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Homicide: The Movie

  • Fernsehfilm
  • 2000
  • PG-13
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
7,7/10
2286
IHRE BEWERTUNG
Yaphet Kotto, Kyle Secor, Michael Michele, Andre Braugher, Reed Diamond, Clark Johnson, Jon Seda, and Callie Thorne in Homicide: The Movie (2000)
CrimeDrama

Füge eine Handlung in deiner Sprache hinzuAl Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.

  • Regie
    • Jean de Segonzac
  • Drehbuch
    • Tom Fontana
    • Eric Ellis Overmyer
    • James Yoshimura
  • Hauptbesetzung
    • Daniel Baldwin
    • Ned Beatty
    • Richard Belzer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    2286
    IHRE BEWERTUNG
    • Regie
      • Jean de Segonzac
    • Drehbuch
      • Tom Fontana
      • Eric Ellis Overmyer
      • James Yoshimura
    • Hauptbesetzung
      • Daniel Baldwin
      • Ned Beatty
      • Richard Belzer
    • 35Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Primetime Emmy nominiert
      • 1 Nominierung insgesamt

    Fotos33

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    Topbesetzung60

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    Daniel Baldwin
    Daniel Baldwin
    • Beau Felton
    Ned Beatty
    Ned Beatty
    • Stanley Bolander
    Richard Belzer
    Richard Belzer
    • Detective John Munch
    Andre Braugher
    Andre Braugher
    • Frank Pembleton
    Reed Diamond
    Reed Diamond
    • Mike Kellerman
    Giancarlo Esposito
    Giancarlo Esposito
    • Mike Giardello
    Michelle Forbes
    Michelle Forbes
    • Dr. Julianna Cox
    Peter Gerety
    Peter Gerety
    • Stuart Gharty
    Isabella Hofmann
    Isabella Hofmann
    • Megan Russert
    Zeljko Ivanek
    Zeljko Ivanek
    • ASA Ed Danvers
    Clark Johnson
    Clark Johnson
    • Meldrick Lewis
    Yaphet Kotto
    Yaphet Kotto
    • Al Giardello
    Melissa Leo
    Melissa Leo
    • Kay Howard
    Toni Lewis
    Toni Lewis
    • Terri Stivers
    Michael Michele
    Michael Michele
    • Rene Sheppard
    Max Perlich
    Max Perlich
    • J.H. Brodie
    Jon Polito
    Jon Polito
    • Steve Crosetti
    Kyle Secor
    Kyle Secor
    • Tim Bayliss
    • Regie
      • Jean de Segonzac
    • Drehbuch
      • Tom Fontana
      • Eric Ellis Overmyer
      • James Yoshimura
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen35

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    stevewest-1

    About the ending you'd expect going from the show's run.

    I was a big fan of Homicide: Life on the Street which remains one of the television shows I've most enjoyed watching. The last two seasons do colour my impression somewhat but I usually like to remember the good times of the first five seasons.

    Homicide: The Movie is definitely in the mold of the last two seasons in that it's good but the magic is missing, the movie is a pretty good effort all the same though. Pembleton is back to his old self and old favourites Brody and Detective Howard are back, although their input is minimal. I liked spotting actors from the HBO show "Oz" (not coincidentally this movie was co-written by Oz creator Tom Fontana).

    Homicide: The Movie is worth watching but it's not great, eg. I didn't bother burning a copy of the rental DVD, I'd rather hold out for a DVD boxset which I'll probably have to import from overseas. The story is fairly interesting but still isn't up to the standard of the early days of the show, the presentation is very "TV movie" but we can hardly knock that given its source material. The writers went for Bayliss/Pembleton as the main dynamic which is reassuring, but again the magic is never quite recaptured.

    Homcide: The Movie ends up being a fitting end to the unfortunately downward trend of the TV series. It was good to see all the characters back but it ends up being yet another installment of Homicide that doesn't live up to the show's brilliant first five seasons. It was a good effort though.
    6=G=

    The final farewell

    "Homicide: The Movie" is a TV flick which continues the defunct TV series and, given its less than sterling reviews, probably concludes it as well. The film, which tells of the investigation of a shooting of a Baltimore mayoral candidate who also heads the homicide squad (Kotto), pulls together most of the cast of the successful 1993-1999 TV series with reprises from many including cameos from the dead characters. "Homicide: The Movie" requires such a familiarity with the TV series for a complete understanding of the characters' background and history that familiarity with the series is almost a prerequisite for the film. Furthermore, as a stand alone piece, the film just isn't that good. "Homicide:The Movie" will play best as a farewell to loyal viewers of "Homicide:Life in the Streets". (B-)
    6a-kos

    Satisfying & Frustrating Coda for a Seminal TV series.

