IMDb-BEWERTUNG
6,6/10
719
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIris is broke after her divorce and takes a job working as a housekeeper for a wealthy woman named Paula. When Paula and her husband separate, an unlikely friendship blossoms between the wom... Alles lesenIris is broke after her divorce and takes a job working as a housekeeper for a wealthy woman named Paula. When Paula and her husband separate, an unlikely friendship blossoms between the women.Iris is broke after her divorce and takes a job working as a housekeeper for a wealthy woman named Paula. When Paula and her husband separate, an unlikely friendship blossoms between the women.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Primetime Emmys nominiert
- 7 Nominierungen insgesamt
Rick Ravanello
- Handsome Welder
- (as Rick Ravenello)
Campbell Lane
- Mr. Mathers
- (as Campbell Lan)
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When I cut on Lifetime, I said, "Oh, well, just a Sally Field movie on." However, as I became involved in the movie, I realized that the story was captivating--as was Sally Field. She remains very attractive, and she can stimulate a range of emotions in viewers.
The movie was not predictable, because there were several times I thought I knew the next step--but each time I was wrong. So the film moved well past soap opera status.
My only criticism: Her professional advancement seemed a bit too rapid. Other than that, I rate the story very highly, and rank her acting A plus.
The movie was not predictable, because there were several times I thought I knew the next step--but each time I was wrong. So the film moved well past soap opera status.
My only criticism: Her professional advancement seemed a bit too rapid. Other than that, I rate the story very highly, and rank her acting A plus.
I've read all the reviews of this film and wonder at some of them. I wonder why people think women's films are somehow exclusive to women, that men would not understand them. I wonder why others think a chick flick is somehow inferior to so called male films.
Women's films represent the most critical event in human relationships. We need to understand dreams, broken dreams, promises, broken promises, aspirations, reduced aspirations, truth between people, lies we tell, moral paths followed, moral paths abandoned, elation, depression, acceptance, rejection, power and pain. That's quite a list to get into about 90 minutes.
This film centers around 2 women who have endured a prickly relationship. Iris (Sally Field) divorced her husband after 26 years of marriage because she was bored with him and had an affair. The film makes clear that she made a mistake in not accepting 1/2 his net worth and alimony. Because she was "stupid", she took job housekeeping for a woman (Paula -- Judy Davis) who was brittle, unfeeling, arrogant, bossy and hopelessly unsympathetic to what Field might be going through (which included debt that would make most of us think of bankruptcy). Iris will endure almost anything except intrusion into her life.
That is the beginning of her introduction to the problems of humanity. Field cares enough about her to become angry and correct her (Paula). The film gently shifts as Iris declares her own needs. Iris begins to distance herself from Paula by developing outside interests, and in so doing strengthens herself to deal with Paula's collapse when her husband leaves her.
Paula must at last face herself, and what she sees is devastatingly destructive in its thoroughness. Her pain consumes her. Iris treats her with compassion, though Paula does not think so. She forces by constant nagging to get Paula out and their friendship such as it is, develops through anger to a deep honesty.
In the end, this film is about failure, about betrayed trust, about ignoring the reality of current circumstances, about getting up off the floor and breathing in and breathing out (as Tom Hanks said), about making the best of what is near us. It does not take divorce and pain to reach that conclusion. It takes only recognition of our own humanity.
Women's films represent the most critical event in human relationships. We need to understand dreams, broken dreams, promises, broken promises, aspirations, reduced aspirations, truth between people, lies we tell, moral paths followed, moral paths abandoned, elation, depression, acceptance, rejection, power and pain. That's quite a list to get into about 90 minutes.
This film centers around 2 women who have endured a prickly relationship. Iris (Sally Field) divorced her husband after 26 years of marriage because she was bored with him and had an affair. The film makes clear that she made a mistake in not accepting 1/2 his net worth and alimony. Because she was "stupid", she took job housekeeping for a woman (Paula -- Judy Davis) who was brittle, unfeeling, arrogant, bossy and hopelessly unsympathetic to what Field might be going through (which included debt that would make most of us think of bankruptcy). Iris will endure almost anything except intrusion into her life.
That is the beginning of her introduction to the problems of humanity. Field cares enough about her to become angry and correct her (Paula). The film gently shifts as Iris declares her own needs. Iris begins to distance herself from Paula by developing outside interests, and in so doing strengthens herself to deal with Paula's collapse when her husband leaves her.
Paula must at last face herself, and what she sees is devastatingly destructive in its thoroughness. Her pain consumes her. Iris treats her with compassion, though Paula does not think so. She forces by constant nagging to get Paula out and their friendship such as it is, develops through anger to a deep honesty.
In the end, this film is about failure, about betrayed trust, about ignoring the reality of current circumstances, about getting up off the floor and breathing in and breathing out (as Tom Hanks said), about making the best of what is near us. It does not take divorce and pain to reach that conclusion. It takes only recognition of our own humanity.
What a treat to see Sally Field and Judy Davis appear together in a film that offered them roles to sink their acting teeth into. However they hold the tired old Formulae together in a film dealing with situations in such a way that we can safetly say, "we've seen it all before". But still worth a view just to catch the grande dames in action. It's a cross between "Murphy's Romance" meets "Men Don't Leave". But I still scored it a 9 because of the acting. Love Sally, love Judy.
Somewhere in-between dreary network made for TV movies and sappy chick flicks on the big screen lies "A Cooler Climate". I walked away from this movie and said, "Well it wasn't painful." Decent acting, decent script, decent story. No big surprises, no big disappointments. Overall a perfectly average movie. Which is fine, because this movie touched on basic human relationships and chronicled how two women started an important friendship that helped both of them put back together their lives. I gave it a seven out of ten just on the basis that nothing about "A Cooler Climate" annoyed me like dreary network made for TV movies or sappy big screen chick flicks. We all need a little forced sentiment in our lives and this was better than most.
I hadn't intended to watch it, but from the beginning I was engrossed. It moved along at a rapid pace with no long gaps in action. I found the characters to be well defined and enchanting. I highly recommend viewing this movie.
Wusstest du schon
- PatzerWhen Iris is speaking to her daughter from the clothing store, she says she is afraid she is going to be fired that morning. However, one can clearly see that it is dark outside, which would make it evening.
- Zitate
Paula Tanner: Iris, I don't want to breathe. Why the hell would I want to go to the garage?
- VerbindungenFeatured in The 52nd Annual Primetime Emmy Awards (2000)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- A Cooler Climate
- Drehorte
- 14970 Marine Drive, White Rock, British Columbia, Kanada(Train station)
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