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Bread and Roses

  • 2000
  • 12
  • 1 Std. 50 Min.
IMDb-BEWERTUNG
7,0/10
6311
IHRE BEWERTUNG
Bread and Roses (2000)
Arbeitsplatz-DramaPsychologisches DramaDrama

Zwei lateinamerikanische Schwestern arbeiten als Putzfrauen in einem Bürogebäude im Stadtzentrum und kämpfen für das Recht, sich gewerkschaftlich zu organisieren.Zwei lateinamerikanische Schwestern arbeiten als Putzfrauen in einem Bürogebäude im Stadtzentrum und kämpfen für das Recht, sich gewerkschaftlich zu organisieren.Zwei lateinamerikanische Schwestern arbeiten als Putzfrauen in einem Bürogebäude im Stadtzentrum und kämpfen für das Recht, sich gewerkschaftlich zu organisieren.

  • Regie
    • Ken Loach
  • Drehbuch
    • Paul Laverty
  • Hauptbesetzung
    • Pilar Padilla
    • Adrien Brody
    • Elpidia Carrillo
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    6311
    IHRE BEWERTUNG
    • Regie
      • Ken Loach
    • Drehbuch
      • Paul Laverty
    • Hauptbesetzung
      • Pilar Padilla
      • Adrien Brody
      • Elpidia Carrillo
    • 56Benutzerrezensionen
    • 38Kritische Rezensionen
    • 57Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 10 Nominierungen insgesamt

    Fotos18

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    Topbesetzung54

    Ändern
    Pilar Padilla
    • Maya
    Adrien Brody
    Adrien Brody
    • Sam Shapiro
    Elpidia Carrillo
    Elpidia Carrillo
    • Rosa
    Jack McGee
    Jack McGee
    • Bert
    Monica Rivas
    • Simona
    Frankie Davila
    • Luis
    • (as Frank Davila)
    Lillian Hurst
    Lillian Hurst
    • Anna
    Mayron Payes
    • Ben
    Maria Orellana
    • Berta
    Melody Garrett
    • Cynthia
    Gigi Jackman
    • Dolores
    Beverly Reynolds
    • Ella
    Eloy Méndez
    • Juan
    • (as Eloy Mendez)
    Yelena Antonenko
    • Maria
    Olga Gorelik
    • Olga
    Jesus Perez
    • Oscar
    Alonso Chavez
    • Ruben
    Estela Maeda
    • Teresa
    • Regie
      • Ken Loach
    • Drehbuch
      • Paul Laverty
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen56

    7,06.3K
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    Empfohlene Bewertungen

    9tenten76

    A brilliant, emotional film.

    I have a deep sympathy & connection with this movie, because two of my dearest friends were Spanish-speaking cleaners in the UK (although completely legally). Now - through ridiculously hard work and frugal living - they are bilingual, educated, skilled, and making a decent life back in their home country, where I hope to visit them one day.

    As such, I can tell you that this film is so true-to-life it brought tears to my eyes. It also has moments of laughter and comedy, and an extremely important message to anyone working for low wages and low respect, and an equally important kick up the backside to people like me who never think we're paid enough, and forget about the 'invisible' people earning half our wages for doing twice the workload.

    The actors (many of them cleaners in real life) are never less than excellent, and you have no trouble believing every scene. I encourage anyone to watch this movie, as it has an almost Shawshank-like feelgood factor, but is much more poignant and relevant than even that great film.

    The additional programme on the DVD is not as informative as I expected (being more 'fly-on-the-wall' than documentary), but still packs a powerful emotional punch, and really adds to your appreciation of the reality behind the movie.
    oldwobbly

    not since Martin Balsam

    Elpidia Carrillo has a scene in this film equal to the "...I'm the best possible Arnold Burns" self-justification speech in A THOUSAND CLOWNS. It's so real and raw it's almost hard to watch. I saw this film at the Santa Barbara Film Festival, and it so beautifully delivers the drama and the realities of the Justice for Janitors campaign. Ken Loach does it again...with an American accent (ALL the Americas). Adrien Brody is Ron Leibman's NORMA RAE organizer if he were younger and less seasoned, but just as much the true believer. Pilar Padilla's Maya is all passion and youth and fun-loving troublemaker. The documentary style that Ken Loach uses is perfect for the subject.
    8surreyhill

    The Anti-"Maid in Manhattan"

    In this movie, there are no purloined designer clothes to masquerade in, and Prince Charming doesn't come complete with a political career and a three-piece suit--he's a scruffy charmer in a baggy t-shirt with little more to offer than a megaphone and a cause.

    This is a film made by a director who has to be spiritual kin to Michael Moore, but his subject matter is quite different. Here we see real immigrants (both legal and illegal) being used rather cynically by companies whose business plan includes hiring the most downtrodden and fearful and hand-to-mouth in our country, paying them the lowest possible wages, giving them absolutely no benefits whatsoever, and thereby winning contracts to provide custodial and other services over companies that pay a fair and living wage, plus benefits, to primarily unionized employees who are American citizens. You know this really happens. It does. The best remedy for the situation is certainly a matter for debate, but no matter what your political slant or position on labor unions and illegal immigrants, you will most definitely find food for thought herein.

    OTOH, if you are also one of the drooling legions of newbie Adrien Brody fangirls, you will find even more food for thought. Brody is painfully cute in this movie-a piquant mixuture of earnest, funny, sincere, sweet, and fiery, topped off with a kinghell case of `bedhead'.

