Füge eine Handlung in deiner Sprache hinzuA portrait of the increasingly desperate attempts of a teenage Manhattan girl to find love and kinship, in a world that never reciprocates.A portrait of the increasingly desperate attempts of a teenage Manhattan girl to find love and kinship, in a world that never reciprocates.A portrait of the increasingly desperate attempts of a teenage Manhattan girl to find love and kinship, in a world that never reciprocates.
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Cat (Dominique Swain) doesn't know who she is, which ironically doesn't keep her from not liking who she is. And in the people around her -- family and friends, adults and peers -- she finds varying amounts of belonging, rejection, hope, and disillusionment. In other words, Cat is just 17 in a way that should be familiar to us.
That's one of the strengths of Christina Wayne's quiet, mature film is the feeling of verite. I've never been young and rich in NYC (or near-rich, or formerly-rich, or trying-to-keep-up- with-the-rich) but Wayne's portrait seems so detailed it makes me really curious to know if she has been. Far from being "Just another spoiled rich kids film - _Kids_ meets _Metropolitan_!" Wayne shows us Cat trying to "fit in" and a diverse number of reasons -- from financial to social to emotional to behavioral -- why you can cast out of this insular, cannibalistic sub-culture.
Another strength is Wayne's direction and writing. The film is well-constructed with strong characters, with images and (Yeah, I'll say it ...) motifs that appear once and then quietly reappear in different contexts. And all throughout Wayne shows a really nice eye for pictures.
Plus she's got really good people doing good work. I mean, everyone is in this movie: Swain, Renfro, Phillips, Zehetner, Chabert and Barton (before they had to try to be smoking hot), Scott Thompson of _Kids in the Hall_ fame. She even gets Melanie Griffith to do a walk-on.
One thing the film has going against it is the marketing. Looking at the trailer and the film poster, it's clear that Lions Gate or whoever didn't know how to pitch this film. It seems like they wanted it to be naughtier or rowdier or ... brighter than it is. But it's not a melodrama. There are no simple heroes and villains, no moralizing on right and wrong, no suspense- ridden plot. It's the type of character-based, even, sad, dramatic storytelling that seems to go down better in Canada that here in the States.
I like it, though. If you've got a quiet morning and some time, it deserves a try.
First of all, the plot goes nowhere - sure, the main character learns that special something, but the 'climax' of the film comes out of nowhere, making no sense at all. I mean, as far as I could see, the two characters that the climax takes place between had little or no interaction up until the end of the film.
Also, what character interaction took place, was utterly weird and illogical - can't give examples but believe me, you'll notice it when you follow peoples' expressions, tonal changes in the way they talk, strange little pauses between phrases... not only silly interaction, but plain bad acting, too.
Careless directing/shooting too - for example totally different facial expressions when changing the angle while the main character and her crush dance a bit. Bad recording/audio processing, the characters' voices sound totally out of place... Ugh.
The worst thing in this movie is that while it was total rubbish, you wouldn't get any camp thrills either, since you were actually expecting something...
Oh, and BTW, after seeing the film I checked the cover text again - it was plain horrible, too. Had the phrase "everything has it's price" (in Finnish, of course) three times. Also had some information about the plot that wasn't in the movie, or at least wasn't very visible.
juicy but the movie does not live up to the
catchy box. instead its a pitiful excuse of a low budget movie. i found it neither touching or funny. if you want to see something long and blue go and rent this movie.for the people to be rich, the sets looked boring and mundane for no reason. the best part is when the character was happy for a short moment.
Wusstest du schon
- WissenswertesAnna Paquin was originally cast as Cat Storm, but she dropped out of the film to co-star in X-Men (2000) instead.
- Zitate
Cat Storm: [narrating] Just like every year, I prayed that this year was gonna be different. You know, crawl out from under your shadow, get my Mom off my back, and just stop being the freak that nobody wanted. I mean, it was pathetic. I was starting eleventh grade, and I never even *Frenched* a guy. Guys like William Sellers didn't think that I was worth the pennies in his loafers. If he knew that I existed. Why would he? Just *look* at him. All I wanted was to impress him...
[approaches target]
Cat Storm: To get his attention.
[the wind blows up her skirt]
Cat Storm: Not exactly what I had in mind.
- VerbindungenFeatured in Beyond Clueless (2014)
- SoundtracksNICE GIRL
Written & performed by Spottiswoode
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Placeres de juventud
- Drehorte
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Box Office
- Budget
- 3.300.000 $ (geschätzt)
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1