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Die Treue der Frauen

Originaltitel: La fidélité
  • 2000
  • 16
  • 2 Std. 46 Min.
IMDb-BEWERTUNG
5,6/10
2111
IHRE BEWERTUNG
Die Treue der Frauen (2000)
Drama

Füge eine Handlung in deiner Sprache hinzuA talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the ... Alles lesenA talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.A talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.

  • Regie
    • Andrzej Zulawski
  • Drehbuch
    • Andrzej Zulawski
    • Madame de La Fayette
  • Hauptbesetzung
    • Sophie Marceau
    • Pascal Greggory
    • Guillaume Canet
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,6/10
    2111
    IHRE BEWERTUNG
    • Regie
      • Andrzej Zulawski
    • Drehbuch
      • Andrzej Zulawski
      • Madame de La Fayette
    • Hauptbesetzung
      • Sophie Marceau
      • Pascal Greggory
      • Guillaume Canet
    • 11Benutzerrezensionen
    • 14Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Fotos9

    Poster ansehen
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    Topbesetzung41

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    Sophie Marceau
    Sophie Marceau
    • Clélia
    Pascal Greggory
    Pascal Greggory
    • Clève
    Guillaume Canet
    Guillaume Canet
    • Némo
    Magali Noël
    Magali Noël
    • La mère de clélia
    Guy Tréjan
    Guy Tréjan
    • Julien Clève
    Michel Subor
    Michel Subor
    • Rupert MacRoi
    Edith Scob
    Edith Scob
    • Diane
    Marc François
    • Saint-André
    Marina Hands
    Marina Hands
    • Julia
    Manuel Le Lièvre
    • Jean
    • (as Manuel Lelièvre)
    Aurélien Recoing
    Aurélien Recoing
    • Bernard
    Julie Brochen
    • Genièvre
    Edéa Darcque
    • Ina
    Jean-Charles Dumay
    • Antoine
    Armande Altaï
    • Mrs. MacRoi
    William Mesguich
    • David
    Cécile Richard
    • Séléna
    Guy-Pierre Bennet
    • Gianfranco Giuliani
    • Regie
      • Andrzej Zulawski
    • Drehbuch
      • Andrzej Zulawski
      • Madame de La Fayette
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen11

    5,62.1K
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    Empfohlene Bewertungen

    10jromanbaker

    Madame de la Fayette again!!!

    Another film based upon ' La Princesse de Cleves ' ( the version by Christophe Honore is the best ) and it is one of the more watchable of Zulawski's output. Sophie Marceau gives a decent performance but no more than that, and the other actors who stand out are Edith Scob and the incredibly good Magali Noel. For those who do not know them look them up!! The male actors are passable so really the full weight of the film depends more or less on the direction. I cannot say I am a great fan of Zulawski and despite the so-called sexual frankness of his films I still feel a clinging odour of Catholic belief or non-belief in his films. Good is good etc and bad is bad and the monster of sexuality in his most known work ' Possession ' gets brief showings here. I want to avoid spoilers but I did not believe in her relationship with her husband played by Pascal Greggory and nothing conveyed a real passion between them. Greggory can be very capable as an actor, but not here. Overall it is a superficial film and despite Zulawski's attempts at profundity I have repeatedly seen him fail. The worst example was the woefully bad ' L'amour Braque ' based again loosely on another literary source Dostoyevsky's ' The Idiot '. Not a good film, but neither is it unwatchable. Despite outcries from one reviewer I did not see one penis, and the sexuality in the film was well below zero in temperature.
    2hmarcy

    Too many things left me confused, disjointed and muddled.

