Martine bietet Terry einen Vorsprung vor einem narrensicheren Bankhit in der Londoner Baker Street. Sie zielt auf einen Raum voller Schließfächer im Wert von Millionen von Bargeld und Schmuc... Alles lesenMartine bietet Terry einen Vorsprung vor einem narrensicheren Bankhit in der Londoner Baker Street. Sie zielt auf einen Raum voller Schließfächer im Wert von Millionen von Bargeld und Schmuck. Aber Terry und seine Crew wissen nicht, dass die Kisten auch eine Fundgrube schmutziger... Alles lesenMartine bietet Terry einen Vorsprung vor einem narrensicheren Bankhit in der Londoner Baker Street. Sie zielt auf einen Raum voller Schließfächer im Wert von Millionen von Bargeld und Schmuck. Aber Terry und seine Crew wissen nicht, dass die Kisten auch eine Fundgrube schmutziger Geheimnisse enthalten - Geheimnisse, die sie in ein tödliches Netz aus Korruption und ill... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
- Lord Drysdale
- (as Rupert Fraser)
Empfohlene Bewertungen
This is another one of these modern-day films in which the crooks, the thieves, the bandits - whatever - are the "good guys" and the police and the government officials are the bad guys. This seems to be a big favorite of the anti-authority filmmakers world in the last 40 years whether it's in Hollywood or London. Regardless, it's a very entertaining film and Statham and company are fun to watch. That's also nothing new as the tough "Transporter" star has become a regular at playing these kind of nice guy/macho/thug roles.
Statham plays "Terry Leather," a man recruited by a former hottie/model girlfriend "Martine Love," (Saffron Burrows) to rob a bank. Statham is a family man but desperate for money and, obviously, not very honest. Thousands of pounds/dollars is in it for the thieves but valuable compromising sex photos are the real goal of the people who want the bank depository drawers robbed. Those want to be grabbed before the owner uses them and ruins some high uppity-ups in British government. Several people wants photos for other reasons. This whole thing isn't simple; there are number of sub-plots along the way regarding who wants what in the bank and for what reasons.
There is also a story involving a Malcolm X-wannabe kind of creep who is into extortion and murder. Actually, everyone is pretty much a creep in this film, just to varying degrees. They are all interesting, too, and several of the minor characters have a good sense of humor, too. In particular, I liked Daniel Mays as "Dave Shilling." Add some very tense robbery scenes, some sex early on, some double-crosses later and you have a very serious Keystone Cops type story where you're never quite sure what crazy thing is going to happen next.
A fun two hours of diversion, supposedly based on a true-life account, but knowing filmmakers I suspect much of this is made up for dramatic purposes. That's okay, we just watch to be entertained, and this is entertaining.
The only complaints I have of the film are that the characters do get a little cheeky from time to time (but hey, they're British, so it's kind of expected), and there's a couple flashbacks/lapses in time that are initially confusing - although everything is clearly laid out about halfway through. Want to see a good movie? Check this one out!
Its an enjoyable film, good story, production wise nothing special; could be a made for TV movie, there wasn't much action surprisingly and the jokes were thin on the ground; a snatch copy it 'aint.
Good performance from Jason Stratham in his best screwed up, looking menacing while surprised face. Good supporting cast with many faces you will recognise (spot the Eastender) apart from a terrible performance from Stephen Campbell Moore who looked like he was on a comedy show. Thought it could have maybe done with a bit more music from the 70's, Just to cement home the era a bit more.
I wouldn't bother spending money going to see this at the cinema, unless maybe its Orange Wednesday 2-4-1, more suited to a DVD viewing or wait till it hits Film Four in a year or two.
Enjoyable, better than average British film, but no Oscars coming its way.
So onto the performances. As I have said Statham does a surprisingly admirable job in the film. When you look at his CV of films you realise he isn't exactly the most talented actor. In fact all he generally has to do is grumble and hit things a lot. But there is just no denying that the man has a hell of a lot of charisma, in this film he truly gets to display his acting skills. Of course on occasion he delivers a dodgy line, but then if you watch some of the smaller scenes with his characters wife you realise how much potential he has. If given the right material I am sure Statham can truly develop as an actor. Saffron Burrows is brilliant as the slightly suspicious Martine for the first half, unfortunately after the heist she has little to do and the character never felt fully concluded. Still she does have some great moments in the earlier part of the film. Daniel Mays runs off with the majority of the movie as Dave, in fact this looks set to launch Mays career a bit further, he has the best lines and is a funny character. Richard Lintern (who I have to confess I thought was Dougray Scott for half the film) is brilliant as the man behind the heist, in some way that is, and his character is one of the most rounded. Peter De Jersey as Michael X is menacing in his all too brief screen time, but like Martine his character never felt fully dealt with. Still he and the other chief villain, David Suchet, are quite menacing.
The Bank Job when advertised does come across as a typical gangster flick with a lot of humour in it. However when watching it I have to be honest and say it isn't that funny. There are a couple of lines here and there but the movie doesn't really make you laugh that much. Neither is it that big of a gangster flick, of course there are the local gangster running around, and the movie becomes more along that line towards the end. But for the majority of the film it comes across as a slightly grittier and far less flashy Ocean's Eleven. The scenes where they try to rob the bank are definitely some of the highlights, however its the final 45 minutes that stick firmly in mind. What happens after the robbery is just thrilling to watch, will they get away with it, won't they? Things also get a lot darker near the end, also quite violent one scene, or the idea of what was going to happen, made me wince a bit. The film is superbly directed as well, its not too flashy but there are some great shots in there. Unfortunately the music does start to irritate after a while, everything seems overdone, a scene which is meant to be funny is ruined because the music sounds like its from an action movie, it just doesn't truly suit the film all the time. Also as previously mentioned the beginning as well is quite boring.
Overall The Bank Job is a great movie that with a bit of fine tuning at the beginning could make it even better. If you want a smart thriller that will surprise you because of it being based on real events that I highly recommend this. Don't expect an all time classic though.
Wusstest du schon
- WissenswertesWhen Eddie says, "Money may be your god, but it ain't mine," this is almost exactly what the real life lookout for the bank robbers said over his walkie-talkie during the robbery. This is known because, as in the movie, a ham radio operator tape recorded some of the conversations broadcast by the robbers.
- PatzerAlthough the film is set in 1971, signs on various shop doors seen in the film advertise that credit cards "Visa" and "Mastercard" are accepted. The name "Visa" was not used for the charge card before 1977 (replacing Barclaycard in the UK); "Mastercard" was "Master Charge" until 1979.
- Zitate
Sonia Bern: [to police officer] The whole point of having a safe deposit box is so that people like you don't know what's in it!
- Crazy CreditsDisclaimer: "The names of many people identified in this film have been changed to protect the guilty."
- SoundtracksGet It On
Written by Marc Bolan
Performed by T. Rex
Westminster Music Ltd
Administered by Essex Music of Australia Pty Ltd
Licensed courtesy of Straight Ahead Productions
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- El robo del siglo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.060.660 $
- Eröffnungswochenende in den USA und in Kanada
- 5.935.256 $
- 9. März 2008
- Weltweiter Bruttoertrag
- 64.828.421 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1