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Path to War - Entscheidung im Weißen Haus

Originaltitel: Path to War
  • Fernsehfilm
  • 2002
  • Not Rated
  • 2 Std. 45 Min.
IMDb-BEWERTUNG
7,3/10
4527
IHRE BEWERTUNG
Path to War - Entscheidung im Weißen Haus (2002)
Politisches DramaBiographieDramaKrieg

Füge eine Handlung in deiner Sprache hinzuIn the mid 1960s, President Lyndon B. Johnson (Sir Michael Gambon) and his foreign-policy team debate the decision to withdraw from or escalate the war in Vietnam.In the mid 1960s, President Lyndon B. Johnson (Sir Michael Gambon) and his foreign-policy team debate the decision to withdraw from or escalate the war in Vietnam.In the mid 1960s, President Lyndon B. Johnson (Sir Michael Gambon) and his foreign-policy team debate the decision to withdraw from or escalate the war in Vietnam.

  • Regie
    • John Frankenheimer
  • Drehbuch
    • Daniel Giat
  • Hauptbesetzung
    • Michael Gambon
    • Donald Sutherland
    • Alec Baldwin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    4527
    IHRE BEWERTUNG
    • Regie
      • John Frankenheimer
    • Drehbuch
      • Daniel Giat
    • Hauptbesetzung
      • Michael Gambon
      • Donald Sutherland
      • Alec Baldwin
    • 48Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 8 Primetime Emmys nominiert
      • 1 Gewinn & 27 Nominierungen insgesamt

    Fotos35

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    Topbesetzung76

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    Michael Gambon
    Michael Gambon
    • Lyndon Johnson
    Donald Sutherland
    Donald Sutherland
    • Clark Clifford
    Alec Baldwin
    Alec Baldwin
    • Robert McNamara, Secretary of Defense
    Bruce McGill
    Bruce McGill
    • George Ball, Undersecretary of State
    James Frain
    James Frain
    • Richard Goodwin
    Felicity Huffman
    Felicity Huffman
    • Lady Bird Johnson
    Frederic Forrest
    Frederic Forrest
    • General Earle G. Wheeler
    John Aylward
    John Aylward
    • Dean Rusk, Secretary of State
    Philip Baker Hall
    Philip Baker Hall
    • Everett Dirksen
    Tom Skerritt
    Tom Skerritt
    • General William Westmoreland
    Diana Scarwid
    Diana Scarwid
    • Marny Clifford
    Sarah Paulson
    Sarah Paulson
    • Luci Baines Johnson
    Gerry Becker
    Gerry Becker
    • Walt Rostow
    Peter Jacobson
    Peter Jacobson
    • Adam Yarmolinsky
    Cliff De Young
    Cliff De Young
    • McGeorge Bundy, National Security Advisor
    • (as Cliff DeYoung)
    John Valenti
    • Jack Valenti
    Chris Eigeman
    Chris Eigeman
    • Bill Moyers
    Francis Guinan
    Francis Guinan
    • Nicholas Katzenbach
    • Regie
      • John Frankenheimer
    • Drehbuch
      • Daniel Giat
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen48

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    Empfohlene Bewertungen

    8dromasca

    Good historical docu-drama

    It is hard to watch 'Path to War' and avoid remarking the similarity between historic and present circumstances. Although dedicated to the presidency of Lyndon Johnson, the film brings to mind the situations the current US President had to face - after being elected on an internal social agenda, he has to face an external conflict and runs down on a spiral towards an external war costly in American and other peoples human lives. The film is interesting by itself, although there may be many comments to be made on the accuracy of the historical details. 'Path to War' also succeeds better than other films in bringing to screen historical characters and giving them a life of their own - Johnson, Clark Clifford, Bob McNamara are well built film characters in the film. I recommend this film, and not only to the history fans - 8 out of 10 on my personal scale.
    8rmax304823

    A history book written by the losers...