    This is a movie that should have been a mini-series as it tries to get too much information in too small a space. The whole story is constantly being bombarded with sub-plots, character introduction and meaningless pieces information that go nowhere. There is a underlying plot where boy meets a girl, she has doubts but gets married anyhow and then her doubts surface and she goes to see if they are real. They turn out not to be but her husband won't believe that she was not unfaithful and her almost boyfriend doesn't want her as she was not unfaithful to her husband. With that said there are no less than 1000 sub-plots and character introductions that make this plot almost incomprehensible. In the first 15 minutes you are inundated with so many things and situations that you just stop caring. You don't care about any of the confused and screwed up cast that drifts in and out of the story like vultures feeding on a corpse. Each one comes in and takes some interest away from the viewer. After a half-hour, and completely disinterested, I stayed and watched the remaining two and a half hours out of pure morbid curiosity. I couldn't imagine where it was going but like staring at a fire I just couldn't get up and turn it off. The production values are superb but the resulting movie is a waste of time; wash your socks instead.
    10stefko-2

    one of the best movies I've seen

    It seemed almost impossible to come; "La Fidelite" shows that not everything is lost yet, in the times of award-winning stupidity. It's a great achievement: you can see our real world (somewhat surreally shown), and in the same time you watch AND understand AND feel what's most deep and most important...... see the picture, I kindly ask everyone.

    Thanks for Mr Zulawski, Ms Marceau, Mr Korzynski.
    6mark.houlder

    a bold but flawed attempt

    I like French cinema and Sophie Marceau in particular, so i was expecting great things of this film, but i have to say i was disappointed. It's not awful, but it's not great either - the first half of the film is pretty poor, but it redeems itself to some degree in the latter stages.

    After the first half hour i thought i had paid to see a soft-porn flick, such was the lack of plot, direction and character. Not a lot happens to begin with except Marceau s****ing every bloke who glances her way, plus the occasional scene with her infirm mother - a broken woman who chose duty over love in her choice of husband. The film then progresses to chart Marceau's path along the duty vs. love road, although it does so in a very contrived way.

    The characters are fairly one-dimensional, and it's not until the last hour or so that there is any real emotion to the film. By this time the director seems to have lost the plot, and the film changes tone very noticeably (think: From Dusk 'til Dawn - ok maybe not that bad, but bad enough). One minute it's a drama, then it's an action flick. Then back to drama again, and very disjointed it is too. It finally ends back in the drama fold, and does at least ask a few questions about the theme of the film, Fidelity, but for a film that's 3 hours long they're not very deep and not very well portrayed, and i left the cinema thinking: "what a missed opportunity!". Disappointing.
    9rafasalin

    Feeling affect everything beyond reason

    La Fidelité (2000)

    Andrzej Zulawski has an obsession : Passion for understand love and how feeling could affect everything beyond reason. Clélia (Sophie Marceau), is a very attractive photographer that start a new job in a sensationalistic newspaper. This is the gate in which she is going to know three men : Cléve ( Pascal Geggory) a middle age books editor, that will become her husband ; Nemo (Gillaume Canet) also a photographer with a very intriguing life; and the owner of the broadcasting and tabloid company, Rupert McRoi ( Michel Subor), that by the way could be her real Dad. But Fidelity isn't a soap opera, and thing are more complicated in Zulawski's movies. . The Fidelity, is about different things: principles and fidelity, beyond passion, and how a bisexual husband do not believe the sincerity of his wife. Is also about the paparazzi's underworld, and how our life is directed by our feelings.

    This subject was the them of Possession (1981), in which other lovely woman, Isabelle Adjani, is trapped between the tentacles of a "Thing", that could be the irrationality of passions. La Fidelité is full of different characters, that are interconnected with the invisible net of feeling and passion. The young girl enters in a few time in a chaotic experiences as well as the hypocrisy of some of the people that surround her and the photography became a tool for to understand, by the way, the film is also full of gorgeous photos and a blink to Andy Warhol, which picture is showed somewhere in the film.

    Handlung

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    • Wissenswertes
      Alice Carel's debut.
    • Verbindungen
      Referenced in Mowa ptaków (2019)

    Top-Auswahl

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    FAQ18

    • How long is Fidelity?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 5. April 2000 (Frankreich)
    • Herkunftsländer
      • Frankreich
      • Portugal
    • Offizielle Standorte
      • Atlanta Filmes
      • Club Internet (France)
    • Sprache
      • Französisch
    • Auch bekannt als
      • Fidelity
    • Drehorte
      • 168 Boulevard Haussmann, Paris 8, Paris, Frankreich(flower shop)
    • Produktionsfirmen
      • Gemini Films
      • France 3 Cinéma
      • Canal+
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 44.180 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 46 Min.(166 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.85 : 1

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