Füge eine Handlung in deiner Sprache hinzuIn the vein of CONAN THE BARBARIAN and Lucio Fulci's CONQUEST comes a tale of mythology and magic, of how THOR, a legendary god, triumphs over overwhelming odds to great victory and the dest... Alles lesenIn the vein of CONAN THE BARBARIAN and Lucio Fulci's CONQUEST comes a tale of mythology and magic, of how THOR, a legendary god, triumphs over overwhelming odds to great victory and the destruction of his foes. After both his parents are brutally murdered by his father's rival Gn... Alles lesenIn the vein of CONAN THE BARBARIAN and Lucio Fulci's CONQUEST comes a tale of mythology and magic, of how THOR, a legendary god, triumphs over overwhelming odds to great victory and the destruction of his foes. After both his parents are brutally murdered by his father's rival Gnut and his men the new born Thor is placed in hiding by the physical embodiment of the god... Alles lesen
- Thor
- (as Conrad Nichols)
- Ino, Third Virgin Warrior
- (as Malisa Lang)
- Gnut
- (as Raf Falcone)
- Etna, the Owl
- (as Christopher Holm)
- Barbarian Chief
- (Nicht genannt)
- Cannibal Chief
- (Nicht genannt)
- Barbarian
- (Nicht genannt)
- Gnut's Tribesman
- (Nicht genannt)
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It´s the "new" story of a guy named Thor whose parents got killed by a bad guy named Gunt in the beginning. With the aid of a strange magician (who transformes into a Owl from time to time) he grows up to be a great warrior. But first he has to find a magic sword (yawn), kill hordes of bad looking cannibals and learn to make love (just kisses are allowed here).
The whole pic was shot in a small forest, the only buildings (sort of) are three strawhuts which stand in for a village and a cave which hides the sword.
To name the performances "acting" would be unfair to any school-theatre-group, to call the work of the director "directing" would be against any good taste. But the worst of all are the "fight-scenes" and there many of them in this stinker.
Don´t rent it - ignore it, and if you see it through any bad coincidence - wash your eyes and try to forget this wasted time. It´s not even so bad its good - trust me
Firstly the lead, Thor, is shot as a baby, yet survives. Okay he must be well hard, but why is this never referred to? Secondly he is accompanied by a camp "Birdman" who says he cannot follow Thor, yet is always there, especially when our "Hero" is about to have sex.
Oh yes, our "hero" he kills women, rapes them, steals, kills. And we are suppose to feel sorry for him when he is blinded?
Oh year and I thought maybe if the sword turned into the snake, the snake might transform into the sword, no that would be daft.
Another bad point is this film refused to end when we shouted "END!" at the TV.
THis film is tosh, but I will leave you with the line "In centuries to come it will be called horse", I mean... what is it called now?
2 out of Ten
Jake "The Jiggybeast" Roberts
This is REALLY low budget movie making in effect.
The story details the protagonist's adventures in a land filled with various perils such as demons and evil tribes etc. There is also an underlying story of revenge as Thor's fate leads him to battle and eventually slay the barbarian who murdered his father when he was a baby.
Whilst the plot itself is incredibly basic, (if it even merits as a plot at all) the way it unfolds on screen is bizarrely compelling.
I really can't put my finger on exactly why I rather enjoyed such a universally reviled movie. As said above perhaps the sheer baseness of the picture was the attraction to me. Certainly the closest movie I could liken it to was Lucio Fulci's similarly themed 'Conquest', again a film which is generally loathed by most people (even fans of the Sword & Sorcery genre to which it belongs) but again, a film which I found to be strangely intriguing.
Overall then, if your a fan of Sword & Sorcery flicks then you might want to give Thor The Conqueror a try - just don't expect anything along the quality lines of Conan The Barbarian.
As I eagerly awaited it's arrival, anticipation built to levels of which I had never experienced. Finally the sparkling gem was I my hands. I immediately placed it ever so carefully into my player and the end of my journey was almost complete. 85 minutes later I took a deep breath and sat silently as the credits rolled.
What an absolute piece of sword and sorcery garbage. I really can't think of any redeeming qualities this has other than it has to be seen to be believed. Cinematic gold.
attempts at humour seems to be directed at the viewer, just to say
"The joke's on you, sucker !", but I have to point out one scene
where we see the hero and one cronie walking to Well, walking.
Obviously you can see a whole modern village (Italian, I gather) in
the background with no attempt to hide it ! I wonder if it was
intentional or just sloppyness. Of course, you'd say, nowadays they do the same thing in the US,
with a 30 mil budget and a few MTV groovy young stars and none
of the wackiness typical to Italian B-movies, but Check a Sergio
Martino movie instead of this one. And I saw it in a theatre. After all, maybe I SHOULD get a life
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- VerbindungenReferenced in Best of the Worst: Our DVD and Blu-ray Collection (2019)
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