Thor - Der unbesiegbare Barbar

I really can't add anything that hasn't been said already. Being a connoisseur of bad sword and sorcery garbage image my dismay when I stumbled upon this cinematic masterpiece. I laced up my boots and set out to find this gem. Many seconds passed when with a couple of clicks of my mouse this elusive jewel was mine.

As I eagerly awaited it's arrival, anticipation built to levels of which I had never experienced. Finally the sparkling gem was I my hands. I immediately placed it ever so carefully into my player and the end of my journey was almost complete. 85 minutes later I took a deep breath and sat silently as the credits rolled.

What an absolute piece of sword and sorcery garbage. I really can't think of any redeeming qualities this has other than it has to be seen to be believed. Cinematic gold.

Okay I often watch barbarian films and try and empathise with the lead character. Primal, base and violent. However after watching this movie I found I couldn't even relate to the lead character.

Firstly the lead, Thor, is shot as a baby, yet survives. Okay he must be well hard, but why is this never referred to? Secondly he is accompanied by a camp "Birdman" who says he cannot follow Thor, yet is always there, especially when our "Hero" is about to have sex.

Oh yes, our "hero" he kills women, rapes them, steals, kills. And we are suppose to feel sorry for him when he is blinded?

Oh year and I thought maybe if the sword turned into the snake, the snake might transform into the sword, no that would be daft.

Another bad point is this film refused to end when we shouted "END!" at the TV.

THis film is tosh, but I will leave you with the line "In centuries to come it will be called horse", I mean... what is it called now?

2 out of Ten

Jake "The Jiggybeast" Roberts

As far as Sword+Sandal flicks go, "Thor the Conqueror" is one of the more 'realistic' movies of the genre. Instead of being pretty, and polished, with elaborate sets and over-styled hair, we get a surprisingly gritty and rough movie, shot totally in some forest, with a very minimalist style. And this is what gives "Thor the Conqueror" a believable edge. Actor Bruno Minniti likewise, is not some huge, steroid ripped pretty guy with perfect hair, but rather a more authentic looking hero. With his slimmer, but ripped build, Thor comes across as a lean and mean fighter, a lot more agile than some huge guy. And rather than make Thor a stereotypical "hero" beyond reproach, he is shown to be rather rough with females, raping, and sometimes killing them with little thought, and no regret. I thought this was a brilliant touch, as who ever imagines a figure like 'Thor' to be a well-behaved gentleman has absolutely no understanding of the Norse Legends. Barbarians, Vikings, were pillagers, rapists, and murderers. They were warriors, and rarely noble. Other people criticized his portrayal, saying that they couldn't sympathize with him. I find that statement very silly.

There was a brilliant Scandinavian director named Hrafn Gunnlaugsson, who created some very realistic Viking films in the 80's. i'm not saying "Thor the Conqueror" is quite in that league, but this strange film reminds me of those movies in the way it is shot in such minimalist style, with crude sets and costumes, and muted colors. On a side note, I was not expecting any romantic content in this movie, but i found the relationship between Thor and Ina to be really nice. As brutal as Thor is with her in the beginning, she finds that she cannot abandon him when his life is threatened by a group of cannibals. she risks her life to rescue him, and from that moment on, the hero of the story develops a new kind of respect and understanding for the opposite sex. I'm surprised at how much I enjoyed this obscure, low budget movie..I recommend it to fantasy film lovers who don't need big budget sets and special FX to enjoy a good fantasy tale..

well everybody already said how blatantly bad this movie is (the

attempts at humour seems to be directed at the viewer, just to say

"The joke's on you, sucker !", but I have to point out one scene

where we see the hero and one cronie walking to… Well, walking.

Obviously you can see a whole modern village (Italian, I gather) in

the background with no attempt to hide it ! I wonder if it was

intentional or just sloppyness. Of course, you'd say, nowadays they do the same thing in the US,

with a 30 mil budget and a few MTV groovy young stars and none

of the wackiness typical to Italian B-movies, but… Check a Sergio

Martino movie instead of this one. And I saw it in a theatre. After all, maybe I SHOULD get a life

Thor the Conqueror is a bottom of the barrel example of the low budget greased up barbarian sword and sorcery movie boom that took place in Italy in the early eighties. It was a regular cottage industry with reams of these god-awful little movies churned out by the Italian movie makers. This one actually has practically nothing to do with Thor or any Norse mythology. It is basically about some big greased up muscleman type who happens to be called Thor having adventures in a generic caveman world. There isn't a lot of plot to go around- basically Thor, who is some kind of chosen one, wanders around some forests randomly fighting other cavemen and quasi-cavemen guided by his misogynistic magical mentor before he teams up with some more civilised and friendly farming cavemen types and battles the head bad guy, is blinded, gets better and leads the nice cavemen to victory. That description might sound vague but the movie is pretty much that incoherent and meandering. There is much of interest to report there other than the at times draw dropping misogynism present be it Thor pretty much forcing himself onto most of the various he meets including his future love interest and rants from Etna the magician about women are there to be used by mean and are fundamentally stupid. It might very well be an accurate depiction of gender politics among cavemen but it doesn't make our protagonists very likable. Other than it has lots of cheap costumes, badly staged fight scenes by actors who look like they were rounded up as part of a work for the dole project and some very stagy and badly written narration by Etna the magician presumably shoehorned in to make the large sections of dialogue-sparse meandering go down easier.