    The three central players are Pilar Padilla, as idealistic illegal immigrant Maya, her overburdened sister Rosa, played by Elipidia Carillo, and Brody as Sam Shapiro, an organizer and activist for the cause. No fairy tale, this movie, though a few of the cast are reasonably good-looking. The cast, many of whom really are janitors and custodians, are as real as it gets. You can see a lifetime of hard labor and long hours in their faces, and the slump to their shoulders.

    I really grew to like these struggling janitors and maids. None of them were "types"--they were all real people and their conflicts and concerns were illuminated very well, despite limited screen time being available to each. By treating these characters with respect and making them fully-fleshed out, it made the passion of the organizers for this particular cause more understandable, and not just as sometimes seems the case in some portrayals, a matter of someone who is bored or spoiled or has some sort of guilt-complex trying to find their identity and using do-gooderism as a means to that end. Through coming out from the shadows, and joining the great and messy American experience of organized dissent, you could practically see some of these characters changing into `Americans' before your eyes, no matter what their official papers might say. Thinking like Americans, standing up for their rights, making their voices heard. That's how it's supposed to work-isn't it? Isn't it?

    If there are caricatures in this movie, then those would be some of the building administrators, but their screen time is so limited, and they are usually so surprised and besieged by Sam Shapiro's stunts and protests that their lack of articulate or sympathetic response seems realistic enough to me. But the one thing that stands out is more than anything else is the absolutely natural acting style. Nobody really seems to be "acting" in this movie. It's as if there was a very unobtrusive documentary maker following these folks around. The movie is, however, well-paced between scenes which are rousing or charming, and those which are raw and painful.

    Although this movie is not a love story or romance, per se, Adrien's character does get some action in it. In fact, in one amusing scene, he is literally hauled into a janitor's closet by an enterprising female (smart girl!!) and snogged silly. One can but applaud that sort of enterprise and initiative on the part of a recent arrival to this great country of ours. That's the kind of can-do immigrant spirit that made this country great, and if I were there, I would be sure to tell her how much I admired that quality in her, when I visited her in the hospital to apologize for having accidentally whacked her out of the way with a long-handled mop.

    But it can't all be funny and cute, and indeed, in this same section of the movie is a scene of such raw emotion, harsh language, honesty, and truth, between the two Mexican sisters that I cannot say I have ever seen anything like it. Even Ebert said in his review that it's the kind of scene that would win an Oscar if the Academy ever saw movies like this, which of course, they don't.

    The ending is both feel-good triumphant, and bittersweet. I think that such an ending was very much in keeping with the tone and overall realism of this movie--yes, some things changed for the better, but for people like these, not everyone gets that happy ending and lives happily ever after. At least, not right away.

    There's real passion here, on the part of everyone involved, and it feels genuine, not manipulative. It's a pleasure to see a movie with good quality production values and excellent acting which was made for a reason, not just to make money.
    6antoniotierno

    under the expectations

    Same typical themes handled in Loach's work. I felt something strange, while watching it, maybe the San Diegan locations might be strange to the fans used to seeing English and Scottish cities. Nevertheless I couldn't say the effort of observation and insight doesn't work; the young Mexican gal propelled by the American dream is very believable, the unknown cast acts with passion, expressing the various faces of injustice and biases migrants must endure. However, my final opinion on the movie is that it fails to illustrate the real situations these kind of people live in and their genuine feelings, that is the Ken Loach's peculiarity.
    10martinigirl13

    Of Bread and Roses

    As the daughter of hard-working Mexican immigrant parents and having been raised in one of Los Angeles' poorest barrios, I often saw the story of Rosa and Maya being played out in real life within my family and amongst my neighbors. The authenticity with which this story is told is astounding, showing a deep respect for those who in search of a way to make an honest living, subject themselves to countless humiliations and are relegated to live outside the margins of mainstream America.

    Kudos to the writers!! This is the first time I have ever seen an American film in which the dialogue in Spanish was written by someone who actually speaks the language and can grasp the nuances and feeling of the language so perfectly. Richard Hicks is to be commended for casting both Elpidia Carrillo and Pilar Padilla in the roles of Rosa and Maya, respectively. They deliver their dialogue, especially in Spanish, with an emotion and passion that is rarely seen on the Hollywood silver screen. Needless to say, Bread and Roses is now on my list of must-have-films to add to my DVD library.

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    Handlung

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    • Wissenswertes
      Prior to filming, Adrien Brody did undercover research as a union member in Los Angeles. He went to conventions and sat in on strike talks. A couple of the members recognized him, but Brody persuaded them not to blow his cover.
    • Zitate

      Sam: We want bread. But we want roses too.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: A Knight's Tale/Angel Eyes/About Adam/The King Is Alive/Bread and Roses (2001)

    Top-Auswahl

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    FAQ19

    • How long is Bread and Roses?Powered by Alexa
    • A NOTE ABOUT SPOILERS

    Details

    Ändern
    • Erscheinungsdatum
      • 4. Oktober 2001 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Frankreich
      • Deutschland
      • Spanien
      • Italien
      • Schweiz
    • Offizieller Standort
      • Channel Four Television (United Kingdom)
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Brot und Rosen
    • Drehorte
      • Edward L. Doheny Jr. Memorial Library, University of Southern California - 3550 Trousdale Parkway, Los Angeles, Kalifornien, USA(Ruben and Maya meet up)
    • Produktionsfirmen
      • Parallax Pictures
      • ARD Degeto Film
      • ARTE
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 533.479 $
    • Eröffnungswochenende in den USA und in Kanada
      • 49.662 $
      • 13. Mai 2001
    • Weltweiter Bruttoertrag
      • 706.876 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 50 Min.(110 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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