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Stossverkehr

Originaltitel: Blue Money
  • 1972
  • R
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
4,1/10
319
IHRE BEWERTUNG
Stossverkehr (1972)
Drama

Füge eine Handlung in deiner Sprache hinzuHandsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare. Jim's ... Alles lesenHandsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare. Jim's seemingly perfect life starts to fall apart when he has an extramarital fling with an actr... Alles lesenHandsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare. Jim's seemingly perfect life starts to fall apart when he has an extramarital fling with an actress and the local Los Angeles vice cops close in to make a bust.

  • Regie
    • Alain Patrick
  • Drehbuch
    • Nick Boretz
    • Alain Patrick
  • Hauptbesetzung
    • Alain Patrick
    • Barbara Mills
    • Inga Maria
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,1/10
    319
    IHRE BEWERTUNG
    • Regie
      • Alain Patrick
    • Drehbuch
      • Nick Boretz
      • Alain Patrick
    • Hauptbesetzung
      • Alain Patrick
      • Barbara Mills
      • Inga Maria
    • 11Benutzerrezensionen
    • 12Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos26

    Poster ansehen
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    + 20
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    Topbesetzung27

    Ändern
    Alain Patrick
    • Jim Dasal
    Barbara Mills
    • Lisa
    • (as Barbara Caron)
    Inga Maria
    • Ingrid
    Jeff Gall
    • Mike
    Oliver Aubrey
    • Fatman
    Steve Roberson
    • Freddie
    Maria Arnold
    • Model
    • (as Marie Arnold)
    Sandy Dempsey
    • Model
    Suzanne Fields
    Suzanne Fields
    • Model
    • (as Cindy Hopkins)
    Susan Westcott
    • Model
    • (as Susan Draeger)
    Sunny Boyd
    • Model
    Leslie Otis
    Leslie Otis
    • Model
    Alan Bouverat
    Mark Lasky
    Mark Lasky
    Rita Ford
    Steve Lacey
    Roland Miller
    • Vice Cop in Sport Coat
    Jack Pill
    • Regie
      • Alain Patrick
    • Drehbuch
      • Nick Boretz
      • Alain Patrick
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen11

    4,1319
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    Empfohlene Bewertungen

    1rogue9102

    Is the main actor Tommy Wiseau?

    This movie was just plain bad but I spent most of the time thinking that the main actor Jim is actually Tommy Wiseau 31 years prior to The Room and pre-car accident. There is literally no information on the main actor, he sounds like Tommy (French accent)and even has the same smile. It makes perfect sense...love interests name is Lisa and he plays the role of Director, star and writer. Hmmm. A thinker.
    2Leofwine_draca

    Another worthless forgotten film from Crown

    I don't know about other reviewers but I thought this sleazy skin flick was absolutely awful. Like other Crown International Pictures from the era such as CINDY AND DONNA, this is a near plot less affair of simulated sex between unappealing actors with a few dramatic elements thrown into the mix.

    The main character is a sleazy porn producer who falls for one of his own actresses. They attempt to get out of the business, but various stuff gets in the way. The whole film has a tired, cheap look to it, the characters are horrendous, and it's about unerotic as it gets. Viewers looking for genuinely sleazy fare will also be disappointed as films like this are oddly tame considering the shocking depravity that a lot of horror films were delving into during the same era (I'm thinking of THE EXORCIST and THE Texas CHAINSAW MASSACRE as an example).
    4Chase_Witherspoon

    The pursuit of happiness via porn

    French-Canadian man (Patrick) does his best to secure his young family the freedom and future they crave aboard the boat he's lovingly restoring, on an income derived from his work as an adult film-maker. But the pressures of the business and political crackdowns take their toll forcing his wife (Caron) to leave their rented pad while Patrick frantically attempts to get his last few movies in the can to finance their dream and rid the family of their ignominious past.

