Path to War - Entscheidung im Weißen Haus

I tuned into this expecting to see something similar to the exciting, tension-filled "Thirteen Days," but these two movies are not at all alike. Even the titles tell the difference. "Thirteen Days" (about the Cuban Missile Crisis) is a compact story, while "Path To War" deals with events spread out over several years, and as a result moves more slowly and often in much less detail. It is in its own way, however, just as gripping.

"Path To War" is the story of the United States during the Lyndon Johnson administration as it spirals into war in Vietnam, almost against its will. Johnson is well portrayed by Michael Gambon, who manages to capture the complex situation the man was facing, both militarily and politically. Johnson, of course, assumed the presidency upon John Kennedy's assassination and inherited Kennedy's decision to increase US involvement in Vietnam. Johnson is constantly pushed by his military officials and Defense Secretary Robert McNamara (Alec Baldwin), a holdover from the Kennedy administration, to take just one more step, to commit just a few more troops, to bomb just a few more targets in order to win the war. Every step fails, which leads to another step being necessary, until Johnson is hopelessly trapped in a war he can't win but that he can't get out of either. Feeling unable to trust the people who had been Kennedy's advisors, Johnson turns to Clark Clifford (a great performance here from Donald Sutherland) who originally opposes increased involvement in Vietnam, but who eventually realizes that the spiral has gone too far to be stopped and becomes an advocate of stepping things up on the grounds that there is nothing left to do but put everything into trying to win. It's a fascinating study of an entire nation; one that carefully avoids the unfortunate stereotype of Johnson as a warmonger, and instead depicts him as desperate to find a way out of this mess; one that just as carefully notes that Johnson didn't create this mess - he inherited it from Kennedy.

That, of course, is the subplot of the movie. Johnson spends much of the movie (as he spent his presidency) fighting the ghost of John Kennedy and looking over his shoulder at Robert Kennedy, not able to trust those who had been close to the Kennedy's, but unable to simply jettison them.

It really is fascinating movie, well worth watching. It isn't "exciting" in the sense that you'd be on the edge of your seat, but it's gripping and holds your attention well enough. 7/10.

Well-made, at times moving HBO dramatization of the goings-on within the White House as the Vietnam War escalated under Lyndon Johnson.

Michael Gambon plays the U.S. president as a sort of tragic figure torn between his passion for "Great Society" social programs and a resiliency to win the war. The Johnson seen in PATH TO WAR is certainly not the war-monger that protesters of his day alleged. He's meticulous and thoughtful, though perhaps too easily persuaded by his advisers, most notably Secretary of Defense Robert McNamara (Alec Baldwin in his most memorable performance in a long time) and Clark Clifford (an equally superb Donald Sutherland).

In his final film, director John Frankenheimer could be criticized for being a touch soft on Johnson. But this approach, fair or not, serves the film well, allowing us to more easily empathize with the straight-talking Texan. He had men of very high stature and respect telling him that just one more bombing, just one more plane full of troops, just a few more months and the war would be won. The viewer has the 20/20 hindsight of history, but Frankenheimer was careful to remind us that Johnson did not. This makes for some emotional moments. Scenes of the reluctant war president signing sympathy letters for families of the fallen are quietly moving, as is his trip to meet with the wounded in Vietnam. Just as poignant is the instance of Johnson stomping out of a meeting, instructing a speech writer that because of the war's costs, there could be no mention of his beloved Great Society in the next State of the Union address. It seems all Johnson wanted was a better life for Americans; all he got was a bloody quagmire.

As the film and war rage on, body counts rising, Johnson unravels. Consumed by years of warfare with no end in sight, he becomes tense, bitter and worn down. Whether they like Johnson or not, the viewer feels the weight on his shoulders. Even someone unfamiliar with how this story ends could predict it from watching PATH TO WAR. To conclude the 165-minute running time, Johnson delivers his famous televised address announcing he would not seek re-election. He may have wanted to, yet knew he could not.

PATH TO WAR is a sharp interpretation of a tragically fascinating era. Unlike some other versions of political history (Oliver Stone, anyone?), the film never comes off as mean-spirited, even toward characters who remain infamous. It is a straightforward look at the complexities of the often-muddy waters of war and politics. It is also a quite memorable piece of work.

It is hard to watch 'Path to War' and avoid remarking the similarity between historic and present circumstances. Although dedicated to the presidency of Lyndon Johnson, the film brings to mind the situations the current US President had to face - after being elected on an internal social agenda, he has to face an external conflict and runs down on a spiral towards an external war costly in American and other peoples human lives. The film is interesting by itself, although there may be many comments to be made on the accuracy of the historical details. 'Path to War' also succeeds better than other films in bringing to screen historical characters and giving them a life of their own - Johnson, Clark Clifford, Bob McNamara are well built film characters in the film. I recommend this film, and not only to the history fans - 8 out of 10 on my personal scale.

I expected little from this 'movie' but was pleasantly surprised. After all, it was a made for television mini series originally, it was about politics and U.S. ones at that, it was very long (both episodes were played as one cohesive piece in Queensland). On the plus side, it seemed to have an ideal cast, I like most of Alec Baldwin's work very much, I greatly admire Michael Gambon's work, Donald Sutherland needs no explanation as someone to watch, and that was just the beginning. Furthermore, I had seen the political drama "Nixon" not long ago and was greatly impressed by that (how could you not be with Anthony Hopkins at the helm); so things could have gone either way.

Thankfully, my doubts were not realised and I can safely recommend this saga to any thinking person, particularly those of us like myself who actually experienced those times. I suspect to those born later it might seem somewhat like a 'boring' history lesson unless that moment in history bears any particular fascination.

For Australians particularly it may be interesting as, just like with previous conflicts (World Wars I and II as well as Korea) and all wars since including Desert Storm and Iraqi Freedom and currently Afghanistan, we stood shoulder to shoulder with our American brothers in Vietnam, fighting and dying in battle. We knew why we as a nation were there in the thick of it, so it was very interesting indeed to see why America was there in the first place, and this docu-drama provided some of the answers.

When I saw this movie yesterday, I was struck by the language and how it echoed the arguments made now about the Iraq War. In fact, I thought certain phrases were inserted into this movie to criticize the Iraq war as they are the EXACT same things said today about the futility of the the US presence in Iraq, given how "liberals" Donald Sutherland and Alec Baldwin were involved in this project.

Then I noticed this movie came out in 2002, BEFORE George Bush decided to invade Iraq.

Path to War covers the period of time in US history from Lyndon Johnson was inaugurated in January, 1965 to March, 1968, when he announced he was not seeking a 2nd term for President. We get to view how LBJ was a champion for voting rights and committed to improving the lot of poor Americans with the Great Society. But the movie focuses on how the United States came to get drawn in and bogged down in the Viet Nam war, to the downfall of Johnson. It illustrates how Clark Clark Clifford went from being opposed to the war to being it's most vocal supporter, and how Robert McNamara went from promoting the war to being forced out as Secretary of Defense for coming to opposing the war. How Johnson was tentative about pursuing the war, micromanaging combat operations and the demoralizing effect the Tet Offensive had on this country. The movie has expertly woven in numerous television broadcasts, cartoons and other historic artifacts of the era to drive the point how the Johnson administration acted in carrying out the Viet Nam war and their effects.

This is the movie to watch if you want to understand how the Viet Nam war came to be a large conflict with it's divisive effects on this country. It's a movie that should be required viewing for any future President ever contemplating a "small" foreign war in the future.