Füge eine Handlung in deiner Sprache hinzuA mockumentary exploring the life of the Blair Witch and the three missing student filmmakers.A mockumentary exploring the life of the Blair Witch and the three missing student filmmakers.A mockumentary exploring the life of the Blair Witch and the three missing student filmmakers.
- Regie
- Drehbuch
- Hauptbesetzung
- Narrator
- (Synchronisation)
- Heather Donahue
- (Archivfilmmaterial)
- Burkittsville resident Interviewee
- (Archivfilmmaterial)
- Joshua 'Josh' Leonard
- (Archivfilmmaterial)
- Michael 'Mike' Williams
- (Archivfilmmaterial)
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Apparently this mockumentary played a large part in the film's mythology - I don't know how true this is. As I mentioned in my review, I was scared witless by BLAIR, and felt great anguish for some time after it. Watching CURSE was of great therepeutic value - shorn of the big screen and the mechanics of the horror film, I was able to dominate the material, to emasculate its very real hold on me.
I think this mockumentary both weakens and strengthens the film. Without having seen it, the film is extraordinarily rich and suggestive, playing havoc with the viewer who carries no preconceptions (like myself). Being not quite sure what to expect only increases the tension and the terror. If I'd seen this mockumentary, I don't think I'd have been as scared. I'd have known too much, many things would have been explained (or at least graspable), overarching theories would have been more easily explicable.
Not knowing too profoundly about the legend helps the film. However, it is also chilling in that the students therefore move from one set of bearings (map, compass), to another (the forest's enchanted circle, the signifiers of the Blair Witch myth). The mockumentary strengthens the film by showing us the outside world of the events, the context and apparatus from which the students disappeared, making their trauma less abstract, more real. It is so rational and comforting, filled with family, friends, and experts, that it makes the disappearance all the more bewildering and shocking.
It is alleged that this mockumentary was shown for real on a factual US television station. While I find this hard to believe, I've been asking myself how I'd have dealt with it in those conditions. I'm not surprised people were taken in - it's brilliantly made and acted, a spot-on recreation of a certain kind of programme-making, right down to the amusingly portentous music, used like double spacing after a paragraph. The only false note is the 1940s footage of the killer, which clearly looks like it was filmed recently.
If I'd seen this mockumentary - and I generally avoid UNSOLVED MYSTERIES-type TV - I don't think I'd have been as moved as I was at the film. The story itself is very compelling, and I love the whole creation of a myth to the extent that I can't believe now that the Blair Witch never existed.
But only fiction can created the character and empathy needed for true horror to succeed; the film reclaims the personal absent (necessarily) from this 'documentary'. CURSE has other points to make - the idea of both history and documentary (the recording of that history) as fabrication; the persistant cultural fear of independent women; the tensions and perversions of small town life; the Gothic strangeness, regardless of the supernatural, or life on the US margins; the deep failure of American masculinity, from Heather's film school teacher to the Sherrif. A lovely document, vastly preferable to THE X-FILES.
*** (out of 4)
This is the TV special, which ended up leading to one of the biggest blockbusters of all time. This documentary build up the "legend" of the Blair Witch and also made people think that three filmmakers went into the woods to do a documentary on it and disappeared only to have their footage found later. This "footage" was released into theaters as THE BLAIR WITCH PROJECT, which of course became a huge hit. I must admit that this feature was a lot more effective back when it was originally released but watching it all these years later at least kept me entertained due in large part to nostalgia. With that said, you still have to give this fake documentary credit for at least making up a good story to play along side the actual film. I thought there were some good stories here and the most important thing is that it actually built up interest in the film and that still rings true when viewed today. I thought the best aspect was the backstory on the legend of the Blair Witch as it managed to be quite creepy and the story itself is just so well told that you can't help but get caught up in it. What doesn't work so well are a few of the interviews and especially the stuff from a 70s TV show. At just 44-minutes the film sets itself up like one of the countless reality/docu-dramas that are all over the place today. For the most part it succeeds but once you know the truth it's hard to see it in the same way.
Wusstest du schon
- WissenswertesThis mockumentary was produced for airing on The Sci-Fi Channel as a promotional prelude to the release of Blair Witch Project (1999). It was subsequently given a separate home video release. It was also included as a bonus feature on the special edition of "The Blair Witch Project" DVD.
- Patzer(at around 19 mins) In the history of the township of Blair, it is related that surveyors found the abandoned village of Blair in 1825 while surveying the area for a railroad. Although small railroads were built in 1826, the first commercial railroad was not built in the USA until 1828.
- Zitate
[first lines]
Narrator: In 1785, several children in the township of Blair, Maryland, accused Elly Kedward of witchcraft. She was found guilty and banished in the middle of winter. It was assumed she died from exposure. The following year, all of her accusers and half the town's children had vanished. Fearing a curse, the entire township fled as soon as the weather broke and vowed never to utter the name Elly Kedward again.
- VerbindungenFeatures Stadt der Toten (1960)
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- Laufzeit
- 44 Min.
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