Sasori Vol. 3 - Den of the Beast

The first three "Female Convict Scorpion" movies, which are the only ones directed by Shunya Ito, are part of the same series but are entirely different entities structurally. The first one is a fairly straight-forward 'women in prison' flick, the second is a piece of great avant-garde film-making, and the third is a slow paced character study. In fact, for most of the movie it is pure Japanese drama, especially the first half, and most viewers would be hard pressed to pigeonhole the movie with just calling it an exploitation film.

Not to say it is completely separate from the other two. Matsu is still her usual quiet self, albeit with a few more lines than normal, and the men are still complete scumbags. She's still running from the cops and using any pointy object she can get her hands on, but she is also keeping a steady job sewing, which is a strange sight to see for any fan of Matsu's previous exploits. She soon finds herself in a situation defending herself and two prostitutes against a local gangs, and violence obviously ensues.

So is it actually any good? For most part, yes, yes it is. The pacing is definitely slower but works well with its new rhythm. It just that it really does not go anywhere with all its character development that fills the first half, and the carnage that ensues does not the fun spirit of its predecessors. Its still a very colorful and stylish film, with some really memorable scenes, but it leaves you wondering why such an otherwise energetic trilogy had to end on a period, and not the exclamation point that its avid fans had all been expecting.

6/10

Fugitive prisoner Scorpion (Meiko Kaji) is on the run, pursued by a relentless, vengeful, one-armed detective named Kondo (Mikio Narita). In an attempt to 'blend in' with society, she decides to shack up with Yuki (Yayoi Watanabe), a beautiful young prostitute who lives with her mentally handicapped brother, and get a job. However, when the local prostitution ring gives poor little Yuki a very hard time, our silent heroine decides to seek revenge, and, in doing so, reveals her whereabouts to the law.

Judging by IMDb's current rating (7.6 out of 10), and some glowing comments by trusted, prolific authors, I expected to have my socks blown clean off by Female Prisoner Scorpion: Beast Stable. Indeed, the first few minutes, in which protagonist Nami Matsushima hacks off Kondo's arm (which is handcuffed to her) and proceeds to leg it with the severed limb dangling from her wrist, did just that (I paused the DVD to pop them back on).

Unfortunately, however, the remainder of the film proved to be far less impressive, never matching the sheer audacity of the opening scene. Sure, director Shunya Ito comes close with some exploitative moments including incestuous sex between Yuki and her retarded brother, and a nasty, forced abortion, but, for the most part, Beast Stable is rather boring, being very slow in the telling and uneventful for long stretches.

The film is, of course, very stylish, and always good to look at (the stunning lead actresses certainly help there, with Watanabe obligingly getting her kit off a few times), but compared with parts one and two, this third outing for Scorpion is a tad disappointing.

Since the past couple of days I'm really hooked on the "Female Scorpion" series and I keep hitting myself over the head because I waited until now – which is way too long – before purchasing the whole box set. "Beast Stable" is the third brilliant effort in a row, and the undeniably main trump of this series is how the writers always came up with something entirely new and different for each installment. Never before, or after, has there been an exploitation series that offered so much variety when it comes to story lines, settings, themes and filming styles. The original more or less qualified as a so-called "Women-in-Prison" flick (but already an atypical one), but you can't possibly categorize parts 2 and 3 as such, since they hardly feature any footage within prison walls. And the overall tone and atmosphere keeps changing with each new episode as well. The first film was harsh and gritty, whereas the second was psychedelic and part three is almost mainly melodramatic. Don't let this last description discourage you, however, as "Beast Stable" still features more than enough exploitative themes and disturbing footage in spite of the dramatic ambiance. The opening sequence, for example, is downright fantastic. Sasori, still a fugitive from the law, literally chops her way to freedom on the subway when there's no other possibility than to cut off the arm of the persistent policeman that handcuffed her. Her run through the city with the cut-off arm dangling on hers while the credits appear on screen, accompanied by the familiar theme song, is just pure and genuine exploitation gold! The story compellingly continues with our heroine desperately trying to lead an anonymous life in the big city, but the poor thing simply can't escape her past or even new types of agony. Sasori befriends a prostitute, though without exchanging dialog, and takes on a job in a sewing atelier. Her own retarded brother (!) impregnates the prostitute, while Sasori gets in trouble with the local pimping and underground crime network. She cleverly prevents a thug from taking advantage of her body, encounters a former enemy from prison and furiously avenges one of the prostitutes when she gets submitted to a barbaric abortion. Meanwhile, the one-armed cop continues to obsessively prowl the streets, looking for retribution against Sasori. Our multi-talented director Shunya Ito formidably criss-crosses all these story lines to a powerful wholesome and never once loses grip on the visual aspects or ingenious filming style. "Beast Stable" features some of the most impressive compositions and ingenious camera angles you can imagine, the editing is flawless and the exterior locations are effectively depressing. Those who know Sasori's character a bit are aware that the film seriously lacks memorable dialogs, but this always gets widely compensated with Meiko Kaji's wondrous on screen charisma and menacing grimaces. There's very little sleaze, apart from the aforementioned incestuous sub plot, but the brief flashes of extreme violence are terrific and the twisted ending is almost too brilliant for words. In fact, I think part three might just be the greatest (or at least, my favorite) one of the series so far. My only small and totally irrelevant point of criticism is regarding the ridiculous sounds one of the birds produces when Sasori is locked up in a cage. That bird sounds like a ventriloquist's dummy with stomach cramps.

After finishing the Zero Woman series, I was looking forward to the Female Prisoner Scorpion series; both based upon comics by Tooru Shinohara. Unfortunately, I was not able to see them in order, as this is the third in the series.

It starts great as The Scorpion (Meiko Kaji) is escaping from the police. Detective Kondo (Mikio Narita) did manage to get a cuff on her, but she proceeded to cut off his arm and get away. If that isn't bad enough, later on a dog digs up the arm and is seen trotting down the street before finding a place to enjoy his treat.

Scorpion might as well go back to prison as life is no picnic on the outside. First, a local Yakuza Tanida (v) threatens to put her back if she doesn't put out; and then the gang leader gets her when she gets rid of Tanida. But, they don't hold her for long before she escapes and is looking for vengeance.

Soon they are dropping like flies. Some certainly deserved it for wearing garish outfits with shirt collars so big they went all the way to the shoulder. The madam (Reisen Lee) turns herself in to avoid getting killed.

The police arrive at her latest kill and trap her in the sewer. She's in there for a week and the cops find out that a friend (Yayoi Watanabe) has been supplying her with food. (The story O Yuki (Watanabe) and her brother is a subplot that is very interesting, but only incidental to the movie.) They try to burn her out, but this is The Scorpion, and she has some unfinished business.

Not the usual mix of sex and violence, this is a slow tale that is beautiful throughout.

I thought "Female Prisoner #701: Scorpion" was an awesome exploitative adventure filled with over-the-top violence and a revenge story that made me want to cheer. "Female Prisoner Scorpion: Jailhouse 41" continued Matsu the Scorpion's (Meiko Kaji, "Lady Snowblood") journey in a way that artistically expanded the world established in the first film while still giving us a compelling story that furthered the legend of our titular character. This third entry is the last of the FPS series directed by Shun'ya Ito, and while I can't say that it's as much fun as the previous entries in the series, I can say that fans of the first two films will probably still find a lot to enjoy in this movie: there are plenty of sleazy and exploitative scenes that justify the sequences of over-the-top graphic violence, and the way the film approaches that violence is still pretty artistic, and, of course, Matsu still has her sting.