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Die goldene Schale

Originaltitel: The Golden Bowl
  • 2000
  • 6
  • 2 Std. 10 Min.
IMDb-BEWERTUNG
5,9/10
4696
IHRE BEWERTUNG
Die goldene Schale (2000)
Period DramaDramaRomance

Füge eine Handlung in deiner Sprache hinzuA man marries an heiress for her money even though he is actually in love with her friend.A man marries an heiress for her money even though he is actually in love with her friend.A man marries an heiress for her money even though he is actually in love with her friend.

  • Regie
    • James Ivory
  • Drehbuch
    • Henry James
    • Ruth Prawer Jhabvala
  • Hauptbesetzung
    • Uma Thurman
    • Jeremy Northam
    • Kate Beckinsale
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    4696
    IHRE BEWERTUNG
    • Regie
      • James Ivory
    • Drehbuch
      • Henry James
      • Ruth Prawer Jhabvala
    • Hauptbesetzung
      • Uma Thurman
      • Jeremy Northam
      • Kate Beckinsale
    • 74Benutzerrezensionen
    • 51Kritische Rezensionen
    • 62Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Fotos26

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    Topbesetzung44

    Ändern
    Uma Thurman
    Uma Thurman
    • Charlotte Stant
    Jeremy Northam
    Jeremy Northam
    • Prince Amerigo
    Kate Beckinsale
    Kate Beckinsale
    • Maggie Verver
    James Fox
    James Fox
    • Colonel Bob Assingham
    Anjelica Huston
    Anjelica Huston
    • Fanny Assingham
    Nick Nolte
    Nick Nolte
    • Adam Verver
    Madeleine Potter
    Madeleine Potter
    • Lady Castledean
    Nicholas Day
    Nicholas Day
    • Lord Castledean
    Peter Eyre
    Peter Eyre
    • A.R. Jarvis, Shopkeeper
    Nickolas Grace
    Nickolas Grace
    • Lecturer
    Robin Hart
    • Mr. Blint
    Daniel Byam Shaw
    • Principino at Five Years
    Francesco Giuffrida
    • Duke's Younger Son
    Marta Paola Richeldi
    • The Duchess
    Rossano Rubicondi
    • Duke's Older Son
    Mattia Sbragia
    Mattia Sbragia
    • The Duke
    Billy Monger
    • Principino
    Pauline Rayner
    • Nursemaid
    • Regie
      • James Ivory
    • Drehbuch
      • Henry James
      • Ruth Prawer Jhabvala
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen74

    5,94.6K
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    Empfohlene Bewertungen

    alicecbr

    Better than the book, unless you enjoy convoluted phrases that would be incomprehendable were it not for semicolons!!!

    OK, so we need Henry James for character exposition. That complements beautifully the wonderful cinematography of all these great castles in England and Italy. Of course, the source of all these riches is alluded to with the real grainy film of the coal miners in AmericanCity. I haven't found yet the line in the novel by Thurman: "But the miners would prefer the train to a museum" when Nolte describes to her how he will buy both sides of the street and the train tracks between in order to build his museum. The reason the language sounds stilted is that much of the dialogue was lifted verbatim from the novel.....what little dialogue there is. And of course, the fascinating 'beasts unleashed' flavor of the sexual intercourse scene is NEVER to be found even alluded to in the novel.

    By the way, Edward II is buried in Gloucester Cathedral. That question comes up, but is NEVER answered in the movie, and you THINK it is going to be the little point that breaks up their alibi: "We went to Gloucester Abbey, where there is some king buried, Edward II or Richard II." The acting is superb, the scenery gorgeous and the psychological incest between Nolte and his daughter is discreetly and appropriately exemplified. As HJ says, talking together in the castle gardens, they did indeed resemble husband and wife. The adultery of the other two was almost foreordained.

    The social habits of this age when women had no independent means of making a living is underlined. See this in conjunction with "House of Mirth" and you'll thank your lucky stars you live in 2001. As much sexism as still exists in the workplace, we have indeed come a LONG way, Baby!!!! Thurman's sense of imprisonment is palpable, and I wonder how many women went stark raving mad over their dependency, a form of slavery all the more odious for it not being recognized.

    I wonder if ALice James had any part in the writing of this novel. After reading this, she must have felt much better about her 'plight'. Although I wish for the maiden ladies of that day, that they might have been able to adopt or have babies without the social stigmas of the time......a great joy in life that shouldn't be linked with the social tyranny of 'catching a man'.

