Songcatcher

I recently caught the tail-end of this on HBO and had to watch all of it on Netflix.

It is nearly mesmerizing. I think the only flaw I found with it was the beginning. I wanted a longer beginning, so that more contrast would become evident as the movie went on.

Having said that, Songcatcher is sweet and just a bit haunting.

Jane Adams steals this with a elegant and yearning performance. But the performances are all beautiful and slow as a massage without the meter running. I've always like Aidan Quinn and I love that Janet McTeer is not a Kewpie doll someone stuck into a serious film. She's a woman - just as there were once women in movies.

I recommend it highly.

This movie was extremely moving! I saw it a couple of years ago and it continues to be fresh in my mind. A nice look at a different culture, and some very original folk music! Aidan Quinn was fantastic, it was nice to see him a role that was very original. After we watched the movie we went in search of the soundtrack. The music and lyrics were very haunting, and gave a good look into how life was like for this particular group of people.

If you are looking for a movie that is beautiful, thoughtful, endearing, and is filled with original and stirring music this is a must see for you! Even my boyfriend liked it, and he strays from watching many of these artsy films!

I happened upon this film by chance and watched it at first because of the beautiful scenery. Hooked. I watch again every chance I get. Janet McTeer is perfect as the intelligent, suppressed Victorian woman. She plays the stiffly proper role perfectly, even after we have seen her rebellious nature early in the film by her involvement with a married man.

I have always felt that Aiden Quinn has been under appreciated. He shines in this film, as does Pat Carroll in a rare serious role. I disagree with those who call the lesbian storyline a distraction. They didn't TALK about sex during Victorian times, but they sure had it! I had no difficulty believing that two women living together in an environment so foreign to their upbringing would develop a closeness which would lead to a physical relationship.

The traditional music was wonderful, but David Mansfield's original score was incredible. My family has lived in the mountains of West Virginia since the sixteen hundreds, there is a family cemetery on the side of a mountain in the woods. Mansfield's "And the Mountains Cried" playing while the coffin was carried up the hill showed me something that could have been a picture from my family's past. It moved me so much that I sent him an email, telling him what an impact his music, especially that song, made . To my surprise, he replied, thanked me, and included the lyrics.

I loved this film. Wonderful music, beautiful costumes, humor, lust, rebellion, murder, and you can't beat the beauty of the location.

I suspect it's a more accurate portrayal of life at that time and place than most people might think.

Just saw this tonight as part of the Spirit Awards showings. A nice surprise, since I spend long hours listening to Alan Lomax's field recordings of mountaineers singing old ballads when I was at Bard College - and later parlayed that experience into a radio job, hosting a traditional music show.

That aspect alone should make anyone loves this music run to see the show. It's reproduced with great authority, and a lot of chestnuts which haven't been heard in Pop culture since Joan Baez are played much as they must have been when first heard: "Matty Groves", "Barbry Allen", "I Wish I Was Single Again", etc. The castng overall is superb - Janet McTeer is a unique and believable presence; Pat Carroll delightful as a mountain matriarch; Aiden Quinn his charming, virile self.

The plot is acceptable, if not 100% believable - several of the (discreet) sexual situations peppered throughout seem much colored by modern attitudes. Especially the reckless bit of carelessness which leads to one of the key catastrophes in the film. And these backwoods people are just a LITTLE too understanding on the issue involved.

On the other hand, several obvious threads veer into surprising directions - the ending being one of them. And the glimpse of Appalachian life will be a revelation to many.

Not to mention the music. Lots and lots of wonderful music. Including Emmy Lou Harris' (NOT Dolly Parton's) closing number over the credits.

Jim Chevallier North Hollywood, CA

Songcatcher is a film that shows the side of the mountain people that has been unknown for years. It's kind of like an indie, female version of Oh Brother Where Art Thou, but with a feminist touch and more and better music. The film is very enjoyable with some exceptional acting particularly in the case of Janet McTeer, Aidan Quinn and Emmy Rossum and features some lovely and moving renditions of classic ballads. Maggie Greenwald (The Ballad of Little Jo, for which she wrote and directed) is also both the director and writer of Songcatcher and she has done a fabulous job. The film's focus is on musicologist Lily Penleric (Janet McTeer) in the early 1900s who has just been passed over for a permanent teaching position for the second time. She becomes embittered and decides to leave the school and go to the mountains to visit her sister (Jane Adams) at her school in the mountains of North Carolina. There she learns, to her delight, that many of the old Irish/Scottish ballads have been preserved in their original form, after hearing them sung by her sister's warden Deladis Slocumb (the always delightful Emmy Rossum). After hearing Deladis sing these ballads Lily becomes obsessed with collecting and publishing the songs. With the help of Deladis and her boyfriend Fate Honeycutt (don't you just love these names) Lily goes around the mountain collecting songs. One of her first stops is at incorrigible Viney Butler (Pat Carroll). While she's there Lily meets Viney's grandson Tom Bledsoe (a nearly unrecognizable Aidan Quinn).

The two clash at first but they eventually become, no surprise, romantically involved. Along the way we also meet Lily's antagonist Earl Giddens (David Patrick Kelly) who's has been 'educated' down the mountain and wants to turn the mountain in a coal mine. While collecting the songs, Lily slowly begins to crack from her shell and she learns to love the people of the mountain. The photography in the film is spectacular. It's vibrant and bright with some terrific shots of the wizardly Carolina Mountains. Maggie Greenwald brings the beauty of the mountains out with long-range shots at sunset. As I stated earlier the acting in this film is superb so there are no complaints from me. Lily Penleric was played perfectly by Janet McTeer who seems to be able to convey so much emotion through her eyes. Tom Bledsoe was such a different character than I had ever seen Aidan Quinn play before and it was quite refreshing. He was great as a grumbling, dirty yet somehow attractive mountain man. And Emmy Rossum, in her feature film debut, gives a stunning performance as the angelic voiced ward.

The music in the film is probably it's best asset. Greenwald had actual singers and musicians play the musical parts. Iris Dement and Taj Mahal were just two of the musicians in this film and they added an authenticity to the film. All the songs in this movie were amazing and as soon as I saw this film I went out and bought the soundtrack. The only problems I had with the film are that the plot sometimes seemed a little forced, a little contrived and that there were too many subplots. There were probably in total about seven or eight different plot lines weaved in and out throughout the film. In some films this might work but Greenwald doesn't quite pull it off. The lesbian subplot was not needed at all. It actually took away from the authenticity of the film and didn't seem to fit in with the time period, which was the late Victorian era. Overall I would definitely recommend this movie, especially to those that really enjoyed movies like Oh Brother Where Art Thou. This film captivates the beauty of the Carolina Mountains and shows what the music of the mountains is really like.

"Your music is like the air you breathe" Lily Penleric, Songcatcher