IMDb-BEWERTUNG
6,6/10
4691
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.
- Auszeichnungen
- 2 Nominierungen insgesamt
Dmitri Ponce
- Guy
- (as Dmitri from the Lower Haight)
Wendy Turner
- Lisa
- (as Wendy Turner-Low)
Bradley K. Ross
- Aaron
- (as Bradley Ross)
Empfohlene Bewertungen
I watched this movie because of a trailer I watched on HBO. Never heard of it before, but it seemed interesting.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
Just seen 'Groove' for the first time on pay-per-view, after forgetting that it was even made... just remembered about it after seeing it in the cable guide tonight.
Holy crap - they certainly did their homework. I have been in almost every one of the situations in the film at least once over the past 9 years (i've been doing this way too long). Trying to find parties @ 4am, inviting everyone in a club back to my folks house for breakfast, overdoing it too much and becoming comatose, thanking promoters for the "best party ever", sponging tunes of big name DJs, losing it on the dancefloor. Without a doubt the most accurate Rave film I've seen so far (not that there's many too choose from of course).
Some observations - I am the male version of Leyla, too much Trance, US candy kids are hilarious, I recongised Brian B from Hyperreal spinning in the chill room and was like "I'm sure I've seen that guy before" then got it confirmed in the credits, the Asian DJ kid is hilarious at the end, Digweed can't act for toffee.
Holy crap - they certainly did their homework. I have been in almost every one of the situations in the film at least once over the past 9 years (i've been doing this way too long). Trying to find parties @ 4am, inviting everyone in a club back to my folks house for breakfast, overdoing it too much and becoming comatose, thanking promoters for the "best party ever", sponging tunes of big name DJs, losing it on the dancefloor. Without a doubt the most accurate Rave film I've seen so far (not that there's many too choose from of course).
Some observations - I am the male version of Leyla, too much Trance, US candy kids are hilarious, I recongised Brian B from Hyperreal spinning in the chill room and was like "I'm sure I've seen that guy before" then got it confirmed in the credits, the Asian DJ kid is hilarious at the end, Digweed can't act for toffee.
This is probably the closest you can come to experiencing a real rave without actually attending one. I can't understand user comments about poor acting, as I felt that everyone did a very good job here. The story centers around a group of people looking to have a harmless good time, with a number of side-characters. The rave organizer story is great, and the gay couple who can't find where the happening is is absolutely hilarious. The strongest part of the film is the magnificent soundtrack, and appearances by some of the best (and most underappreciated) DJ's around, John Digweed, Pollywog, etc. If you're at all into techno/rave music, just rent this for the great tunes. And you might find that you also enjoy the storyline.
This movie was pretty good, but it had some parts that I did not like. For instance, another comment, below me, said that a rave is not a time to reflect, and I agree. While it is a time to turn lose, and be yourself, you do not go through a whole, "as drunks call it, a moment of enlightenment"-pulp fiction. When you are rolling, you feel more like touching and feeling, like Colin, rather than talking and expressing. However, a good aspect is that the drugs played a big part in reluctant first-time ravers. It allowed them to leave their inhabitions at the door. Also, if you want a deeper film about the rave scene, check out "Be77er living through circuitry." It is a documentry with great music, visuals, and insight. For those who like fiction, and scripts, see this.
8/10
8/10
I've never been to a rave before, so I can't say anything about how realistic this film is.
I've also never used drugs before, but I really liked the way drug use was portrayed in the movie... One of the characters mentions that when it comes to drugs, it's best to be "baked not fried," which I interpreted as "using not abusing." The parallel threads we see evolve throughout the film observe people who don't use drugs at all, others who use them, and others who abuse them... All but the last case end up decidedly happy and content. But the film also remains very open minded and non-judgemental about the abusers; it refuses to condemn them, but rather it simply shows the results of what they do and allows the audience to form an opinion of these people on their own.
Another interesting theme I noticed was the fact that although raves are a great experience, there might be more to life than having a good time... One of the ravers explains how she has spent her entire life going to raves and has enjoyed herself, but somehow feels unsatisfied about what she's doing with her life. The idea that people must face fear in their lives in order to be content is presented, but a conclusion is never made, once again allowing the audience to use the film as "food for thought" and figure it out on their own terms.
The soundtrack to the film is great, as are the visuals... The movie has a very energetic feel to it that really made me want to be at a rave, even though I might not end up liking it.
If you want an interesting slice of American filmmaking and generational portraits from the 1950's, 70's, and 90's, I suggest consecutively viewing American Graffiti, Dazed and Confused, and this film. All of these films are done in a fairly similar style (following multiple story threads at the same time, being non-judgemental about the characters) and have a very feel-good atmosphere about them while still portraying the atmosphere, lifestyle, and challenges of a generation in a very interesting and entertaining way.
I've also never used drugs before, but I really liked the way drug use was portrayed in the movie... One of the characters mentions that when it comes to drugs, it's best to be "baked not fried," which I interpreted as "using not abusing." The parallel threads we see evolve throughout the film observe people who don't use drugs at all, others who use them, and others who abuse them... All but the last case end up decidedly happy and content. But the film also remains very open minded and non-judgemental about the abusers; it refuses to condemn them, but rather it simply shows the results of what they do and allows the audience to form an opinion of these people on their own.
Another interesting theme I noticed was the fact that although raves are a great experience, there might be more to life than having a good time... One of the ravers explains how she has spent her entire life going to raves and has enjoyed herself, but somehow feels unsatisfied about what she's doing with her life. The idea that people must face fear in their lives in order to be content is presented, but a conclusion is never made, once again allowing the audience to use the film as "food for thought" and figure it out on their own terms.
The soundtrack to the film is great, as are the visuals... The movie has a very energetic feel to it that really made me want to be at a rave, even though I might not end up liking it.
If you want an interesting slice of American filmmaking and generational portraits from the 1950's, 70's, and 90's, I suggest consecutively viewing American Graffiti, Dazed and Confused, and this film. All of these films are done in a fairly similar style (following multiple story threads at the same time, being non-judgemental about the characters) and have a very feel-good atmosphere about them while still portraying the atmosphere, lifestyle, and challenges of a generation in a very interesting and entertaining way.
Wusstest du schon
- WissenswertesThe featured or "Headliner" DJ who gives the young DJ Spaz the Bedrock anthem record at the end of the film really is John Digweed.
- PatzerMidway through the movie after the police man gets a tour of the "company" he is holding a bottle of water that is nearly full, but a few seconds later when he takes a drink, the bottle is nearly empty.
- Zitate
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what?
Ernie: You don't know?
Guy: No.
Ernie: The Nod.
Guy: The Nod?
Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back.
Guy: [scoffs] ... That's it?
Ernie: That's it.
- SoundtracksProtocol
Written by Deryl Dorsett & Stan Dorsett
Performed by Symbiosis
Courtesy of Domestic Recordings
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Details
Box Office
- Budget
- 500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.115.313 $
- Eröffnungswochenende in den USA und in Kanada
- 55.946 $
- 11. Juni 2000
- Weltweiter Bruttoertrag
- 1.162.001 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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