    Return to a time when people used their minds for things other than writing better software, as their country and Constitution are taken over by greedy ignorant barbarians intent on destroying the planet. It's a great movie.!!!
    Chrysanthepop

    The Golden Opportunity

    Having loved the splendid 'Howard's End' and the delightful 'A Room With A View', I always look forward to a Merchant Ivory film no matter what the outcome. 'The Golden Bowl' does not reach the level of the aforementioned two films but it still was a good watch. Ivory does successfully manage to create a feel of that time period. The sets and costumes look quite authentic. Through subtle references one can see how James Ivory has been influenced by classic movies. The story is about complex relationships, between a father and his daughter, between two former lovers and between husbands and wives. The characters are very well etched and layered and it is the mystery of these characters that has intrigued me the most. How long has Verver known about Amerigo and Charlotte's relationship? Since when has Maggie known? Did Charlotte have any feelings at all for Verver? The film does move at a slightly tedious pace but it picks up when Maggie starts suspecting the relationship between Charlotte and Amerigo. Northam's Amerigo takes some getting used to. I found him funny initially but once one is passed that he's quite good and terrific in the scenes where he's restrained. Uma Thurman sizzles. Charlotte may come across as a temptress at times but Thurman portrays her vulnerability and despair with gusto. Kate Beckinsale is equally fantastic. Hats off to Nick Nolte for a studied and subtle performance of a father who has to make the ultimate sacrifice in order to save his daughter's marriage. Angelica Huston makes herself noticeable. 'The Golden Bowl' may not be the best of Ivory Merchant but it's still an interesting period drama a fascinating study of characters.
    8ruthgee

    Just right

    Ruth Prawer Jhabvala has made "The Golden Bowl" come to life. Henry James's last novel, a rather difficult read, has been told very simply without missing the point of the novel. I have read a lot of criticisms of this movie and cannot understand why a lot of the critics say that it was a difficult movie to understand. The constumes, sets etc. recreated the time most wonderfully. The splendor of the great homes, the decay of the Italian Castle, the history of Amerigo's family, the under currents of feelings between the characters all seemed so right. For some, the movie might feel a little long, but Henry James is a most difficult author to translate into film. I liked the use of old black and white movies for the scenes in New York, it added to the stmosphere.
    6noralee

    Long, Drawn Out Social Criticism Amidst Beautiful Costumes

    "The Golden Bowl" felt more like recent Edith Wharton adaptations like "Age of Innocence" and "House of Mirth" than its Henry James provenance, because the focus is more on the social criticism of a society that forces the impecunious upper class into marriage with pecunious upstarts than the individual faults of people this hypocritical society produces.

    But maybe my mind wandered as this was a bit over-long as I seemed to have missed some crucial epiphany when characters changed their relationships where they find true love a manipulable characteristic -- with the audience responding with sharp intakes of breath.

    I was surprised how good Uma Thurman was in a costume drama as I had thought of her only as a modernist, while I thought Nick Nolte far too subdued to be a robber baron.

    The costumes and settings were gorgeous.

    The audience was typical Merchant/Ivory fans -- the woman on my right chastised me during the opening credits for eating my popcorn too loudly, while the guy on my left was snoring almost as soon as the movie started.

    (originally written 5/13/2001)
    7=G=

    Gloriously unsatisfying

    "The Golden Bowl", a period piece circa 1900's, turns a microscope on the innerworkings of the relationships of four people, two men and two women, bound by blood, marriage, love, duty, etc. and scrutinizes them to the exclusion of all else. Sadly, the people aren't sufficiently interesting or charismatic to support such scrutiny for 2.2 hours. Amidst the sumptuous splendor of grand costuming, locations, props, makeup, etc. with some heavyweights behind the film, "TGB" is an earnest effort which comes off as much ado about nothing with the one steamy and passionate relationship underdone while the emphasis lingers on the minutia. Somewhat awkward and staged at times, the film doesn't rise to the level of it better period predecessors but will still be a worthwhile watch for those into films about wealth and aristocracy.

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    Handlung

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    • Wissenswertes
      According to costume designer John Bright, Cosprop provided lace and sequined dresses for the principal actresses: 28 outfits for Uma Thurman, 15 for Anjelica Huston and 20 for Kate Beckinsale.
    • Patzer
      When the merchant delivers the golden bowl to Charlotte, he examines two pictures on the table behind the sofa. As he sets them down, the one on the right (seen from behind it) is placed so that it scrunches up the cloth runner. After Charlotte arrives, and he is explaining the coincidence of the subject couple asking about the bowl, the picture is seen again (from the front) and the cloth runner is smooth, as if recently ironed.
    • Zitate

      Amerigo: What is it you want from me?

      Maggie: I want a happiness without a hole in it! I want the bowl without the crack!

    • Crazy Credits
      grateful thanks to Lord Tollemache and family; Frances, Duchess of Rutland; The Duke of Northumberland
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Driven/The Golden Bowl/61*/One Night at McCool's/The Luzhin Defence (2001)
    • Soundtracks
      Moonstruck
      Words and Music by Lionel Monckton

      Performed by Madeleine Potter (uncredited) and Robin Hart (uncredited)

    Top-Auswahl

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    FAQ20

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    Details

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    • Erscheinungsdatum
      • 25. April 2002 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Frankreich
      • Vereinigtes Königreich
    • Offizieller Standort
      • Merchant Ivory Productions
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Golden Bowl
    • Drehorte
      • Lancaster House, Stable Yard, St James's, Westminster, Greater London, England, Vereinigtes Königreich(on location)
    • Produktionsfirmen
      • Merchant Ivory Productions
      • TF1 International
      • Miramax
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 15.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 3.050.532 $
    • Eröffnungswochenende in den USA und in Kanada
      • 90.170 $
      • 29. Apr. 2001
    • Weltweiter Bruttoertrag
      • 5.753.678 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 10 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 2.39 : 1

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