Wes Craven präsentiert Dracula

I remember watching this 2000 fantasy horror movie titled "Dracula 2000" back in the early or mid-2000s. However, the movie never really stood out as being particularly memorable or outstanding. And I haven't returned to watch it since, at least not before now in 2023. I had the opportunity to revisit it and decided to do so, as I only vaguely remembered the movie.

First of all, I had entirely forgotten that the movie had Gerard Butler playing the part of Dracula, and that was actually a really nice touch to the movie.

The storyline in "Dracula 2000", as written by Joel Soisson and Patrick Lussier, is a reinvention of the Bram Stoker novel, but of course with some major changes added to it. And it actually worked out well enough, because I was certainly entertained by this movie. In fact, the movie was actually not as corny and cheesy as I remembered it to be.

The movie has a great cast ensemble, with the likes of Gerard Butler, Christopher Plummer, Jonny Lee Miller, Justine Waddell, Jennifer Esposito, Omar Epps, Sean Patrick Thomas, Danny Masterson, Lochlyn Munro and Nathan Fillion as well. So there are a bunch of familiar faces on the cast list.

Visually then "Dracula 2000" was good, despite it being a movie that wasn't relying heavily on special effects.

My rating of director Patrick Lussier's 2000 movie "Dracula 2000" lands on a six out of ten stars.

So...the title is a bit dodgy. "Dracula 2000". Ick. Nevertheless, I was pleasantly surprised by the quality of the film. To begin with, an interesting cast. Christopher Plummer has, previously, suffered from what I call "Michael Caine" syndrome; making any film that will write him a cheque, Johnny Lee Miller was amusing in "Trainspotting" and, let's not kid each other, there is no mystery as to why Jennifer Esposito and Jeri Ryan were cast. Round it out with some second and third tier young "Actors du jour" and you probably haven't spent too much money.

Now...the most irritating aspect of the film is the almost surreal amount of flagrant Virgin Records placement. Seriously....Mary works in one of the stores which means we get prominent t-shirt coverage....not to mention the gawdy neon sign, the truck in the garage etc.....however, Dracula needs virgins, right?

By far the most interesting part of this film was the story behind the creation of Dracula. Taking the myth back to the time of the crucifixion, with Judas Iscariot suffering some fairly serious guilt issues leading to his suicide and eventual "re-birth"....good angle: it helped to explain the vampires aversion to all things holy and dislike of silver (as in 30 pieces of...). Still don't get the mirror-phobia but hey....

Someone on the creative team of this film has a sweet little visual gag in store. Check out the scene in the Laffayette Cemetery...there is a crypt bearing the name "Spencer Hepburn". Nice one.

The ending is a little rushed and it seems that Miller might have left the set early that day, since he apparently vanishes. It also leaves blatant amounts of room for a sequel, but I wouldn't hold my breath.

That I even considered seeing this film was primarily due to Wes Craven's participation. However, I found it to be an imaginative and fairly tasteful modernisation of one of the all-time cinematic horror legends.

I've got to admit that it was a lot less awful than I expected. Still not very good though, but I've seen greater disasters under the `Wes Craven Presents'-label…70 years after Bela Lugosi made him immortal, new blood is running through the veins of the horror icon Dracula (which is a pretty ironic statement to itself…). The year is 2000 and the location is Great Britain. Abraham Van Helsing kept himself alive somehow and he still stands guard over the coffin that holds the remainders of Dracula. The vacuum-closed coffin gets stolen and – surprise surprise – Dracula escapes….with a mission, because he's after Van Helsing's daughter in America. Since Abraham used Dracula's blood to keep alive, the exact same powers are to find in her. All of a sudden, this version comes up with a whole new historical background for Dracula…He's portrayed like a real ladies-man and director Lussier even suggests that his wrath against humanity goes all the way back to the Biblical beginning…I'm not quite sure what to think of this whole character-twist. It gives a slight bit of originality and ingeniousness to the franchise, but it's also illogical, extremely far-fetched and it might even be considered as being a little offensive. My biggest fear regarding this film, however, was that it would be a boisterous and computerized update of the legendary myth. I'm glad to say that the visuals in Dracula 2000 are well used and not too exaggerated. Some good old-fashioned gore as well with a couple of nice decapitations and slaughtering. The script is rather weak and contains silly humorist-lines such as: ` Never ever mess with an antique dealer'…and a lot of variants on the `vampires suck'-joke! Gerard Butler is pretty weak as the bloodsucking vampire and he hasn't exactly got the charisma and appearance to play him…Of course, he can't be blamed for that entirely as it's as good as impossible to follow into the footsteps of brilliant actors like Bela Lugosi, Christopher Lee or Gary Oldman who gave image to Dracula before him.

