Die goldene Schale

Prince Amerigo (Jeremy Northam) has a castle on the verge of ruin and empty pockets. Although he lusts after a poor but beautiful lady named Charlotte, he decides to marry her very rich friend instead. His new wife, Maggie, is a lovely, innocent human being, totally unspoiled by wealth. Maggie hopes to see her widowed father happily remarried and encourages his interest in Charlotte. It happens. Charlotte agrees to marry America's first billionaire, what a tough gig. But, why? Does she have any affection for Maggie's father? Or does she want to stay in close contact with Amerigo? It seems the latter, for Charlotte and the Prince go everywhere together, now that it is acceptable for two "relatives" to gad about. What is happening here? The book was written over 100 years ago but this story of human nature shows that very little changes under the sun. Northam and Thurman excel as the egocentric and evil humans who are so very lovely to look upon, it hurts. Beckinsale and Nolte likewise give nice turns as the folks who still have hearts beating in their breasts, despite their riches. As period pieces go, the costuming, the scenery, the staging, and the cinematography here are sumptuous. True, the pace is somewhat slow and the tale is intricate and subtle, requiring a repeat viewing, perhaps. However, Merchant and Ivory fans and non-fans will be rewarded by sitting through this timeless and tantalizing tale. If anyone wants to arrange for friends to share a movie evening together, the Bowl will have everyone talking.

Ruth Prawer Jhabvala has made "The Golden Bowl" come to life. Henry James's last novel, a rather difficult read, has been told very simply without missing the point of the novel. I have read a lot of criticisms of this movie and cannot understand why a lot of the critics say that it was a difficult movie to understand. The constumes, sets etc. recreated the time most wonderfully. The splendor of the great homes, the decay of the Italian Castle, the history of Amerigo's family, the under currents of feelings between the characters all seemed so right. For some, the movie might feel a little long, but Henry James is a most difficult author to translate into film. I liked the use of old black and white movies for the scenes in New York, it added to the stmosphere.

Having loved the splendid 'Howard's End' and the delightful 'A Room With A View', I always look forward to a Merchant Ivory film no matter what the outcome. 'The Golden Bowl' does not reach the level of the aforementioned two films but it still was a good watch. Ivory does successfully manage to create a feel of that time period. The sets and costumes look quite authentic. Through subtle references one can see how James Ivory has been influenced by classic movies. The story is about complex relationships, between a father and his daughter, between two former lovers and between husbands and wives. The characters are very well etched and layered and it is the mystery of these characters that has intrigued me the most. How long has Verver known about Amerigo and Charlotte's relationship? Since when has Maggie known? Did Charlotte have any feelings at all for Verver? The film does move at a slightly tedious pace but it picks up when Maggie starts suspecting the relationship between Charlotte and Amerigo. Northam's Amerigo takes some getting used to. I found him funny initially but once one is passed that he's quite good and terrific in the scenes where he's restrained. Uma Thurman sizzles. Charlotte may come across as a temptress at times but Thurman portrays her vulnerability and despair with gusto. Kate Beckinsale is equally fantastic. Hats off to Nick Nolte for a studied and subtle performance of a father who has to make the ultimate sacrifice in order to save his daughter's marriage. Angelica Huston makes herself noticeable. 'The Golden Bowl' may not be the best of Ivory Merchant but it's still an interesting period drama a fascinating study of characters.

This film is about the complicated love life between four people bound by blood, marriage and lust.

The plot is rather simple and plainly told, but it is made up for by the lush costumes and visuals. It is delightful to see so many extravagant period dresses in each scene, I felt I was watching a fashion show! Uma Thurman's dresses are the most remarkable, her peacock costume and the white curly hat stand out from the crowd. Her heart wrenching performance proves she has great acting skills to parallel her extraordinary beauty.

Scenes in "The Golden Bowl" are thoughtfully constructed and thoughtfully decorated. The palace rooms are maximally decorated with flowers, paintings and sculptures; providing a visual feast of luxury and grandeur.

"The Golden Bowl" is well worth watching just for the grand sets and lavish costumes.

"The Golden Bowl" felt more like recent Edith Wharton adaptations like "Age of Innocence" and "House of Mirth" than its Henry James provenance, because the focus is more on the social criticism of a society that forces the impecunious upper class into marriage with pecunious upstarts than the individual faults of people this hypocritical society produces.

But maybe my mind wandered as this was a bit over-long as I seemed to have missed some crucial epiphany when characters changed their relationships where they find true love a manipulable characteristic -- with the audience responding with sharp intakes of breath.

I was surprised how good Uma Thurman was in a costume drama as I had thought of her only as a modernist, while I thought Nick Nolte far too subdued to be a robber baron.

The costumes and settings were gorgeous.

The audience was typical Merchant/Ivory fans -- the woman on my right chastised me during the opening credits for eating my popcorn too loudly, while the guy on my left was snoring almost as soon as the movie started.

(originally written 5/13/2001)