The Black Cobra 3

The third time is not the charm for this series, though it wasn't the charm with either part one or part two. In this entry, the production values take a couple of steps back, though they are not as dire as those in the first film. (But there are at least some colorful jungle locations in the beginning and end.) There is an unintentionally hilarious song ("The Power Of Love" - not the Huey Lewis version) played twice. There is also some nudity, which none of the first two movies had. But despite things like that, the movie still ends up being pretty dull. Williamson, like the first two movies, seems to be on autopilot, and the action (mostly punch-ups) gets tired pretty quick. The climatic action scene (which takes a long time to build up to) is the best action scene of any in the series, but that does not mean it's good. It's too little, too late.

Well, I've seen all three (official) entries of this series. Now hopefully I can now get to movies that might be GOOD.

If the first film in this series was influenced by Cobra and the second was a riff on Lethal Weapon, this third instalment is channelling Commando. In this one, Fred is sent back to the Philippines for budgetary reasons and has to deal with some bad guys in the jungle. Cue lots of explosions and machine gun fire. This one is probably a slight drop in quality from the first two but amazingly, its still not that bad.

Compared to the first two this is a masterpiece. The first was bad all around. The second started good and went to crap. This one starts kind of slow but the climax is a hoot. Its pretty much like Commando with a 30 minute finale at the enemy base. Very entertaining and The Hammer has plenty of charm. The scene between him and the chief is so cliché its hilarious. The acting is average, but the dialog is full of one liners. I never get sick of seeing the old knife throw camera trick. Definitely worth the 6 bucks I had to pay. BTW if you see the second and third you will notice they use the same bedroom in each, which is flipping hilarious.

I guess Fred Williamson's paycheck for appearing in the "Black Cobra" films got a lot bigger every time, because his performance and enthusiasm vastly improves with each installment! Robert Malone no longer resembles to the character that was introduced in the first film. He used to be silent, gruff and indifferent, but now he makes little jokes and smiles the entire time. Perhaps it also has something to do with the fact that the quality of the films slightly improves every time as well. Part three has a lousy and inexistent plot, but there's quite a lot of straightforward and undemanding action footage. Robert Malone is called back to Manila – choice of location is purely coincidental, apparently, because none of the people of his previous adventure in The Philippines reappear – to help locate a stolen shipment of American weapons. Another special agent already tried to infiltrate in the bad guys' military camp but failed. The guy kicked a lot of butt and had some very inventive methods to conquer electric fences, but ultimately died when he jumped down a waterfall. This is why local Interpol agent Greg Duncan calls in the help of his father's reliable Vietnam buddy Malone. The film is totally senseless and there are still quite a number of dull sequences, but the delightfully cheesy B-movie action footage truly compensates for everything. The army of ugly Philippine bad guys is inexhaustible (the body count must be hundreds!) and there are plenty of cool firearm toys like machine guns (the type Rambo uses as well) and crossbows. This is the second entry in the series that is set in Manila, but this one makes much better use of the jungle filming locations. Solid and surefooted directing by Edoardo Margheriti, who actually is the son of the legendary Italian filmmaker (and personal idol of mine) Antonio Margheriti!

There isn't really much to be discussed about the third installment of "The Black Cobra" series: if you enjoyed the previous two, you'll like this one too, if you didn't, try to avoid it. It offers pretty much what you'd expect: a nonexistent budget (not even any vehicular mayhem in this one), strictly mediocre action scenes, loads of pretty useless bad guys, a crawling, draggy pace, and Fred Williamson getting by more on his trademark coolness rather than on any acting effort. He gets two sidekicks this time - one male (Forry Smith), one female (Debra Ward) - but don't expect the lady to get involved in the action nearly as much as the guys. The film is just about watchable when you are in an extremely undemanding mood. (**)