Füge eine Handlung in deiner Sprache hinzuThe lure of big money compels an evil woman to assume the identity of her kindly twin sister.The lure of big money compels an evil woman to assume the identity of her kindly twin sister.The lure of big money compels an evil woman to assume the identity of her kindly twin sister.
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From George Montgomery to Rock Hudson, actress Marcia Henderson usually played the good girl to a good man... and she's a good girl here too... widowed to a rich man without caring about anything but her son... and the titular DEADLY DUO twist is, she has an identical twin sister, also played by Henderson...
The first is brunette and sweet as pie, the other's bad and blonde and, married to a lowlife yet charming former nightclub owner, they're all being checked out by lawyer Craig Hill who, sent for the rich grandmother's custody of the son, is actually the lead character despite Marcia's double role...
Her best moment is playing the blonde sister acting like while disguised as the good sister, providing an evil glint within a docile grin, while Hill... not a great actor but passable here... doesn't catch on...
And why should he since Marcia Henderson is great in the double role, playing both sisters like completely separate humans... as is her job as a actress, ending a b-movie career with a literal double-whammy in a low-budget neo noir that, lacking action and full of dialogue, remains an intriguing, visual page-turner.
The first is brunette and sweet as pie, the other's bad and blonde and, married to a lowlife yet charming former nightclub owner, they're all being checked out by lawyer Craig Hill who, sent for the rich grandmother's custody of the son, is actually the lead character despite Marcia's double role...
Her best moment is playing the blonde sister acting like while disguised as the good sister, providing an evil glint within a docile grin, while Hill... not a great actor but passable here... doesn't catch on...
And why should he since Marcia Henderson is great in the double role, playing both sisters like completely separate humans... as is her job as a actress, ending a b-movie career with a literal double-whammy in a low-budget neo noir that, lacking action and full of dialogue, remains an intriguing, visual page-turner.
The problem with "Deadly Duo" is that the script idea is very good and should have been the basis of a nice film noir drama. Unfortunately, the film just isn't that interesting and feels quite flat.
When the film begins, a rich old lady (familiar TV character actress Irene Tedrow) meets with a young lawyer and offers him a very enticing proposition. It seems that her son married some lady a few years back and since then, he died and she has been left with a kid...her grandkid. If he can manage to convince the daughter-in- law to give her custody, she'll pay the lawyer a bundle.
When the lawyer visits the mother, she seems like a decent person and a perfectly good mother. Not surprisingly, she won't sell her kid and tells the lawyer to take a hike. But, the lady has a nearly identical sister and she and her sleazy boyfriend concoct a plan to kill her and make it look like an accident. Then the new guardian, this sister, could sell the kid!! What's next? See the film.
I am NOT saying this is a bad film but the suspense wasn't handled properly. The ending came too quickly, seemed too pat and wasn't entirely satisfying.
When the film begins, a rich old lady (familiar TV character actress Irene Tedrow) meets with a young lawyer and offers him a very enticing proposition. It seems that her son married some lady a few years back and since then, he died and she has been left with a kid...her grandkid. If he can manage to convince the daughter-in- law to give her custody, she'll pay the lawyer a bundle.
When the lawyer visits the mother, she seems like a decent person and a perfectly good mother. Not surprisingly, she won't sell her kid and tells the lawyer to take a hike. But, the lady has a nearly identical sister and she and her sleazy boyfriend concoct a plan to kill her and make it look like an accident. Then the new guardian, this sister, could sell the kid!! What's next? See the film.
I am NOT saying this is a bad film but the suspense wasn't handled properly. The ending came too quickly, seemed too pat and wasn't entirely satisfying.
Most of this movie takes place in Acapulco. It's not that we don't believe that ... Exactly ...
The sets look for all the world, though, like sets from TV series of the time. And wait! Not that Bette Davis and Olivia De Havilland hadn't done it already. But isn't the good twin/evil twin reminiscent of "I Dream Of Jeannie" and "Bewitched"? The sisters, both played by Marcia Henderson, really don't look alike. Yes, they are the same actress. But the evil sister wears a long platinum wig and presents herself so differently, no one would think them related. Unless, of course, there were constant dialogue commenting on their remarkable similarity of appearance.
