is when an inmate causes "blood" to gush from a guard's head when the shovel blade she swung at him missed by at least 6 inches.
- Zitate
Nami Matsushima: To be deceived is a woman's crime.
- VerbindungenEdited into S/s/s: Beyond Any Doubt (2012)
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