Sturz der Adler

Back in 1974 my father encouraged me to stay up late and watch this mini series, which initially I hated. As I watched I became engrossed in this real life soap opera, that eventually caused more death through two world wars than any Hollywood fiction could. It is a superb recreation of the period 1880-1917, full of atmosphere and a great history lesson. Nowadays this would be considered a factional series as it is all based on fact but with extensive supposition, however it is all believable. The cast is extensive and full of well known actors in their early years. The subject is large and the BBC did well to make everything understandable using realistic sets, but no grandiose outdoor scenes that would been ineffective. For example, Archduke Ferdinand's assassination is referred to rather than portrayed, as the procession would have been too expensive to do realistically.

I long to rewatch this, so I hope a video or DVD will be reissued, if only for schools to use as a history lesson.

If you like mini-series I Cladius, you will like this series. I watched this as a young teenager and learn more on what brought the world, World War I that all of the boring history lessons I took in school. Also, the breath and scope of this TV mini-series just can not be remade today. Only HBO has the clout and finances to tackle this type of material.

The acting in this series is old school British theater and is a little talkative for the modern MTV generation who are use to more action, however, it is very rewarding to listen to the words and watch the scope of history unfold. You will understand that the end of the series that it is individuals who make history and individuals have the power to literally to change the world.

This mini-series is well worth your time and attention.

Looking back at the old programs from the 70's coming out on DVD, one realises that TV reached a peak at that time and has gone downhill ever since.

This miniseries harks back to the days when Britain only had two TV channels, the BBC and ITV. This meant that not only was there more money to spend on individual programmes, but half the viewing audience would watch them. Along with I Claudius, Fall of Eagles was the best of the best, and I doubt that it could be made today, with the myriad of channels spreading the available money thinly. I grew up with live drama on the BBC ever Sunday night - plays by Shakespeare, Shaw and more controversial writers. Contrast this with the inane reality offerings of today!

This series was the first time I had ever seen Patrick Stewart, who has remained Lenin for me ever since, just as Michael Caine will always be Alfie and Christopher Eccleston has remained the tragic slow witted Derek Bentley. The acting and production values are outstanding throughout, although the actors are noticeably stage actors, and some episodes, especially the final one are very "talky". The series holds up startlingly well compared with big budget films covering the same events, Nicholas and Alexandra and Reds, to name two.

My main complaint is that there is no captioning for the hearing impaired on the US release, which means that impaired people such as myself cannot follow allthe dialog despite the crisp theatrical delivery of the actors. This is a particular handicap in the more "talky" scenes - I was unable to follow any of the last episode where the Kaiser went into exile rather than being hanged as a war criminal. A detailed synopsis of each chapter would have helped, but captions are essential in an aging population. I really hope to see more of these great TV series of the past, but hope that they will add captions.

I recently watched the film "Nicholas and Alexandra" (Columbia, 1971), and wanted to continue refreshing my historical data, so I pulled out this series, which was broadcast on our local PBS station about 15 years ago. I taped most of it, as I found it fascinating, and fairly accurate according to most of the historical biographies I have read. The series is pretty bare bones as far as production values go, but the acting is very good. It can't compare to the lush photography or direction of "Nicholas and Alexandra" or the fictional "Dr. Zhivago," given their American studio budgets. Patricia Neal provides great introduction/narration. I would buy this series in a minute if it was available on DVD, and highly recommend it to anyone who loves late 19th/early 20th century European history.

I was very impressed with Fall of Eagles. And what a distinguished cast of British actors!! (Including the German Curt Jurgens in a masterful performance as Prince Otto von Bismarck.) A contributor above remarks on the influence of General Ludendorff, not so much on World War One it would seem, but rather by his association with Adolf Hitler in the days after the Great War. While Ludendorff's impact during WWI was very great, the old man's influence afterwards was really only as a figurehead, a minor player, as an early adherent of Hitler.

One must keep in mind the condition of the German people at this period. The British sea blockade of Germany was not lifted until many months after the war had ended. The German people were starving and freezing. The Versailles Treaty demanded huge reparations from a prostrate Germany and limited the nation to a mere 10,000 man army, this with belligerent neighbors surrounding it, all eager for a piece of the helpless German state. Communism tried to gain power but failed in postwar Germany -- this not from any lack of effort on the part of the Communists themselves, but rather, I believe, that Marxist ideology itself does not have appeal to the German people per se. The successive Social Democratic governments were helpless to relieve the agony of the people. Is it any wonder that after the failure on the part of totalitarian Communism and the failure of democratic, liberal governments that, in their distress, the German people flocked to Hitler's banner, he who denounced and rejected the Versailles Diktat and who started the economy rolling again, meaning bread and jobs, where all these other political ideologies had failed so miserably?

I maintain that the rise of Hitler and all that followed in his wake was the direct result of the crushing demands by the victorious Allies forced upon a helpless nation in defeat. The victors of the First World War then, bear ultimate responsibility for Adolf Hitler's accession to power.

None of the above, however, detracts from this fine mini-series, the praises of which are not only from me, but also the other contributors here. Personally, my only criticism would be that rather than the archaic film clips shown from time to time throughout the production it would have been wiser instead to utilize Michael Hordern's commentary where deemed necessary for story continuity.