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It's Showtime

Originaltitel: Bamboozled
  • 2000
  • 16
  • 2 Std. 15 Min.
IMDb-BEWERTUNG
6,7/10
12.823
IHRE BEWERTUNG
It's Showtime (2000)
Home Video Trailer from New Line Home Entertainment
trailer wiedergeben2:26
2 Videos
99+ Fotos
SatireDramaKomödieMusik

Ein frustrierter afroamerikanischer Fernsehautor entwickelt aus Protest die Neuauflage einer sogenannten Minstrel-Show, die zu seinem Ärger auch noch ein Hit wird.Ein frustrierter afroamerikanischer Fernsehautor entwickelt aus Protest die Neuauflage einer sogenannten Minstrel-Show, die zu seinem Ärger auch noch ein Hit wird.Ein frustrierter afroamerikanischer Fernsehautor entwickelt aus Protest die Neuauflage einer sogenannten Minstrel-Show, die zu seinem Ärger auch noch ein Hit wird.

  • Regie
    • Spike Lee
  • Drehbuch
    • Spike Lee
  • Hauptbesetzung
    • Damon Wayans
    • Savion Glover
    • Jada Pinkett Smith
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    12.823
    IHRE BEWERTUNG
    • Regie
      • Spike Lee
    • Drehbuch
      • Spike Lee
    • Hauptbesetzung
      • Damon Wayans
      • Savion Glover
      • Jada Pinkett Smith
    • 191Benutzerrezensionen
    • 65Kritische Rezensionen
    • 56Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 10 Nominierungen insgesamt

    Videos2

    Bamboozled
    Trailer 2:26
    Bamboozled
    A Guide to Spike Lee Joints
    Clip 2:03
    A Guide to Spike Lee Joints
    A Guide to Spike Lee Joints
    Clip 2:03
    A Guide to Spike Lee Joints

    Fotos104

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 98
    Poster ansehen

    Topbesetzung99

    Ändern
    Damon Wayans
    Damon Wayans
    • Pierre Delacroix
    Savion Glover
    Savion Glover
    • Manray…
    Jada Pinkett Smith
    Jada Pinkett Smith
    • Sloan Hopkins
    • (as Jada Pinkett-Smith)
    Michael Rapaport
    Michael Rapaport
    • Dunwitty
    Tommy Davidson
    Tommy Davidson
    • Womack…
    Thomas Jefferson Byrd
    Thomas Jefferson Byrd
    • Honeycutt
    Paul Mooney
    Paul Mooney
    • Junebug
    Sarah Jones
    Sarah Jones
    • Dot
    Gillian White
    Gillian White
    • Verna
    • (as Gillian Iliana Waters)
    Susan Batson
    Susan Batson
    • Orchid Dothan
    Yasiin Bey
    Yasiin Bey
    • Big Blak Afrika
    • (as Mos Def)
    M.C. Serch
    • Mau Mau: 1-16th Blak
    • (as MC Serch)
    Gano Grills
    Gano Grills
    • Double Blak
    Canibus
    • Mo Blak
    DJ Scratch
    DJ Scratch
    • Mau Mau: Jo Blak
    Charli Baltimore
    Charli Baltimore
    • Smooth Blak
    Craig muMs Grant
    Craig muMs Grant
    • Mau Mau: Hard Blak
    • (as Mums)
    Dormeshia Sumbry
    • Pickaninny: Topsy
    • (as Dormeshia Sumbry-Edwards)
    • Regie
      • Spike Lee
    • Drehbuch
      • Spike Lee
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen191

    6,712.8K
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    Empfohlene Bewertungen

    5RDenial

    Uneven but interesting

    This could have been a brilliant film. The problem I had with this film is that Spike Lee had too many ideas he was trying to pursue, and should have kept to the single focus. Yet, there were some brilliant scenes. We see a black gangsta group of hip-hoppers and one scene shows a member drinking out of a bottle shaped like a rocket. Later on we see a commercial for this product. Subtle and interesting. The film clips from old films and the display of of toys during the endtitles, were fascinating and could have made an interesting documentary.

    One thing I didn't like, besides the stereotypical white bigots, was Lee's focusing upon 40s black comedian Mantan Moreland as the epitome of black humiliation. Moreland was a brilliant comic who stole the show from the white actors of the day. Whites and Blacks turned against Moreland during the civil rights movement and the man could hardly make ends meet. Before he died in the early 70s, opinion changed again and he was seen as a pioneer. He once again managed to get some work in films and tv before his death. A better target for Lee should have been Stepin Fletchit, who made a career out of playing a lazy black freeloader.

    I have to agree with Lee on hip-hop as a minstrel show. The gold chains, oversized sport jerseys, and baseball caps worn sideways are clownish and not far removed from the olden days when blacks played buffoons to entertain white people. The show is still going on....
    8jhscott1208

    Lee's best film...

    This is Lee's best film. It isn't heavy handed despite the explosive topic. In fact I would argue that the images in this film are less offensive then some of the depiction of African-American life seen on MTV or BET. Less heavy handed then some of the vulgar depiction of my community that is allowed to be foisted on my community as entertainment. The modern minstrels show can be seen any night of the week on America's cable music networks. Which is more embarrassing Lil'John, 50 cent or Mantan? Which has had a bigger impact on the daily lives of African-American children, images of Step- N-Fetch it or Lil'John? Which are the stereotypes that are used to justify racial profiling in the larger public of the country in 2006, Gangstas or minstrels performers? It is a film about the power and responsibility of black America to control the images that define it.

