Füge eine Handlung in deiner Sprache hinzuA woman forces a man to move forward with his life after his wife dumps him.A woman forces a man to move forward with his life after his wife dumps him.A woman forces a man to move forward with his life after his wife dumps him.
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10erp-2
Real cool, smart movie. I loved Sheedy's colors, especially the purple car. Alice Drummond is Wise And Wonderful as Stella. I liked Sheedy's reference to how her face had gotten fatter. The roadside dance scene is brilliant. Really liked this one.
10cloud-29
This movie is wonderful. The writing, directing, acting all are fantastic. Very witty and clever script. Quality performances by actors, Ally Sheedy is strong and dynamic and delightfully quirky. Really original and heart-warmingly unpredicatable. The scenes are alive with fresh energy and really talented production.
In many respects, this is the "Shallow Hal" film for the more mature and cultivated. The main character is a shmutzy looser whose ex-promqueen wife has dumped him unceremoniously for his self-absorbed best friend, and he is obsessed with winning her back. Then his sister, in a misguided attempt to cheer him up, sets him up with the date from hell. This character is exquisitely portrayed by Ally Sheedy, who explodes into his life like an atom bomb. She is repulsive, assertive, controlling and demanding, to give her the benefit of the doubt, and clings to him like a cheap suit of clothes. But this is not a melodrama, and the characters develop and evolve from the absurd to the sublime.
Unlike the more garish "Shallow Hal," which does ask us to consider the less superficial aspects of the meaning and purpose of a relationship, but with stereotypes painted "rather broadly" so to speak, this one approaches the subject with a sharply pointed pencil and a fine-toothed comb. In both films the guy is a dufus who learns to become a mensch. But the girl in this one has a rather paradoxical kind of beauty to her personality that was always there. She becomes likeable precisely because we know that she is different, and not in spite of that fact. Otherwise, it is a splendid fantasy and romance, not to be taken too seriously. We can believe that something like this could happen long enough to enjoy the wonderful story.
Unlike the more garish "Shallow Hal," which does ask us to consider the less superficial aspects of the meaning and purpose of a relationship, but with stereotypes painted "rather broadly" so to speak, this one approaches the subject with a sharply pointed pencil and a fine-toothed comb. In both films the guy is a dufus who learns to become a mensch. But the girl in this one has a rather paradoxical kind of beauty to her personality that was always there. She becomes likeable precisely because we know that she is different, and not in spite of that fact. Otherwise, it is a splendid fantasy and romance, not to be taken too seriously. We can believe that something like this could happen long enough to enjoy the wonderful story.
I was totally impressed by Shelley Adrienne's "Waitress" (2007). This movie only confirms what was clear from that movie. Adrienne was a marvelously talented writer-director, an original and unique artist. She managed to show the miseries of everyday life with absurd humor and a real warm optimistic and humanistic tendency. Ally Sheedy steals this movie with a terrific performance as a woman who has fallen over the edge. Male lead Reg Rodgers, looking like Judd Nelson, is fine. There is also a great cameo by Ben Vereen. The song at the end of the movie "The Bastard Song" written by Adrienne can stand as her optimistic eulogy:
"It's a world of suffering,
In a sea of pain,
No matter how much sun you bring,
You're pummeled by the rain...
Don't let the heartless get you down,
Don't greet the heartless at your door,
Don't live among the heartless"
"It's a world of suffering,
In a sea of pain,
No matter how much sun you bring,
You're pummeled by the rain...
Don't let the heartless get you down,
Don't greet the heartless at your door,
Don't live among the heartless"
Bill (Reg Rogers), a real estate salesman in New York City, is unexpectedly jilted by his beautiful, artistic wife. She runs off with a gentleman who purchased a nice house from Bill, in upstate New York. Totally in despair, Bill is doing badly at work and at home. His sister (Adrienne Shelley) decides to jolt her brother out of his funk by arranging for him to meet one of her old college friends, Bernice (Ally Sheedy). Bernice, however, is a bit of an odd duck and Bill insults her on their first date, causing her much pain. Yet, Bernice decides to get even, by kidnapping Bill and taking him on a car trip to visit her relatives. Will Bill be able to break free of Bernice's clutches? Will he want to? This is a very original film, with characters and a script that take the viewer into the realm of the unusual but satisfying world of offbeat movies. Sheedy is quite wonderful as the decidedly different woman and Rogers just fine as the heartbroken husband. The rest of the cast, including Shelley herself, who wrote and directed the film, are more than adequate. Given the probable budget constraints, the movie nevertheless looks great, with nice sets, costumes and amenities. If you have seen Shelley's Waitress and are looking backward to her other films, you will find this one an interesting first effort. Although it is not as successful or as universal as Waitress, no one could ever deem this flick as dull. Therefore, anyone who loves a departure from run of the mill movies will find this one easy to embrace.
Wusstest du schon
- WissenswertesAlan North's last film.
- PatzerBernice's cigarette keeps changing length while she is talking to Ray at the Kitchen table.
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