Cowboys and Angels

This movie is somewhat of a romantic cliché movie, but somehow it really moved me. Everybody has been in and out love again can relate to this movie. It makes you smile and believe there is still hope of finding true love. I especially liked the music in the film - it really goes well with the story. Mia Kirshner plays a really good role - you can't help but like her character. The lead male character is also quite well played and overall the actors are doing a fair job. A nice movie for a rainy Sunday. And don't forget to invite your girlfriend (or future girlfriend!) - she will properly like it if she is the romantic type, I think.

I've seen this film several times and it has never failed to move me or hold my interest right to the end. The film starts out with Danny, a lovely guy that has just been ditched by his future wife. In coming to terms with this he meets Jo Jo, a mysterious and attractive woman that takes over his life. Danny is so overwhelmed by her that he follows her on her favourite pastime of attending weddings all over town, uninvited and somehow unnoticed. There is a surreal feel to many of the scenes with the aid of an enigmatic soundtrack. Particularly memorable is a scene where Jo Jo goes to the aid of a bridegroom having doubts and whispers to him some magical words that lift his state of confusion. There's clearly something out of the ordinary about Jo Jo and yet Danny seems too besotted with her to probe into her background. But one day Jo Jo disappears leaving Danny in a bigger muddle than ever. After being knocked-out by some louts outside a bar he is woken by Candice, and on the story goes. The film works thanks to the natural feel to the acting and the clever handling by the director of the paranormal subject matter, i.e. angels. A wonderful idealistic romance that resolves well, but tinged throughout with sadness.

This isn't an awful film, it's just very, very weak. It deserves its obscurity.

Radha Mitchell's character, JoJo, is a total Manic Pixie Dream Girl. She loves to crash weddings and attends one every week! How whimsical and charming! Like most Manic Pixies, JoJo sweeps forcefully into the hero's life and teaches him about life... and himself. There's not a single thing about JoJo or her relationship with Adam Trese that rings true. And most of the first act is given over to this unconvincing character and relationship. (A later revelation about JoJo that explains some of her oddness seems awfully forced.)

When the focus shifts to Trese and Kirshner, things pick up a little, but only a little. To give you an idea of the level of plotting here, Trese and Kirshner meet when a group of threatening guys get pushy with Kirshner and a friend, and Trese steps in and gets beaten up protecting them. It's ridiculously contrived.

And while JoJo is the least believable character, none of the characters seem authentic. Trese is apparently a lawyer who dreams of being a cowboy, but all this seems to mean is that he wears suits at work and cowboy hats in his spare time. Kirshner is cute, but who is she? Who are any of these people? Good romance is about unique relationships between distinctive, believable characters, not 2-dimensional "cowboys" and "angels."

On the plus side, Radha Mitchell and Mia Kirshner both look beautiful. They're not overly glamorized, just healthy and glowing and gorgeous. And the relationship between Trese and Kirshner develops sweetly, if you make it that far. The country music on the soundtrack is pleasant enough, but there's a repeated music cue that rips off the Enigma sound and seems really, really out of place.

I guess if you want a wholesome romance with a focus on weddings rather than cussin' and sexin', maybe this will work for you, but if you like good movies, look somewhere else.

We thought this movie held a lot more meaning, and was a more complete story, than one would have expected. The DVD version is sparse, has only 2.0 audio, and no sub-titling (though it was easy enough to hear). The theme song by Sasha Lazard, "Angeli" was so beautiful that I got up before the credits had finished and purchased it on iTunes. I first saw this via Netflix but loved it so much I picked it up on Amazon for $10, and it will be watched as one of those we go back to at least once a year.

The two leading ladies were absolute knockouts. I'd recommend this to anyone with a heart.

Any modern contemporary-set movie featuring a hero in a cowboy hat and a raft of C&W ballads is usually in trouble from the opening credits, and this flick doesn't do much to buck the trend. From the opening scene ( a woman in white strolling through a field of flowers in brilliant sunshine, joined by a cowboy on a white horse...) we are firmly in romantic territory, albeit tinctured with a hint of fantasy.

Haynes' direction is irritating at times. Although he already had three movies under his belt before this effort, with his jarring switch of styles (jump-cutting, hand-held, slo-mo, etc) he gives the impression of an eager young director fresh out of film school, which sits uncomfortably with the sophisticated air he seems, at times, to be striving for. However, there are some good touches in this movie (for some reason, the fat guy biting into an apple in the supermarket then replacing it on the display struck a chord), and some gentle, endearing humour. Nevertheless, watching this movie is a bit like watching a naive sixteen-year-old girl trying to fool you she's really twenty-eight.