Other than Butler, there is a good diversity in the cast. We receive some quality acting by Christopher Plummer as Prof. Van Helsing and even Omar Epps is remarkable in his role. Lots of eye-candy is provided by Jennifer Esposito (I never saw her this pretty), Jeri Ryan (cleavage-queen) and Colleen Fitzpatrick (she's the modern version of Lucy). I'm rather late with my first viewing on this film. Since I never wanted to spend money on it, I patiently waited for it to come on TV. You're not missing anything in case you don't ever see it, but there are much worse ways to spend your time. It's overall well-made and light-headed entertainment. Not planning on seeing the sequels, though.

Being a poor hen-pecked loser who isn't allowed cable television, I found myself in the rather alien position of being spoilt for choice over which movie to watch last Sunday night. British terrestrial television rarely throws up such a dilemma, so I had to consider carefully which one to select. In the corner marked 'safe option' we had Mel Gibson's Ransom (seen it; dull; can't really remember what happened but am assuming they eventually get the kid back), second was Man on the Moon (seen it; vaguely remember being a bit disappointed), and third was Wes Craven's Dracula 2000 (never seen it; presumably a straight-to-video job). Almost without hesitation I plumped for that.

A maverick choice, you might say - but there was method to my madness. On more than one occasion, drunken and deluded girls have approached me in bars and accused me of looking like Jonny Lee Miller. They are wrong of course - those close to me have taken sadistic pleasure in assuring me I look more like a cross between Woody Harrelson and Kelsey Grammar - not particularly good for my sex-symbol status, but useful if I ever wanted work as a stunt double on the set of Cheers.

Anyway, it turns out I chose wisely - Dracula 2000 is a hoot. More Schlock than horror (as you might expect from the creator of the Scream franchise) it has the kind of kitschy charm of Buffy the Vampire Slayer only with worse dialogue and a sillier plot. Those purists who prefer a more classic Peter Cushing/Christopher Lee tussle between good and evil are unlikely to stay beyond the first reel, but there are rewards for those who stick it out.

Miller plays Simon Shepherd the protégé of the mysterious Matthew Van Helsing (Christopher Plummer). A gang of thieves infiltrate Van Helsing's secret stash of old relics and unwittingly release Dracula from his silver coffin. Big mistake. The dark lord makes a bee-line for New Orleans in search Van Helsing's daughter Mary. On his way, he creates merry hell crafting a few undead henchwomen (mostly blonde) and enjoying unspeakable depravity in the middle of the Mardi Gras carnival. Unsurprisingly, Miller and Plummer pack their crucifixes and silver bullets and hurry over to save the day.

This being a sexed-up modern-day version of Bram Stoker's classic, Dracula himself is far from the urbane older gentleman with the black cloak and the widow's peak - this one is young and spunky and has the kind of barnet you might find in a L'oreal commercial. Try to imagine a bastard hybrid of David Copperfield and Alan Partridge and you won't be far off. Dracula's hair is not the only highlight though: There are some brilliantly awful modern cultural references - Sweet and innocent Mary works in Virgin Megastore (geddit?) - and an audacious religious sub-plot which goes some way towards explaining Dracula's hatred of silver.

All in all it is great fun. It was inevitably mauled by the critics, but I guess they don't have a sense of humour. Poor old Jonny's been in some turkeys since he made Trainspotting, but I'm backing him to hilt on this one - it certainly beats watching Mel Gibson and Rene Russo blubbing for two and a half hours.

7/10

Gerad butler as Dracula was a surprise for me after not seeing this movie in years I completely forgot about how good it is, yes a certain "actor" might not have aged well (coughs) Danny Masterson But the rest if this movies great the camera qualitys pretty dope after all these years also.