Füge eine Handlung in deiner Sprache hinzuHow a ship having passed the line was driven by storms to the cold country towards the south pole.How a ship having passed the line was driven by storms to the cold country towards the south pole.How a ship having passed the line was driven by storms to the cold country towards the south pole.
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I first saw this video 15 years ago. I thought it was excellent then and I still do. I am a former teacher of English (high school and college) and a lover of English Romantic poetry, so Coleridge rates highly with me. Anything which might detract from the beauty of the poem or the power of the story wouldn't get my vote of excellence. In this case, everything works well to engage the viewer, especially high school students. The story is well illustrated for a generation which grew up on television. In addition, the voice of Michael Redgrave adds a sense of authenticity and authority to it. Okay, so there wasn't a big budget for the project. So it wasn't Star Wars and there's no CGI in it. But who can dismiss Gustave Doré illustrations as part of the presentation? The comment above, which in just four lines dismisses the video as a piece of trash, is grossly unfair and unperceptive. I'm a friend of the producer, but that isn't my reason for this comment. Rather, I'm defending a work of artistry which I think has value on all levels. It is well suited to bring Coleridge's poem to students in a way which awakens their appreciation of it and awakens their sympathy for the lesson which the ancient mariner imparts.
The blend of biography with poetry and live action with animation makes this a true work of art. The narration by Sir Michael Redgrave is moving. The length of the work makes it easily accessible for class room exposure or TV/Video time slots.
Recently, a friend and I were discussing educational and ethical influences when we were growing up in the 1950's versus today. She mentioned Samuel Taylor Coleridge, who, in 1798, wrote The Rime of The Ancient Mariner. Both of us had been required to recite parts of the epic poem in high school and in English Literature courses in college. My friend said, "Its messages even might be called metaphysical within today's context."
We tried reciting it and only remembered bits and pieces. (I have problems remembering Dr. Seuss.) I said I'd get two copies of the poem so each could read it. That was easy enough, but I was extremely surprised to find it had been made into a film. We looked forward to watching the film to see how it had been interpreted. After all, The Rime of the Ancient Mariner isn't exactly light reading. After each had read the poem, we watched the film together.
We considered the film a remarkable achievement, especially considering it was made in the 1970's, before computers, before the so-called "Ken Burns effect," and before special effects too often began compensating for a lack of substance. Particularly noteworthy are the 19th and 20th century illustrations culled from "lesser known artists," such as Willy Pogany, the early Hollywood designer.
The film is narrated by Sir Michael Redgrave, whom had taught the poem when he was a schoolmaster, adding a tone of authority and credibility in remaining true to the poem.
Its mastery is in the layers of subtle messages, conveyed without "instructing," or becoming an oppressive and obvious morality tale. We found it such a refreshing change from today's 'in your face' and 'clobber them over the head' mentality. Most of today's morality messages in film are two-dimensional: extreme violence, murder and mayhem mark the bad. The bad are really, really, bad, and good are super heroes. It is as if human character lacked any nuance. The Rime of The Ancient Mariner is a celebration of the individual, of character, of an appreciation for celebrating all the richness life has to offer, within the larger context of humanity, i.e., man's capacity to give to others.
Proud of ourselves for having found this "unknown" gem, we then learned it had won the top award in its category five out of six times at "name" international film festivals. Another surprise was learning the film's director, Raul daSilva, is a recognized authority on early animation, and authored six award winning books about film.
This film's message is just as relevant today, if not more so, than when Coleridge penned the original epic poem and when Raul daSilva translated it to film. If I still was teaching high school, which I did for five years, I'd grab this one and show it to all my students. There's a level of richness here that naturally leads to discussion about the big and important issues all of us face, whether in 1798, 1978, or today--in fact, as long as humanity has a spiritual component.
Highly recommended.
We tried reciting it and only remembered bits and pieces. (I have problems remembering Dr. Seuss.) I said I'd get two copies of the poem so each could read it. That was easy enough, but I was extremely surprised to find it had been made into a film. We looked forward to watching the film to see how it had been interpreted. After all, The Rime of the Ancient Mariner isn't exactly light reading. After each had read the poem, we watched the film together.
We considered the film a remarkable achievement, especially considering it was made in the 1970's, before computers, before the so-called "Ken Burns effect," and before special effects too often began compensating for a lack of substance. Particularly noteworthy are the 19th and 20th century illustrations culled from "lesser known artists," such as Willy Pogany, the early Hollywood designer.
The film is narrated by Sir Michael Redgrave, whom had taught the poem when he was a schoolmaster, adding a tone of authority and credibility in remaining true to the poem.
Its mastery is in the layers of subtle messages, conveyed without "instructing," or becoming an oppressive and obvious morality tale. We found it such a refreshing change from today's 'in your face' and 'clobber them over the head' mentality. Most of today's morality messages in film are two-dimensional: extreme violence, murder and mayhem mark the bad. The bad are really, really, bad, and good are super heroes. It is as if human character lacked any nuance. The Rime of The Ancient Mariner is a celebration of the individual, of character, of an appreciation for celebrating all the richness life has to offer, within the larger context of humanity, i.e., man's capacity to give to others.
Proud of ourselves for having found this "unknown" gem, we then learned it had won the top award in its category five out of six times at "name" international film festivals. Another surprise was learning the film's director, Raul daSilva, is a recognized authority on early animation, and authored six award winning books about film.
This film's message is just as relevant today, if not more so, than when Coleridge penned the original epic poem and when Raul daSilva translated it to film. If I still was teaching high school, which I did for five years, I'd grab this one and show it to all my students. There's a level of richness here that naturally leads to discussion about the big and important issues all of us face, whether in 1798, 1978, or today--in fact, as long as humanity has a spiritual component.
Highly recommended.
I highly recommend this video to individuals, public libraries and for high school and college classic literature classes. This is an excellent film in which creative visualization of a classic poem makes it come alive. We feel the dynamics of the Samuel Taylor Coleridge's words as spoken by the Ancient Mariner. It is as if we are both the listener and the Mariner. When the dead albatross falls from the Mariner's neck, we too are transformed through love in our hearts and understanding of our fellow humans. We hope for a better outcome to the struggles we now face in our own world of war and violence. Director Raul daSilva did an outstanding job in making this poem not only understandable but also to arouse our sensitivity. The incorporation of Doré's illustrations, visual effects of colors, the well-chosen classical music and sounds of the sea all enhanced our senses and deepened our emotional experience with the poem. BRAVO to daSilva and his team. Well done!!
1st watched 9/14/2001 - 6 out of 10(Dir-Raul de Silva): Interesting adaptation of poetry on film, as well as a short documentary on the poet(Samuel Coleridge) in the 1st half of this video. Not quite as breathtaking as it could have been if they had decided to actually make a movie about this, but this is definetly a different art form and it should be valued as that and not compared to a movie rendition. Redgrave keeps you captivated by his consistent influctuations in his voice in the parts that needed it. The animation was ok but not spectacular but it did give you a little help in following the story if you don't happen to be a good listener of olde English(like myself). All in all this is a different and interesting viewing experience, which is always good to have when you've watched hundred of movies like myself.
Wusstest du schon
- WissenswertesThe production of this sea epic was inspired by actor Sterling Hayden, a friend of Director Raul daSilva. Hayden had been the Captain of a tall ship as a young man, leading to his discovery by Paramount Pictures.
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