Girl Slaves of Morgana Le Fay

I first saw a teaser for this movie as an extra on a Mondo Macabro DVD. At the time I don't believe it was listed among their coming releases, but it had been released by another branch of the company in the UK called Pagan.

When Mondo Macabro did release it, I bought it, as I have bought most of their DVDs.

The movie looks gorgeous. Really rich color. It's got a slow, dreamy pace that some might find boring. It's definitely got more of a fantasy flavor than one of horror.

Two attractive women have car trouble, and go to sleep in an abandoned building. One wakes and finds the other missing, and she follows a strange little man to a castle by a lake. There, attractive women live in luxury with the witch Morgana. Her three closest servants and the little man grow jealous of the newcomer. Morgana has the power to keep women young and beautiful forever, for the price of their soul. And indeed, for all the luxury, the place seems pretty soulless. This is not a very deep movie, with not a whole lot of plot. It gets a little more eventful towards the end, and does have a satisfying ending.

The DVD includes a number of extras, including a short by the director predating this film called in English "An Artistic Couple." It's not currently listed on the IMDb. In some respects it has a similar story, though it is played more for horror.

Inspired by the exploits of the famous witch found in Arthurian legends, this film has an appropriately medieval feel to it - not least because of its authentic castle setting and the evocative score by Francois de Roubaix (using the pseudonym Cisco El Rubio!). While it was sold as exploitation on the strength of its copious nudity (the mostly female cast also entailing lesbianism), the script - where characterization is given its due, which is more than can be said for most "Euro-Cult" titles! - is surprisingly literate. In this respect - not to mention having the titular character's dungeon crammed with a bevy of mostly willing slaves! - the film anticipated the "Elizabeth Bathory" segment in Walerian Borowczyk's IMMORAL TALES (1974). Speaking of Bathory, Dominique Delpierre's Morgana here actually reminded me of that character as incarnated by Delphine Seyrig in DAUGHTERS OF DARKNESS (1971) - which, incidentally, was also scored by De Roubaix!

The sustained dream-like mood here results in a languorous pace, which is actually typical of low-budget fantasy films made in France during this time: its main purveyors were Jean Rollin and Jess Franco, but Gantillon's effort is ample proof that others (whose career wasn't as prolific and, consequently, faded into obscurity) were, at least, equally adept at this sort of thing; though it often descended into camp - which the title under review here, thankfully, doesn't! - Michel Lemoine's SEVEN WOMEN FOR Satan (1974), incidentally also a Mondo Macabro release, is another one of its kind I enjoyed a good deal.

Besides, the film's production values (primarily - and economically - utilizing natural resources), accentuated by Jean Monsigny's odd framing, impart the film with an effortless classiness not usually found in lowbrow "Euro-Cult" ventures. That said, the lengthy feast/lesbian orgy towards the end stops the film dead in its tracks and the unresolved ending may seem like a cop-out (though I took it as merely another bizarre touch in a movie filled with unconventional detail).

With respect to casting, this too appears to have received some uncommon consideration: the sinister-looking Alfred Baillou is memorable as Morgana's love-struck (yet jealous) dwarf henchman!; Delpierre (who is able to materialize wherever she pleases, as is demonstrated in the final moments of the film) and Regine Motte (as one of her three favored nymphs endowed with psychic powers: in fact, one of the most striking scenes in the film is when they relate to Morgana the movements of the fleeing heroine beyond the castle walls - which is shown in a form of stylized choreography) are the loveliest of the six leading ladies, but also the most able performers.

It might have its problems, but at the very least, The Girl Slaves of Morgana Le Fay is memorable for the fact that it's so damn strange! Director Bruno Gantillon succeeds in creating a surreal, dreamlike atmosphere; which bodes very well with the fantasy styled plot. As the title suggests, the backbone of this film revolves around sex and since most of the characters are female, that should please fans of lesbian porn. The plot itself is typically strange and focuses on a castle ran by the mysterious and sinister Morgana le Fay. Two young ladies are travelling across the country when they get a surprise one morning. One of them awakes to find that the other has disappeared, and upon searching for her friend, she happens upon a boat. The boat takes her to an eerie castle where she meets Morgana le Fay and is taken in by the women in the castle. She is offered immortality in return for her soul, but as jealousies take hold she decides to make an attempt to escape, but getting away from Morgana le Fay is not so easy...

One of the main problems I had with this film is the fact that not a great deal happens, so it's easy to get bored with it; the dream-like atmosphere is actually a hindrance in this respect as when you're watching a dreamy, boring movie - it can sometimes be difficult to stay awake! To its credit, The Girl Slaves of Morgana Le Fay is a very beautiful movie. There's no shortage of eye candy, all the women in the film look great and the lavish sets are well designed and suit the film. I can't say that it's a particularly graphic film, though that isn't a big problem. The lesbian sequences are well filmed and fairly erotic, which of benefit to the film. The film is a lot like the lesbian vampire flicks that cult French director Jean Rollin made around the same time that this film was made; although personally I'd rank this one higher than the majority of Jean Rollin rubbish that I've seen. This is not a great film and it does have its fair share of problems, but it also has a lot of good things about it, and while I can't say it's a film that everyone should see; it should please genre fans at least.

This was, admittedly, a film I picked up for the titillation factor, since I enjoy the sight of women from the 70's in their natural, undressed Euro glory.

However, this film was done in such a way as to find me enjoying it throughout, despite my initial misgivings.

Granted, I don't think it's the greatest movie ever, but the settings and the "fairy-tale" feel of it I found to be quite good, and the erotic elements were considerably enjoyable. The dialogue also wasn't as cheesy as I was expecting, which is always a good thing, considering many similar films of that era can't escape those faults.

The DVD is quite good, the quality of the picture is excellent, and includes a good interview with the director, Bruno Gantillon. Recommended for fans of 70's erotica and fantasy.

The girlfriends Françoise (Mireille Saunin) and Anna (Michèle Perello) are traveling through the countryside of France by car. They stop at a roadhouse to drink wine and buy coffee, and the owner advises them to return. However they proceed their trip but they get lost on the road.

They decide to spend the night in an abandoned barn. In the morning, Françoise does not find Anna and she seeks her out. Out of the blue, the dwarf Gurth (Alfred Baillou) asks her to follow him and he shows a castle in an island where Anna would be.

Françoise takes a boat that sails alone and brings her to the castle. Sooner she learns that she has reached the lesbian realm of the witch Morgane (Dominique Delpierre) that proposes Françoise to stay in her kingdom living in eternal youth and beauty with her favorites Yael (Régine Motte), Sylviane (Ursule Pauly) and Sarah (Nathalie Chaine). Otherwise she would be doomed to get older and older in the dungeons of the castle. Further, Françoise learns that Anna has given her soul to Morgane and will stay in the place forever. But Françoise does not want to stay and plots a plan to escape.

"Morgane et ses Nymphes" is an erotic tale about a woman that is trapped in an oneiric castle of lesbians mastered by the evil witch Morgane. The director Bruno Gantillon succeeds in the atmosphere of dream, supported by gorgeous actresses and wonderful music score. But the film is disappointing since I was expecting much more from the synopsis. My vote is six.

Title (Brazil): "Morgana e as Ninfas" ("Morgane and the Nymphs")