    In some ways the most dramatic illustration of the bifurcation of American society during 1968 is presented in this movie and then gone in the blink of an eye. LBJ is watching a series of TV broadcasts excoriating him. Among the clips is one of Reverend Martin Luther King, Jr., who states that he (who had been silent on Vietnam for so long) can now no longer keep from speaking against violence and against the greatest purveyor of violence in the world, his own government. It's difficult to imagine Johnson recovering from King's speaking out. Blacks had been among his most resolute supporters for years. LBJ liked them and sympathized with them and they responded in kind. I did some minor canvassing for Eugene McCarthy earlier that year and was surprised to find that every black family I spoke to politely turned away my arguments. It didn't matter to them that they felt Vietnam was draining resources that were needed for domestic programs, or that the disenfranchised were suffering disproportionate casualties. (Know how many sons of Harvard died in Vietnam? Guess.) They fully supported LBJ because of his unyielding and thoroughly courageous stand on civil rights, as the issue was then called. How King's change of heart must have hurt him.

    The movie as far as I can tell is pretty accurate. Inevitably, characters come and go, and the story itself is complicated enough to be occasionally confusing. If you want a more thorough analysis of how to go about letting slip the dogs of war, try Halberstam's "The Best and the Brightest."

    The acting is fine, with no one's performance outstanding. Frankenheimer's direction, with its drumbeats, hand-held camera, and fast editing of protest marches, recalls his "Seven Days in May." The script sometimes comes up with lines that are a little too epigrammatic to be swallowed whole.

    LBJ's passionate commitment to the solution of domestic problems is carefully laid out, and it was real. His forte as a politician was in manipulating others in order to get his way and, minor earlier malfeasance aside, his way was one to be admired. What the film soft pedals or leaves out entirely is a side of his character that was really and truly vulgar and exceedingly unpleasant for subordinates. You didn't have to be a wuss to feel uncomfortable when, as a highly educated senior aide, LBJ would call you into the bathroom for a conference while he was taking a dump. The tongue lashings that Jack Valenti alone endured would fill up a marine boot's schedule for his entire stay on Parris Island. He was also an egomaniacal blowhard, and there is little of this in the film. While still Vice President, he ran into Russel Baker, at that time White House reporter for the NY Times, grabbed him by the arm and pulled him into his office, shouting, "You -- I want to talk to YOU." He harangued Baker for half an hour, accusing the press of lying about his lack of power, of being outside the loop, as VP. Midway through his tirade, Johnson buzzed in his secretary, scribbled a note and handed it to her, then took up where he left off. When a weary Baker finally stumbled back into the hallway, another reporter said: "Do you know what it was he wrote on that note to his secretary? It said, 'Who is this I'm talking to?'"

    A bit of this side of LBJs character might have gone some distance in explaining his gradual and reluctant commitment to war. He was the kind of guy who could not admit that he was beaten, a tragedy really, in the same way that Hamlet was a guy who could not make up his mind. It wasn't just that his advisers misled him. It was that he couldn't bring himself to back down. This is one of the things that worried me when I heard our next president from Texas say, "My mind is made up, and I'm not going to change it, because I'm not the kind of guy who changes his mind." (No? Hold on to your hats, boys.)

    You come away from this movie filled with a genuine pity for LBJ who, in Vietnam, had got hold of his baby. He really had little choice but to resign. When he did, he went to his ranch and manipulated local merchants so they put his order for an oil sump on the fast track, using the same friendly but conspiratorial tones that he had once used in running the country. He grew his hair out to Beatle length, crept into Doris Stearn's guest room in the mornings in order to have someone to talk to, a lonely man. A tragic story, well done.
    9Onthethreshold

    Excellent and truly compelling...

    effort at depicting the essence of Lyndon Johnson and his tragic presidency. Michael Gambon is a superb actor and his portrayal of the 36th president is by far the best I've seen yet. Most films depict LBJ as essentially some Texan buffoon without a clue. In reality, Johnson was a superb politician whose hopes and dreams for his country were ultimately thwarted by a war he never wanted in the first place. 'Path to War' shows how a man with all the strength, talent and skill to do potentially great things finds himself losing the battle on both fronts. The war on poverty that he so dearly cared for being defeated by the war in Vietnam, and as his own administration and the country turn against him, the downfall of a political giant.

