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Füge eine Handlung in deiner Sprache hinzuA short film of interviews and protests at a rally to free Huey P. Newton.A short film of interviews and protests at a rally to free Huey P. Newton.A short film of interviews and protests at a rally to free Huey P. Newton.
H. Rap Brown
- Self
- (Nicht genannt)
Ron Dellums
- Self
- (Nicht genannt)
James Forman
- Self
- (Nicht genannt)
Bobby Seale
- Self
- (Nicht genannt)
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For any younger person such as myself who wasn't alive during the 60's and it's numerous radical movements, "Black Panthers" is a good historical piece of film. Vardas is definitely not objective here and is clearly rooting for the Black Panthers, but I can't really blame her when the opposition is the FBI and Oakland police.
Behind all the dry summaries and articles about the Black Panthers is a truly revolutionary spirit of an oppressed people. This film does a wonderful job capturing that spirit during one of the more important times for the Black Panthers, which was the trial of Huey Newton. I especially appreciated the extended interview of Huey Newton himself while he was in jail, footage of the underappreciated Stokely Carmicheal who was one of the more intellectual figures, and the focus on woman in the Black Panther party.
I wish there was more of a focus on differing parties in the movie, like the cops or white reactionaries. Not so the film could claim to be objective but because the claims of the Black Panthers (racism, fascism,etc.) could be shown as context for their rallies. In addition, there isn't much actual filmmaking shown here, just that a team was present. I would suggest the amazing "Harlan County" for a documentary that shows the spirit and soul of the movement, not just by showing up, but through filmmaking skills.
Overall it's a good visualizer of an interesting and important part of radical history in the U.S.
Behind all the dry summaries and articles about the Black Panthers is a truly revolutionary spirit of an oppressed people. This film does a wonderful job capturing that spirit during one of the more important times for the Black Panthers, which was the trial of Huey Newton. I especially appreciated the extended interview of Huey Newton himself while he was in jail, footage of the underappreciated Stokely Carmicheal who was one of the more intellectual figures, and the focus on woman in the Black Panther party.
I wish there was more of a focus on differing parties in the movie, like the cops or white reactionaries. Not so the film could claim to be objective but because the claims of the Black Panthers (racism, fascism,etc.) could be shown as context for their rallies. In addition, there isn't much actual filmmaking shown here, just that a team was present. I would suggest the amazing "Harlan County" for a documentary that shows the spirit and soul of the movement, not just by showing up, but through filmmaking skills.
Overall it's a good visualizer of an interesting and important part of radical history in the U.S.
While Agnes Varda was in California shooting "Uncle Yanco", she made this short documentary about a rally to free Huey Newton after he had been jailed, as the documentary tells us, a shoot-out with the police that ended with ten people injured and one cop dead.
Mme. Varda shoots and edits this as an anthropological study, with only Back people speaking; indeed, you have to look carefully to spot a Caucasian in the background. Having grown up in this era, I note that it's a useful corrective to the usual coverage of events like this, in which one heard White people talking about the racial divide and how to deal with it.
Mme. Varda shoots and edits this as an anthropological study, with only Back people speaking; indeed, you have to look carefully to spot a Caucasian in the background. Having grown up in this era, I note that it's a useful corrective to the usual coverage of events like this, in which one heard White people talking about the racial divide and how to deal with it.
Black Panthers (original title) is listed by IMDb with the title "Huey" (1968). However, we saw it with the original title. This half-hour documentary was directed by the French filmmaker Agnès Varda.
Varda went to a Black Panther rally in Oakland. The Panthers were demanding that the government free Huey Newton, co-founder of the Black Panther party. Newton was on trial, accused of murdering a police officer.
Beside filming the rally itself, Varda filmed an interview with Newton himself while he was in jail, In addition, she interviewed or recorded H. Rap Brown, Stokely Carmichael, Bobby Seale, and Eldridge Cleaver.
The Black Panthers Party was a revolutionary party, and they made no secret of the necessity to use violence to obtain their goals. They considered themselves at war with the Oakland Police Department. (Probably, the feeling was mutual.)
This is a historically important movie, especially for those who aren't old enough to remember the events of the late 1960's. It's also a lesson in the craft of documentary filmmaking, as exemplified by Agnès Varda. I would sum it up as "speak softly, but get the footage you need."
We saw this film at the wonderful Dryden Theatre in the George Eastman Museum in Rochester, NY. It's part of a Varda retrospective, co-sponsored by Rochester Institute of Technology and the Eastman Museum. I'm sure it will work well on the small screen.