    To be sure, Homicide (the series) deserved a TV-movie after it's unsatisfying series finale, which was admittedly rushed (NBC cancelled the series only a few weeks prior to the end of the 1999 season). Indeed, viewers were left hanging as many storylines were left unanswered, and "Homicide: The Movie" does work as a coda for the series. However, it seems like a series finale elongated to fill 90 minutes.

    The premise is extremely promising (for those who don't know): Lt. Giardello is the front-running Baltimore mayoral candidate, whose primary issue is the decriminalization of drugs. During a campaign stop, he is shot (but not killed) by an unknown assailant. This event brings every regular character (and I mean everyone) back to investigate the crime and visit Giardello in the hospital. [This brilliant premise is also frustrating to me as a long-time fan. If NBC had given the show one more full season (and let the producers know it would be the last) there could have been some intriguing episodes leading to the campaign.]

    As a fan it's satisfying in sense to see all the regular characters again, but it's also a tremendous burden on the film. Several scenes do nothing to enhance the story: Shepherd and Ballard repeatedly watch videotape of the shooting in an an attempt to find a lead; Mike Giardello and Kellerman roust everyone who might have a grudge; Med. examiners discuss medical advancements at Gee's bedside. These and a few other scenes only serve to give some members of the bloated cast a reason to make an appearance. What probably would have worked brilliantly as a 40-minute series finale just doesn't cut it as a full-length film.

    Fortunately, this substantial shortcoming is largely redeemed by the film's conclusion, which is set-up perfectly by the writers. The final twist is a complete and devastating surprise that's entirely believable and satisfying in the spirit of the original series. Even if "Homicide: The Movie" is more than a bit diluted, it works as an appropriately bitter-sweet coda for one of the best shows in the history of television.
    bob the moo

    Enjoyable film but tries to squeeze too much in artificially

    Out on the campaign trail for Mayor, Giardello gets shot twice and taken to hospital. His shooting could be enemies from his previous post or could be drug related as he pledged to legalise drugs to take it off the streets. The shooting brings the homicide detectives out in force – both present and past to try and piece together the clues and find out who it was and why.

    Thanks to the UK's Channel 4's policy of not knowing a good thing when they've bought the rights to it, I have not seen the last series of H:LOTS, simply because they decided that it wasn't getting enough viewers and dropped it. So I don't know how directly this follows on from the TV series in terms of time but I know that it does tie in quite well and close some open questions. The plot is quite simple and lacks the class of the tv series but still works well for what it has to do. Some of the plot is a jump too far but it still works on the whole. The side issues are as interesting as the main plot and the close of the film is actually a lot more moving than I expected it to be.

    The main problem the film has is that `every detective is back'. The result of this is that fans get to see characters they haven't seen for years, but the downside is that they are mostly just clutter – wheeled in to say a few lines and then disappear. The film is at it's strongest when it focuses on good subplots with the strongest characters – hence it is at it's best when Pembleton and Bayliss are the focus. It is still good to see all the faces but at times you wonder why they bothered and why they didn't sacrifice some characters to make for a tighter narrative.

    The cast all do well, with Braugher and Secor standing out due to the amount of time and material the film allows them to have. The cameos (although a lot of the cast could be called cameos) are mixed. Priestley and Begley Jnr are a bit of a waste of space but Oz's Walker gives a delicate performance and shows his skill in this media yet again.

    Overall I had no great hopes for this film as it is basically a TVM, but I did enjoy it more than I thought. The revolving door of old characters does drag a little at times but the film works and the focus on a group of main characters (Pembleton and Bayliss in particular) works to it's strength and produces a film that, while not comparable to the series in terms of quality, will satisfy many of it's fans.
    8Squrpleboy

