IMDb-BEWERTUNG
6,6/10
4671
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.
- Auszeichnungen
- 2 Nominierungen insgesamt
Dmitri Ponce
- Guy
- (as Dmitri from the Lower Haight)
Wendy Turner
- Lisa
- (as Wendy Turner-Low)
Bradley K. Ross
- Aaron
- (as Bradley Ross)
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Groove has often been compared with Human Traffic, but both are actually quite different. While Human Traffic was about a group of people who go to clubs and take drugs, Groove is about an actual rave. Director Greg Harrison is less interested about depicting the lives of the people who go to a rave than trying to cinematic ally get his audience to experience what a rave is like.
On that level, Groove is a triumph. For those who used to rave, this film is the best flashback you'll ever get, the best way to relive the experience. For those who currently rave, it will make you want to go out and find a party NOW. For those who have never raved, the film brilliantly shows the sight and sounds of a rave while trying to be like a rave itself through careful pacing and use of music.
The characters are thinly sketched in the early scenes but that's all we need, it's what they are and do at the rave that matters ,with the exception of the squabbling gay couple who may not make it to the party at all and are hilarious. The growing attraction between experienced 'partied out' girl and dorky novice is touching, and all the characters in the film have at least one stand out moment. Performances are generally strong, and some of the use of sound is superb, such as when the main protagonist is 'coming up'.
The film has been criticized for being pro drugs, but it just shows the drug {especially E}experience in it's various forms. Some characters abstain, some overdo it and pay the price {though like Human Traffic there are refreshingly no deaths or serious fatalities}, most just enjoy themselves. The film is not saying drugs are good for you, it's just saying that drugs are something many people do, and maybe not because that are addicted, but because to them it's fun!
The music is excellent, varied and well chosen. The appearance by a certain superstar DJ at this small rave of around 200 people has been rightly called unrealistic, and lets just say that acting is not his strong point! However comments that parties never start up again after they are shut down {as in this film}are untrue, I experienced it! In any case, it climaxes the film on a true 'high'.
The many shots of people dancing may bore some, and there will be many for whom this film will have no interest at all. But ignore some of the hardcore purists, this is as close to a depiction, and more importantly the experience, of a rave as cinema can probably get.
On that level, Groove is a triumph. For those who used to rave, this film is the best flashback you'll ever get, the best way to relive the experience. For those who currently rave, it will make you want to go out and find a party NOW. For those who have never raved, the film brilliantly shows the sight and sounds of a rave while trying to be like a rave itself through careful pacing and use of music.
The characters are thinly sketched in the early scenes but that's all we need, it's what they are and do at the rave that matters ,with the exception of the squabbling gay couple who may not make it to the party at all and are hilarious. The growing attraction between experienced 'partied out' girl and dorky novice is touching, and all the characters in the film have at least one stand out moment. Performances are generally strong, and some of the use of sound is superb, such as when the main protagonist is 'coming up'.
The film has been criticized for being pro drugs, but it just shows the drug {especially E}experience in it's various forms. Some characters abstain, some overdo it and pay the price {though like Human Traffic there are refreshingly no deaths or serious fatalities}, most just enjoy themselves. The film is not saying drugs are good for you, it's just saying that drugs are something many people do, and maybe not because that are addicted, but because to them it's fun!
The music is excellent, varied and well chosen. The appearance by a certain superstar DJ at this small rave of around 200 people has been rightly called unrealistic, and lets just say that acting is not his strong point! However comments that parties never start up again after they are shut down {as in this film}are untrue, I experienced it! In any case, it climaxes the film on a true 'high'.
The many shots of people dancing may bore some, and there will be many for whom this film will have no interest at all. But ignore some of the hardcore purists, this is as close to a depiction, and more importantly the experience, of a rave as cinema can probably get.
This movie was pretty good, but it had some parts that I did not like. For instance, another comment, below me, said that a rave is not a time to reflect, and I agree. While it is a time to turn lose, and be yourself, you do not go through a whole, "as drunks call it, a moment of enlightenment"-pulp fiction. When you are rolling, you feel more like touching and feeling, like Colin, rather than talking and expressing. However, a good aspect is that the drugs played a big part in reluctant first-time ravers. It allowed them to leave their inhabitions at the door. Also, if you want a deeper film about the rave scene, check out "Be77er living through circuitry." It is a documentry with great music, visuals, and insight. For those who like fiction, and scripts, see this.