P.S. Newton was eventually convicted of manslaughter, but a higher court overturned the verdict. He had two more trials, both of which ended in hung juries. Ultimately, the government gave up.
Varda went to a Black Panther rally in Oakland. The Panthers were demanding that the government free Huey Newton, co-founder of the Black Panther party. Newton was on trial, accused of murdering a police officer.
Beside filming the rally itself, Varda filmed an interview with Newton himself while he was in jail, In addition, she interviewed or recorded H. Rap Brown, Stokely Carmichael, Bobby Seale, and Eldridge Cleaver.
The Black Panthers Party was a revolutionary party, and they made no secret of the necessity to use violence to obtain their goals. They considered themselves at war with the Oakland Police Department. (Probably, the feeling was mutual.)
This is a historically important movie, especially for those who aren't old enough to remember the events of the late 1960's. It's also a lesson in the craft of documentary filmmaking, as exemplified by Agnès Varda. I would sum it up as "speak softly, but get the footage you need."
We saw this film at the wonderful Dryden Theatre in the George Eastman Museum in Rochester, NY. It's part of a Varda retrospective, co-sponsored by Rochester Institute of Technology and the Eastman Museum. I'm sure it will work well on the small screen.
P.S. Newton was eventually convicted of manslaughter, but a higher court overturned the verdict. He had two more trials, both of which ended in hung juries. Ultimately, the government gave up.
While her husband Jacques Demy was in L. A. filming MODEL SHOP (1969), Agnes Varda was in Oakland Directing this Documentary short centered on the protests trying to free Black Panther leader Huey Newton (who is interviewed in prison). The resulting film is an interesting 'you are there' look at the group.
Varda and her team got incredible access to document the group (and not just their protests). Members speak directly to the camera and without filter. There is no question that Varda's sympathies lie with the Panthers. An unidentified American woman narrates (surprising that her name has never been revealed). It's simple and straightforward, but, always tilted in favor of the group.
Originally, this was supposed to air on French TV, but, the government got cold feet over the incendiary image of the Panthers and didn't broadcast it. The short has been beautifully restored and looks and sounds fantastic. The 16mm footage retains it's verite feel, but, the restoration is so fine one swears it could be 35mm.
Streaming on Criterion and other outlets; Also available on DVD.
Varda and her team got incredible access to document the group (and not just their protests). Members speak directly to the camera and without filter. There is no question that Varda's sympathies lie with the Panthers. An unidentified American woman narrates (surprising that her name has never been revealed). It's simple and straightforward, but, always tilted in favor of the group.
Originally, this was supposed to air on French TV, but, the government got cold feet over the incendiary image of the Panthers and didn't broadcast it. The short has been beautifully restored and looks and sounds fantastic. The 16mm footage retains it's verite feel, but, the restoration is so fine one swears it could be 35mm.
Streaming on Criterion and other outlets; Also available on DVD.
I hadn't seen any of Agnes Varda's films until I caught The Gleaners and I a few months ago at a film festival. I loved it, mainly because of Varda's extremely personal aproach to some interesting material and questions. I was recently doing some research on sixties activism when I stumbled across Black Panthers, Varda's 1968 documentary about the Black Panther Party.
The 30 minute long film looks at a rally to free the party's leader, Huey P. Newton. There's no pretense of objectivity -- the Black Panther Party shared in the copyright. Speakers at the rally included Bobby Seale, Stokely Carmichael, and H. Rap Brown, and there's also a short interview with Newton, in prison. Other segments include white people at a firing rage (some of which are children), and members of the police department explaining the gear they carry in the trunks of their cars.
This film documents some of the most important and controverial black leaders of the late 60s, and is a must see for anyone interested in sixties radicalism ot the Panthers.
The 30 minute long film looks at a rally to free the party's leader, Huey P. Newton. There's no pretense of objectivity -- the Black Panther Party shared in the copyright. Speakers at the rally included Bobby Seale, Stokely Carmichael, and H. Rap Brown, and there's also a short interview with Newton, in prison. Other segments include white people at a firing rage (some of which are children), and members of the police department explaining the gear they carry in the trunks of their cars.
This film documents some of the most important and controverial black leaders of the late 60s, and is a must see for anyone interested in sixties radicalism ot the Panthers.
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- WissenswertesThis film is included in "Eclipse Series 43: Agnès Varda in California", released by Criterion.
- Zitate
Narrator: The panther was chosen as their symbol. It is a beautiful black animal which never attacks, but, defends itself ferociously.
- VerbindungenFeatured in Berkeley in the Sixties - Die Geburt der 68er Bewegung (1990)
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