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Ein durchschnittlicher Aquarienreiniger - sitzt für einen Gigolo im Haus, nur um dann gezwungen zu sein, selbst einer zu werden.Ein durchschnittlicher Aquarienreiniger - sitzt für einen Gigolo im Haus, nur um dann gezwungen zu sein, selbst einer zu werden.Ein durchschnittlicher Aquarienreiniger - sitzt für einen Gigolo im Haus, nur um dann gezwungen zu sein, selbst einer zu werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
- Cookie Girl
- (as Elle Tanner Schneider)
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When I watched Deuce Bigalow for the umpteenth time last night, I was just amazed how original, well thought out and made it is. It is consistently funny, I was either giggling or gut-laughing all the way through, but you just have to marvel at all the details. TJ and Antoine, for example, are both perfect in their roles. It's a big fat shame that not all the actors from this movie rose to stardom afterward. DBMG is also about the only movie that packs a believable romance and happy end -- usually, that segment is merely stapled on to compensate the girlfriend for having to endure a gross-out comedy on her date and to put her in the right mood for post-theatrical hanky panky. And you can watch this movie either end to end, or just tune in for a ten minute clip and still be entertained and amused.
The only aspect that I'd criticise about DBMG is that a few scenes seemed to be somewhat first-take-ish, not refined enough (and refinement is the essence of good comedy). Like when Bergita (the blind chick) and TJ (the male madam -- no, wait ...) get it off in the closet and Bergita says: "I can see again" (yeah ...) "Hey, you're black" (funny) "I knew" (yawn -- black man, big penis, must have been a killer joke back in the 1950ies). That's just a scene that could have been done better. But hey, I'm nitpicking here. Deuce Bigalow is an underrated comedy classic. And it's got an impressive soundtrack, too.
"Deuce Bigalow" is a film almost aimed at ticking off critics. Not all audiences will find the crude gags funny, but others--preferably those who can let go of their inhibitions for an hour and a half--will have tons of laughs. The subplot involving Deuce's father as a bathroom attendant is pretty cheap. It's an obvious setup for scatological gags. One of them involving a scene in which Deuce is having a pleasant man-to-man talk with his Dad while you can hear the groans of someone in one of the stalls loudly...relieving himself made me roll with laughter. I wouldn't call it a priceless gag, but you don't always have to aim high with comedy. If it's funny, it's funny. If you laughed, you laughed.
Just like any Farrelly Brothers movie, there are gags involving physical handicaps like obesity, narcolepsy and Turrett's Syndrome. However, the jokes are executed in such a broad manner that no one--even ones with any of those disorders--shouldn't be offended.
Naturally, some will hate this movie, some will like this movie, some will love this movie. In my mind, if it's a comedy and I'm laughing--what other factors should I be looking for?
My score: 7 (out of 10)
I like them so for me Deuce Bigalow hits the spots I expected it to hit.
The comedy is low brow but its not trying to be an art film so its all good.
And I'm not going to apoligise for my absolute love of the term/category of 'He B!tch' :) My wife and I have been using that expression for years now and it never gets old!!
The cast throughout is fun and add plenty of comedy gold.
Its a fun movie that most will at least get some moments of mirth from and others will laugh their socks off :)
I liked this movie so much that it hurt me every time I laughed. This was a film that should be used as a model for true laughter and comedy because the jokes were clean and funny at the same time. Schneider co-wrote this film that introduced a plot that was so funny, which had a sweet underlying plot that I found to be very enjoyable to watch.
My favorite scene in this whole movie involved the blind date with the woman who could not control her mouth. You will have to watch the movie to understand what I'm talking about.
The whole cast was incredible as they all turned in superb performances. It also seemed they were having fun with one another on the set and it showed in their performances, which is one thing I look for in a good film.
"Deuce Bigalow: Male Gigolo" cracked me up and should be watched by everyone.
Rob Schneider does a fine job playing this amiable loser. Several scenes are just laugh-out-loud funny. The female interest, Arija Bareikis, is not someone I was familiar with but I liked her wholesome looks. William Forsythe plays the villain and, of course, he's over-the-top. The film had a nice soundtrack, a lot of familiar rock tunes.
As with most modern comedies, this gets carried and a little stupid at the end but, overall the film is good low-grade fun (and I mean "low grade!")
Wusstest du schon
- WissenswertesThe first movie from Happy Madison Productions.
- PatzerWhen Deuce and Carol are on a date at a restaurant, Deuce mouths her line "I've always wanted to try soup but there's the fear of drowning".
- Zitate
Kate: I don't see how it could possibly be pleasurable for a woman. I just don't think it's natural. You're not supposed to go up there. To tell you the truth, I don't know how men do it either.
Deuce Bigalow: You're not curious, just to try something new?
Kate: I'm just not into it.
Deuce Bigalow: So space exploration is definitely out for you?
Kate: Definitely. I mean, more power to any woman who wants to be an astronaut. I just wouldn't do it. Frankly, I'd rather take it up the butt.
- SoundtracksCome On, Come On
Written by Greg Camp and Steve Harwell
Performed by Smash Mouth
Courtesy of Interscope Records
Under license from Universal Music Special Markets
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Rent a Man
- Drehorte
- 4342 Sepulveda Blvd, Culver City, Kalifornien, USA(Apex aquariums)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 65.538.755 $
- Eröffnungswochenende in den USA und in Kanada
- 12.224.016 $
- 12. Dez. 1999
- Weltweiter Bruttoertrag
- 92.938.755 $
- Laufzeit1 Stunde 28 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1