IMDb-BEWERTUNG
6,9/10
1719
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAfter being released from the hospital, the artist Jean Michel Basquiat wanders around Manhattan trying to sell art to make money and find a place to stay.After being released from the hospital, the artist Jean Michel Basquiat wanders around Manhattan trying to sell art to make money and find a place to stay.After being released from the hospital, the artist Jean Michel Basquiat wanders around Manhattan trying to sell art to make money and find a place to stay.
- Auszeichnungen
- 3 Nominierungen insgesamt
Jean Michel Basquiat
- Jean
- (Archivfilmmaterial)
John Lurie
- Self
- (Nicht genannt)
Giorgio Gomelsky
- Landlord
- (as Giorgio Giomelsky)
Empfohlene Bewertungen
Nothing but the void, a pleasant one for those who have known the eighties, but well, quite boring for those who are not interested in it. NO screenplay in this film, but a hero wandering in an underground New York full of arstists and night clubbers. It is aimless, pointless and naive. But not entirely unpleasant.
10Xanadu-2
...document of life in downtown New York 1981. I saw this at the Stockholm film festival, November 2000. Apparently the film had just been completed. Where has it been for 20 years????
I loved seeing all of those people from the art and rock worlds. Jean Michel Basqiat is so cute and a good actor too! What a shame he died young. I didn´t know he had a band too. It´s fun seeing New Wave bands like Kid Creole and the Plastics. Gorgeous Debbie Harry is in it too!!! *sigh!*
Everyone is so colorful! I love the 80´s fashions... It has a dreamlike feel to it. See it if you can!
I loved seeing all of those people from the art and rock worlds. Jean Michel Basqiat is so cute and a good actor too! What a shame he died young. I didn´t know he had a band too. It´s fun seeing New Wave bands like Kid Creole and the Plastics. Gorgeous Debbie Harry is in it too!!! *sigh!*
Everyone is so colorful! I love the 80´s fashions... It has a dreamlike feel to it. See it if you can!
For anybody born after 1990 that ever wondered what the 1980's was all about,this film may (or may not)answer a few questions. Jean Michelle Basquiat stars as himself,in a "day in the life" of a graffiti artist who is trying to raise some money to pay his rent. Along the way, he meets up with one interesting character after another. This film also features performances by some of the era's proto punk/New Wave/No Wave/Hip Hop/etc. musical acts (including out of towner's,Tuxedomoon,in what looks like a very hip music video that MTV would never even consider airing). This started out as 'Glenn O'Brien's New York Beat Movie'(O'Brien co-wrote the screenplay),but was shelved,due to a lack of finances before it was finished filming. The film was directed by Edo Bertoglio, has only directed one other film ('Face Addict'),like 'Beat Movie',dealt with the New York uptown/downtown art scene . The fact that over the years,the soundtrack became lost to time only made matters worse. In the late 1990's,however, the original 16mm negative was found (sans soundtrack),a new soundtrack was made up (using a brand new soundtrack,including a replacement voice over dub for Basquiat,who, had died in 1988),and the film was finally given a limited "art house" release in 2000,under the new title,'Downtown 81'. Not the best film depicting the 1980's,but certainly not the worst. Not rated,but contains some rude language.
10ihash
Your assessment of this movie depends completely on what you are looking for. If you come to this film without any knowledge of who and what and why, it will be disappointing. But if you approach the film not as a movie in the regular sense but as an historical document of a moment in time, then it becomes an entirely different experience. In this sense it helps to understand what is being documented and who these people are. Some working knowledge of the late 70s NYC downtown scene, the Mudd Club, T.V. Party, the lower east side art boom, the post-punk music world, etc. gives you a much greater sense of appreciation. Understood historically and not just as another film, whether the movie works as a traditional film, whether the plot is interesting or the characters well developed (a tricky proposition seeing that the original dialogue was lost and had to be re-dubbed) doesn't matter. What you are seeing is the last truly avant garde art and music scene in the US before AIDS, money, MTV and the rest destroyed it. And it focuses on someone right at the center of the storm, Basquiat before his rise to international fame. (Another commentator questioned Basquiat's cultural credibility, but I'm not sure what culture he is talking about). Beyond that the musical performances are exceptional and rare and are worth the price of admission by themselves. This is a portrait of something lost and timeless. It is a fascinating historical document and should be appreciated as such.
Definitely not for everyone. The life in the life of a NYC artists, from the art scene to the music scene with a bit of drug influenced scenes. Love it or hate it, it's a peace of history.
Wusstest du schon
- WissenswertesSince 1981, Glenn O'Brien had possession of all of the live musical performance recordings. Unfortunately, the original voice soundtrack was lost in Italy by the film storage vault. The producers were able to get most of the original cast to re-dub their dialogue. But Jean Michel Basquiat died in 1988. So Saul Williams was hired to dub Basquiat's dialogue.
- Zitate
Jean Michel Basquiat: I'm an artist. When you tell people that they usually say, 'what's your medium?' I usually say, 'extra large.'
- Alternative VersionenIn the 2001 version, Downtown 81, Saul Williams does the voiceover for Jean-Michel Basquiat's character.
- VerbindungenFeatured in Basquiat (1996)
- SoundtracksPalabras Con Ritmo
Written by Jean Michel Basquiat and Coati Mundi
Performed by Coati Mundi
Courtesy of Coati Mundi Productions
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Glenn O'Brien's New York Beat Movie
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 231.445 $
- Eröffnungswochenende in den USA und in Kanada
- 11.436 $
- 15. Juli 2001
- Weltweiter Bruttoertrag
- 231.445 $
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