Two Family House

The most wonderful thing about nostalgia, is the pathos. I didn't watch this film with the belief that "This was the way things were"--rather, I enjoyed the story of Everyman: The wide eyed dreamer with little chance of success. A man whose comfort zone included failure-he was happy with: "I could have been..."

I like misty-eyed forays into Post War America- my childhood was directly shaped by this era. I realize that people were only so different, but the "way of life" was drastically different- Maybe thats what makes nostalgia so attractive: The loss of youth.

At one time small stories on film were common-nowadays we only get to see them on the indy film award circuit. Unfortunately that in itself has come to imply "Great Film"...How about "good film". Would people then watch it to enjoy, instead of honor?

Buddy's repressed. A young Italian-American man living in Staten Island in 1956, he sees opportunity all around him. It's laying there waiting for him to pick it up and run with. Except for one major obstacle, his wife Estelle. She wants only for Buddy to find his narrow niche in the local community, with its dead-end job and familiar surroundings, and exist quietly in her idea of the American dream.

But it's not Buddy's vision. So Buddy perseveres, undercut at every turn by Estelle. He finally manages to buy a two-family house to turn into his dream; a bar on the first floor, his home on the second. The current occupants are a foul-mouthed white trash Irish immigrant family, the very young wife in a very pregnant way. When she gives birth to a child whose father is obviously black, the older husband abandons her. And from this point Buddy's life journey takes a remarkable turn.

Two Family House is a prototypical Indie film in all its positive aspects. It does very well with little budget, maximizing the contributions of cast and crew. The uplifting story is told without pandering or exploitation. The movie's not great, but it is effective, and most importantly, very enjoyable.

A good story, very ethnic, in that new york/Staten island, working class kind of way, circa 1950s.

I started watching this on HBO and sat through to the end. This is a story told by a narrator looking back on the unexpected events that lead up to his life. The characters are all very strong and believable, and you find yourself identifying with them, even if you didn't want to at first. Not a fast action flick, but easy to follow on a slow Sunday afternoon, which is what it was when i saw it. If you like nice narratives, gradual plot development, and sweet, unanticipated turns, this is a film to see.

I like many things about this movie, not the least is a cast of nearly unknowns. Being from the western US, the community of Staten Island was completely unknown to me and a departure from the New York I've seen in depicted in most movies. I found the story, while not startlingly original, well told and the characters mostly believable. I reluctantly have to admit that some characters -- especially the fifties housewives -- are more stereotypical than I would have liked, comporting with most east coast Italian coming of age movies we all have seen.

I was delighted that the story stopped short of being maudlin while still telling a story with a moral about perseverance and risk taking. I think others will find the story to be believable and wonderful.

It seemed strange to see the decidedly outer-borough "Two Family House" at an expensive Manhattan movie theater, until during the opening credits two old ladies sat in front of me, put their coats on the two seats between them, and proceeded to loudly comment on the proceedings to each other throughout the whole movie.

Much like the friends of the protagonists do in this very sweet yet honest depiction of post-WWII life on Staten Island when an off-islander disrupts the quotidian.

While it drags a bit here and there, and the voice-over narration sometimes re-states the already visually obvious, the very New York characters (including one played by "Pussy" of "The Sopranos") are real people in real situations and realistic traps. This is less schmaltzy than Barry Levinson's Baltimore nostalgia-fests.

Filmed in Staten Island, Jersey City and Bayonne, the settings are accompanied by lovely period music by the John Pizzarelli Trio (who also does a cameo appearance as Julius LaRosa).

This is one of those small, charming indie movies that seems to be a labor of love, like a jewel of a short story.

(originally written 10/14/2000)