    I think Lee for the first time in a long time had a story he actually wanted to tell. The script was solid if not great. As usual Spike had a tough time with his female characters. The women in his films tend to be two dimensional. All good or all bad. It wasn't a perfect film but I think it will be remembered as one of Spike's most interesting.
    6esbenpost

    Scary

    Being white, and european, I'm not really sure about the point of this movie seen in an american perspective. But as a european it really opened my eyes to a strange fact: if your only knowledge about black America comes from television, you WOULD really think, that all afro-americans were gangsters, rappers or Urkel-like comedians, that is: stereotypes. You very rarely see an american show, or movie, where a black american is portrayed as a complex human being. And that really IS scary.
    10JonTMarin

    Great satire, very misunderstood

    The film "Bamboozled" has caught a lot of heat for it's portrayal of blackface (an issue that wasn't really talked about until the release of "Bamboozled") Writer Pierre Delacroix (Damon Wayans) sees his pitches for TV shows being rejected one after another. He is upset with his job and his boss Thomas Dunwitty (Mike Rappaport) He is under contract, he cannot quit because he will be sued. So he decides to get himself fired. He plans on reviving blackface and hopes that it'll be so controversial that CNS will be under fire and he'll get fired. He recruits two street performers Manray (Savion Glover) and Womack (Tommy Davidson) and pitches the show to his boss. The show gets green lighted, but unfortunately it becomes a big hit and destroys his whole plan. Spike got some heat for this (mainly because he criticized previous films for the way blacks are shown, then he made a film with blackface) But what people don't understand is that this is a satire. The images of rappers and "Timmi Hillnigger" are all poking fun at today's society. "Bamboozled" is clever and one of Spike's most explosive films next to "Do the Right Thing" and "Malcolm X". This film has Tommy Davidson performing in blackface, in a very funny routine. I wanted to laugh but at the same time it made me think. This sketch was making me laugh at every stereotype about my people that I hated. That was the smart thing about "Bamboozled", it caught you in the act of doing something and made you think. "Bamboozled" is a well thought, mentally challenging film that'll change your life.

    Bamboozled- rated R **** out of ****
    tweetybi

    This masterpiece left me speechless

    I was lucky enough to see the Philadelphia premiere of this movie at the U. of Penn, with Spike Lee in attendance, and I left the theatre feeling almost speechless. I've seen most of Lee's films and have mixed emotions and reviews of each of them; however, this film is truly a MASTERPIECE of filmmaking. Without giving away the many-layered plot, which must be experienced to be appreciated, the subject is a touchy one --- controversial and poignant, embarrassing and humiliating, enlightening and insightful. Mainstream white audiences ( of which I am a part ) may find the subject to be uncomfortable --- obviously one of Lee's goals here --- and all audiences will find certain parts of the movie to be terrifying. Besides the storyline, the acting is wonderful across the board, and Daman Wayans deserves an Academy Award for his over-the-top role. Spike Lee's "Bamboozled" should go down in history as one of the most important films about race vs. social status and the misconceptions and stereotypes that surround them, as well as being a magnificent movie about popular culture and the almighty dollar. It is alternatingly hysterical, contemplative, witty and violent, and I left the theatre in tears, totally speechless. Unfortunately, this will probably be a short-lived film in your local cineplex, but hopefully it will gain enough serious attention to win the accolades it deserves, as well as open some closed eyes and minds.

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    Handlung

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    • Wissenswertes
      Most of this film was shot only on digital (Mini DV) camcorders, which can be purchased over the counter at any consumer electronics store. While this choice of technology sacrificed quality, it allowed the cinematographers to film with 15 cameras at a time, and it also allowed Spike Lee to get all the footage he needed shot within the film's modest budget. The "Mantan: The New Millennium Minstrel Show" sequences were the only scenes shot using 16mm film.
    • Patzer
      One character uses the phrase "drinking the Kool-Aid", a reference to the mass murder/suicide of the Peoples Temple cult in Jonestown, Guyana. The poisoned drink was Flavor-Aid. The pavilion was surrounded by armed guards, and anyone who did not drink the poisoned drink willingly (including children) was either forced to drink it or injected with poison. A number of the bodies had puncture or bullet wounds. Jim Jones died of a gunshot wound to the head, that may have been self-inflicted.
    • Zitate

      Myrna Goldfarb: I happen to have a Master's degree in African-American studies.

      Pierre Delacroix: So you fucked a nigger in college.

    • Crazy Credits
      The credits roll over several "coon" collectable items that are wound-up.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Meet the Parents/Requiem for a Dream/Tigerland/Bamboozled/The Dancer in the Dark (2000)
    • Soundtracks
      Misrepresented People
      Written and Performed by Stevie Wonder

      Courtesy of Motown Records

    Top-Auswahl

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    FAQ19

    • How long is Bamboozled?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 10. Mai 2001 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Bamboozled
    • Drehorte
      • New York City, New York, USA
    • Produktionsfirmen
      • New Line Cinema
      • 40 Acres & A Mule Filmworks
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 10.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 2.274.979 $
    • Eröffnungswochenende in den USA und in Kanada
      • 190.720 $
      • 8. Okt. 2000
    • Weltweiter Bruttoertrag
      • 2.463.650 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 15 Min.(135 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.78 : 1

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