    I would suggest that this film be shown in high school classrooms as a way to educate our young people about LBJ, the man, his times and his legacy. Vilifed though he may be by many, 'Path to War' is truly a fantastic portrayal of the human side of the man and how he struggled to do what he thought was right for his country and for the world.
    9robertmike57

    A Movie That Shows How History Repeats Itself

    When I saw this movie yesterday, I was struck by the language and how it echoed the arguments made now about the Iraq War. In fact, I thought certain phrases were inserted into this movie to criticize the Iraq war as they are the EXACT same things said today about the futility of the the US presence in Iraq, given how "liberals" Donald Sutherland and Alec Baldwin were involved in this project.

    Then I noticed this movie came out in 2002, BEFORE George Bush decided to invade Iraq.

    Path to War covers the period of time in US history from Lyndon Johnson was inaugurated in January, 1965 to March, 1968, when he announced he was not seeking a 2nd term for President. We get to view how LBJ was a champion for voting rights and committed to improving the lot of poor Americans with the Great Society. But the movie focuses on how the United States came to get drawn in and bogged down in the Viet Nam war, to the downfall of Johnson. It illustrates how Clark Clark Clifford went from being opposed to the war to being it's most vocal supporter, and how Robert McNamara went from promoting the war to being forced out as Secretary of Defense for coming to opposing the war. How Johnson was tentative about pursuing the war, micromanaging combat operations and the demoralizing effect the Tet Offensive had on this country. The movie has expertly woven in numerous television broadcasts, cartoons and other historic artifacts of the era to drive the point how the Johnson administration acted in carrying out the Viet Nam war and their effects.

    This is the movie to watch if you want to understand how the Viet Nam war came to be a large conflict with it's divisive effects on this country. It's a movie that should be required viewing for any future President ever contemplating a "small" foreign war in the future.
    8msteele-9

    If you have ever wanted to know what goes on behind the scenes of sending our young men to war .... then this film gives us a terrific insight ... it is well worth watching

    Hire it, buy it or borrow it .... a timely film worth watching especially in our current world situation. This film gives a great insight into the passions, feelings and sometimes great frustrations behind the decisions that are made in times of conflict. I have it on good authority that this particular film is reasonably accurate, although i'm sure some usual Hollywood Cliché's have found their way into the script. What i found particularly sad was to learn that President Lyndon B Johnson, unfortunately passed away just days prior to the announcement of the end of the Vietnam war. I am sure that this film will evoke some pretty extraordinary emotional feelings, mainly due to the current world conflicts, especially in the Middle East.

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    Handlung

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    • Wissenswertes
      The extensive historical research for this movie resulted in a script with a five-page, single-spaced bibliography.
    • Patzer
      At one point Robert McNamara tells President Johnson that there are 13 US battalions in Vietnam, and goes on to say this is 51,000 troops. This would mean approximately 4,000 troops per battalion. Given that a US battalion would only have 500-800 troops he is actually talking about 13 brigades (each containing several battalions) and not 13 battalions.
    • Zitate

      George Ball, Undersecretary of State: [Looking at McNamara and being slightly drunk] Look at him! His wife's got an ulcer. His kid's got an ulcer. Everybody's got Bob McNamara's ulcer but Bob McNamara. Sometimes I think it's all just a Goddamn academic exercise to him.

    • Verbindungen
      Featured in The 54th Annual Primetime Emmy Awards (2002)
    • Soundtracks
      Artist's Life
      Written by Johann Strauss (as Johann Strauss)

      Performed by The Rick Fleishman Orchestra

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 6. Dezember 2013 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • HBO Films (United States)
    • Sprache
      • Englisch
    • Auch bekannt als
      • Path to War
    • Drehorte
      • Washington, District of Columbia, USA
    • Produktionsfirmen
      • Avenue Pictures
      • Edgar J. Scherick Associates
      • Home Box Office (HBO)
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    Box Office

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    • Budget
      • 17.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 2 Std. 45 Min.(165 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.78 : 1

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