    The Fond Farewell

    In all truth, this really isn't a "movie" so much as an extended final episode; by this I mean that, had you NOT followed the TV series (Homicide: Life On The Street) I suspect that you would have a hard time following this made-for-tv movie. Having said that, "Homicide: The Movie" is still a great watch. I think it says a lot about a television production that EVERY single cast member would return, many after years of absence, to once again portray their characters and bring closure to an incredible program. The movie brings out that sense of "family", not only amongst the characters, but amongst the actors, as well. It's all very bitter-sweet knowing that this will be the LAST time we will see them all together again under the title of HOMICIDE. Story-wise, I found this film somewhat lacking. Giardello's mayoral candidacy seems particularly contrived, and I felt his shooting could've been dealt with within the parameters of his regular position, as Leiutenant. Also, Det. Bayliss's extreme plot twist, which was left hanging at series end, is finally resolved, but I, for one, NEVER felt that it needed to be; I enjoyed being left with a mystery (let us recall that the very first episode's first case also went unsolved for the entire series run!). As a DEVOTED fan of the TV series I can love this movie, and the fact that it even got made after H:LOTS had been canceled, but I would not recommend it to anyone who hasn't had the slightest exposure to the series. Now, if they'd just release it on DVD...

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    Handlung

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    • Wissenswertes
      According to Tom Fontana, Ed Begley Jr. is indeed playing his character Dr. Victor Ehrlich character from Fontana's previous show Chefarzt Dr. Westphall (1982). He is not mentioned by name to avoid having to get legal clearances.
    • Patzer
      Mike Giardello is working as a uniformed officer with the Baltimore City Police after leaving the FBI, when he runs into Lewis and Falsone he says he is working on getting his detective shield. However someone that had over a decade of experience as a special agent with the FBI more than qualifies to be a detective, Mike wouldn't be required to work as a patrol officer first.
    • Zitate

      Tim Bayliss: So, you... you'll take me in.

      Frank Pembleton: 'I'm gonna take you in' - are you wild?

      Tim Bayliss: No - you'll take me in, Frank.

      Frank Pembleton: [Shakes his head] No.

      Tim Bayliss: Did I take... a bullet for you? Huh?

      Frank Pembleton: No, no, cut it out...

      [Tim lunges at Frank]

      Tim Bayliss: Did I take a bullet for you or not, huh?

      Frank Pembleton: I am NOT taking you in...

      Tim Bayliss: DID I TAKE A BULLET FOR YOU? I take a bullet for you, and you take a bullet for me - now THAT is square business, Frank!

      Frank Pembleton: This is not taking a bullet for you, this is you wanting me to toss your ass in the jackpot! You're confessing to a murder, Tim, do you understand that?

      Tim Bayliss: So you want someone else should take me in? Someone else should bust me...

      Frank Pembleton: No. No, no...

      Tim Bayliss: Is that what you want? Then it HAS to be you!

      Frank Pembleton: NO, NO, no! No...

      Tim Bayliss: [Grabs Frank] Frank, listen to me! Listen. I've thought about eating my gun, and I'm gonna EAT that gun RIGHT NOW if you don't do the right thing for me, Frank, for right here!

      [Gestures to his head]

      Tim Bayliss: I have no other... no other option, Frank. Please...

      Frank Pembleton: [sighs] So you thought about putting a gun to yourself?

      Tim Bayliss: Yeah. Yeah, you'd be saving my life, I dunno for how long, but for now... at least you would.

      Frank Pembleton: [Takes a deep breath] I believe that you did not mean to do this killing.

      Tim Bayliss: ...yeah, you believe what you want to believe. That's okay.

      Frank Pembleton: So we're gonna turn around, right now, and we're gonna go back inside. Okay?

      Tim Bayliss: [Anguished, he takes out his badge] Never put off the inevitable, Frank. It's gotta be what it's gotta be.

      [Presses the badge into Frank's hand]

      Frank Pembleton: [Crying] Son of a bitch...

    • Verbindungen
      Edited from Homicide: Forgive Us Our Trespasses (1999)
    • Soundtracks
      Pick Myself Up
      Written and Performed by Peter Tosh

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    Details

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    • Erscheinungsdatum
      • 13. Februar 2000 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Homicide: Life Everlasting
    • Drehorte
      • Baltimore, Maryland, USA
    • Produktionsfirmen
      • Baltimore Pictures
      • Fatima Productions
      • NBC Studios
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    Technische Daten

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    • Laufzeit
      1 Stunde 28 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.33 : 1

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    Yaphet Kotto, Kyle Secor, Michael Michele, Andre Braugher, Reed Diamond, Clark Johnson, Jon Seda, and Callie Thorne in Homicide: The Movie (2000)
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    By what name was Homicide: The Movie (2000) officially released in Canada in English?
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