    Patrick stars and directs this low-key drama in which his central character goes from porn-artist to money-hungry assembly line producer, turning would-be starlets into harlots to feed his freedom frenzy. Caron as his pot-smoking former actress wife protests a lot, but never seems to have the conviction to make a lasting stand against his chosen "profession", manacled by the material trappings and constant promise of a better life aboard the grand ship freedom, where they plan to sail the seven seas, trading coconuts and trinkets, smoking dope, drinking wine and living the dream. Jeff Gall is suitably sleazy as Patrick's partner and enthusiastic co-producer, while Gary Kent is a familiar face and voice in a small role as a vice detective.

    Some humour (the quirky auditions should make you chuckle), lots of bare flesh and simulated sex (as you'd expect) and a manuscript full of dumb dialogue ("you can't come to work when you've got your period") the film never really hits the high notes, remaining low-key and melodramatic, like a balloon fizzling to its limp conclusion, which is especially disappointing, leaving little resolved. Looks a little experimental and obviously dabbles in a taboo subject particularly in its era and political context, might be worth a look if you can appreciate B-grade trash cinema.
    Wizard-8

    Could have been insightful, but ends up being boring

    I have to confess that I haven't seen that many true pornographic films, because what I've seen has left me both bored and depressed. However, I have enjoyed a number of movies that have dealt with the pornographic industry, from "Boogie Nights" to "Orgazmo". "Blue Money" could have been another interesting look at the industry, since it deals with the porn film industry when it was starting to become mainstream yet still falling afoul of the law. However, it is a crushing bore. There's very little story, and it's stretched out way past the breaking point. The characters aren't very interesting as well. If you are thinking of watching the movie anyway to see sex or nudity, let me warn you that there isn't a terrible amount of this material, and the little there is isn't presented in an erotic light. I have no idea why Crown-International picked this up for distribution, because it's unlike their usual product, which usually made an effort to deliver the goods. I guess there is some curio value, but not enough to make it worth searching for.
    1arfdawg-1

    Slower than Molasses

    The Plot.

    Handsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare.

    Jim's seemingly perfect life starts to fall apart when he has an extramarital fling with an actress and the local Los Angeles vice cops close in to make a bust.

    As the movie begins, you see a sigh flapping in the wind that says "Dog On Duty."

    Only there is no fence to contain a dog. It's a wide open space! LOL.

    This defines the film. It's moronic.

    Whoever directed this has no clue about film making or exposition.

    The lead dude can't act and must have blown the producer.

    It's simply awful.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Gary Kent did the small uncredited part of a vice cop as a favor for director Alain Patrick.
    • Patzer
      A very large dent repeatedly appears and disappears from the passenger side door of Jim's Porsche. This is most noticeable when Jim and Mike go to the studio to remove their files; the dent inexplicably appears late in the scene.
    • Zitate

      Lisa: [as Jim lies with his head cradled in her lap, and they share a bottle of wine] I'm gonna come down to the studio and spy on you.

      [muttering to herself:]

      Lisa: And see what they do that transforms you.

      [brightly:]

      Lisa: I'll bring you lunch.

      Jim: I don't want you to come down there, love. It is not Disneyland.

      Lisa: Hey, the things you say to me, sometimes are really weird. The way you look at me is so weird. Sometimes... sometimes I feel like pouring this wine over your head.

      [takes another swig from the bottle]

    • Alternative Versionen
      This film was originally released in a 93-minute X-rated version, before being cut by Crown and distributed more widely in an 80-minute R-rated version. This version was by far more common until the recent release by Vinegar Syndrome, which restores the film to its former length.
    • Verbindungen
      Featured in Twisted Sex Vol. 21 (2002)
    • Soundtracks
      Walk in the Sun
      Lyrics by Clarence Morley

      Music by Jay Torrey

      Sung by Jay Torrey

    Top-Auswahl

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    FAQ

    • How long is Blue Money?
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    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juli 1973 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Blue Money
    • Drehorte
      • Marina del Rey, Kalifornien, USA
    • Produktionsfirma
      • Nissa Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 35.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 33 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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