Death of an Expert Witness

Well, yes, it's long, but the interweaving of characters takes time. P. D. James brings us into the scenes by offering stories in the first half about the major suspects in a murder that takes place half-way into the series. While you want to get to the 'who did it?' part, relax, enjoy the stories. None are irrelevant or thin, and they all add depth to what otherwise would be just another detective procedural.

British mystery at its absolute finest. Death of an Expert witness is long, but loaded with rich content, compelling characters, and fine performances, a masterclass from lead actor Roy Marsden.

Some will find the direction and pacing too laden, but it's that pace that allows the story to develop, the characters to grow, and the resulting conclusion to come as a big surprise.

It's very much a product of the elegant eighties, with Lesbianism something of a taboo subject, and Stella referred to as a friend, rather then partner, and of course we get some eighties glamour, in the form of Domenica, who genuinely looks dazzling at times, a fine performance from Meg Davies.

Marsden stands out of course, but he's in good company, Fiona Walker and Geoffrey Palmer shine, only Andrew Ray feels somewhat wooden as Bradley.

It's a great story, from a book I'd highly recommend, but this is a fantastic adaptation, and very faithful. This is the best of the PD James adaptations, and I must at this point highlight the sublime music, the score is one of television's greatest.

A truly great watch. 9/10.

Having very much enjoyed "Original Sin" (one of the later P D James adaptations in this series), I was disappointed by "Death of an Expert Witness". The main actors - Roy Marsden, Geoffrey Palmer, Cyril Cusack, Brenda Blethyn, Fiona Walker - are very good, as one would expect, but most of the minor characters are played really badly - sometimes so badly as to be embarrassing or amusing. This may well be in part down to the direction, which is inexplicably poor from the normally excellent Herbert Wise, who must have been going through a bad patch. Also I hated the device of occasionally making Dalgleish's thoughts audible: it simply doesn't work.

A pity the team didn't remake this adaptation in later years.

I got in a little snooze while waiting for something to happen in this tedious production and woke to find that in the meantime, little had happened. Direction is pretty bad overall and it's not just in comparison to "today's standards." I don't remember any other show from this era dragging like this. Do I finish Part 2 of this DVD or cut my losses?

These adaptations of the P D James books of Adam Dalgliesh are of the best - and I mean all of them. The stories are long in comparison to today's highly edited story lines. It makes for a natural flow to the story, building atmosphere and generally contributing to the general feeling of the episode. I like seeing cars arrive and depart and the characters making the tea! It is also very natural for a detective to sit and ponder a very complex murder - and the director did good by showing us these scenes.

Roy was an excellent choice to do this role as he did not resort to emotional gimmicks as lessor actors would have done - he interpreted the role as that of an inspector who was fully aware of his detective abilities and the character had no need to impress the viewer with predictable devices. This show was obviously aimed at a more mature audience - hence the absence (most of the time) of bar fight scenes, car chase scenes, bed scenes, impossible superiors, sub plots and other devices to pad the plot and episode.

Highly recommended.