8/10
8/10
I watched this movie because of a trailer I watched on HBO. Never heard of it before, but it seemed interesting.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
This is probably the closest you can come to experiencing a real rave without actually attending one. I can't understand user comments about poor acting, as I felt that everyone did a very good job here. The story centers around a group of people looking to have a harmless good time, with a number of side-characters. The rave organizer story is great, and the gay couple who can't find where the happening is is absolutely hilarious. The strongest part of the film is the magnificent soundtrack, and appearances by some of the best (and most underappreciated) DJ's around, John Digweed, Pollywog, etc. If you're at all into techno/rave music, just rent this for the great tunes. And you might find that you also enjoy the storyline.
This film was verrrry well done. To those that say it wasn't...I guess you have never owned a club where raves took place. I did.
I bought this movie in a stack of films and it only cost me 99 cents. Well shock the pants off me.
What I thought would be a lame party and just a bunch of stoners walking around talking trash was certainly an enlightenment.
GROOVE is EXACTLY what a rave is about...and how would I know? I know because I hosted them myself...packed to the hilt in Vancouver B.C. at PLANET X...and you could guess what the X stood for.
Anywayz, this is very well done in terms of casting, lighting performance, music, tone and everything.
The scene that struck me most is when Ernie says this...and this is classic to me.
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what? Ernie: You don't know? Guy: No. Ernie: The Nod. Guy: The Nod? Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back. Guy: ... That's it? Ernie: That's it.
That little piece of dialogue is everything...it's what made me want to run the rave at PLANET X, even thought I was't making big bucks...to me it was the NOD...
So I know exactly where Ernie was coming from...and I felt the director Greg Harrison was getting to.
Watch Groove and relive your youth before it slips away from you in your daily 9-5 and rush hour traffic.
I only wish I was at the club...because it was so intense and so real...and made me so jealous that I was only watching it on my TV screen.
With a $500000 budget, this is tops.
Once again, everybody...extras and all cast included...an awesome job and one very satisfied viewer...certainly worth my time.
I bought this movie in a stack of films and it only cost me 99 cents. Well shock the pants off me.
What I thought would be a lame party and just a bunch of stoners walking around talking trash was certainly an enlightenment.
GROOVE is EXACTLY what a rave is about...and how would I know? I know because I hosted them myself...packed to the hilt in Vancouver B.C. at PLANET X...and you could guess what the X stood for.
Anywayz, this is very well done in terms of casting, lighting performance, music, tone and everything.
The scene that struck me most is when Ernie says this...and this is classic to me.
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what? Ernie: You don't know? Guy: No. Ernie: The Nod. Guy: The Nod? Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back. Guy: ... That's it? Ernie: That's it.
That little piece of dialogue is everything...it's what made me want to run the rave at PLANET X, even thought I was't making big bucks...to me it was the NOD...
So I know exactly where Ernie was coming from...and I felt the director Greg Harrison was getting to.
Watch Groove and relive your youth before it slips away from you in your daily 9-5 and rush hour traffic.
I only wish I was at the club...because it was so intense and so real...and made me so jealous that I was only watching it on my TV screen.
With a $500000 budget, this is tops.
Once again, everybody...extras and all cast included...an awesome job and one very satisfied viewer...certainly worth my time.
Wusstest du schon
- WissenswertesThe featured or "Headliner" DJ who gives the young DJ Spaz the Bedrock anthem record at the end of the film really is John Digweed.
- PatzerMidway through the movie after the police man gets a tour of the "company" he is holding a bottle of water that is nearly full, but a few seconds later when he takes a drink, the bottle is nearly empty.
- Zitate
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what?
Ernie: You don't know?
Guy: No.
Ernie: The Nod.
Guy: The Nod?
Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back.
Guy: [scoffs] ... That's it?
Ernie: That's it.
- SoundtracksProtocol
Written by Deryl Dorsett & Stan Dorsett
Performed by Symbiosis
Courtesy of Domestic Recordings
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Details
Box Office
- Budget
- 500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.115.313 $
- Eröffnungswochenende in den USA und in Kanada
- 55.946 $
- 11. Juni 2000
- Weltweiter Bruttoertrag
- 1.162.001 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Groove - 130 bpm (2000) officially released in India in English?
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