Craig Hill plays a California lawyer down on his luck. He is hired to do something moderately dishonorable, down in Mexico. He's not bad. He looks good in a brief bathing suit and he's filmed hat way for quite a bit. He is often filmed (fully clothed) from the back, walking, though. This was unflattering to several major female stars in the 1940s. And it does him no favors.
This is not great film making. It's moderately entertaining. And the cars in it are fantastic! It's not one of those projects in which they all are from the same company. The then-Big Three are all represented; and we get to see some real beauties.
The sets look for all the world, though, like sets from TV series of the time. And wait! Not that Bette Davis and Olivia De Havilland hadn't done it already. But isn't the good twin/evil twin reminiscent of "I Dream Of Jeannie" and "Bewitched"? The sisters, both played by Marcia Henderson, really don't look alike. Yes, they are the same actress. But the evil sister wears a long platinum wig and presents herself so differently, no one would think them related. Unless, of course, there were constant dialogue commenting on their remarkable similarity of appearance.
Craig Hill plays a California lawyer down on his luck. He is hired to do something moderately dishonorable, down in Mexico. He's not bad. He looks good in a brief bathing suit and he's filmed hat way for quite a bit. He is often filmed (fully clothed) from the back, walking, though. This was unflattering to several major female stars in the 1940s. And it does him no favors.
This is not great film making. It's moderately entertaining. And the cars in it are fantastic! It's not one of those projects in which they all are from the same company. The then-Big Three are all represented; and we get to see some real beauties.
Smoothly done crime flick. By 1961, 60-minute b&w B-movies were largely a relic of the past. But this little indie with B-movie vets like LeBorg and Lowery show that the skills still survive. So what's the deal with the twin sisters, nice girl Sabena and the vixenish Dara, both played by actress Henderson. They're so alike, yet unalike. Then there's struggling attorney Morgan (Hill) who's hired by rich woman to fly to Acapulco to seal a deal where suddenly widowed Sabena gives up her little son for a half-million dollars. At same time, Morgan will get a fat attorney's fee he badly needs. But once there, Morgan meets Dara and her sinister husband Jay (Lowery) and the charming Sabena. Understandably, widowed Sabena doesn't want to give up son for any money amount even to her mother. However, the grasping Dara and Jay have other plans as they hover in the background. Meanwhile, attorney Morgan's beginning to question the ethics of his mission. Thus tensions rise and we wonder how will things turn out.
Henderson really scores, especially as kittenish Dara. In times past, production would have had to split the screen to get the same performer into the same scene. Here, however, technology has apparently triumphed since no split screens are sealed over by such gimmicks as doors jambs or wall ends. Thus the twins are an excellent effect all to Henderson's thespian advantage. Production also does a good job of inserting stock shots of Acapulco into studio scenery, though I did tire of Morgan driving the same car along the same driveway about ten times over. Anyway, it's a good little B-flick with interesting plot, plausible performances, and smooth directing. So cheapos can still entertain.
Henderson really scores, especially as kittenish Dara. In times past, production would have had to split the screen to get the same performer into the same scene. Here, however, technology has apparently triumphed since no split screens are sealed over by such gimmicks as doors jambs or wall ends. Thus the twins are an excellent effect all to Henderson's thespian advantage. Production also does a good job of inserting stock shots of Acapulco into studio scenery, though I did tire of Morgan driving the same car along the same driveway about ten times over. Anyway, it's a good little B-flick with interesting plot, plausible performances, and smooth directing. So cheapos can still entertain.
Strictly a low-budget programmer, DEADLY DUO is a deadly boring attempt as a detective story involving twin sisters--one good, one bad, naturally. It's full of expository dialog, especially the first half-hour which sets up the entire situation in exposition--then drifts off into the main story with no distinction whatsoever.
Performances are mostly sub-standard--especially MARCIA HENDERSON as the twin sisters (one blonde, one brunette), and especially ROBERT LOWERY, looking a far cry from the young actor whose career began in the 1940s with small roles in big films. CRAIG HILL, as the lawyer on a mission for a wealthy client, gives the only credible performance in the whole film.
The story moves along at a crawl, never establishing any crackling tension or sparkling dialog--and hampered by a poor child performance from PETER OLIPHANT.
Summing up: Dreary to sit through--no tension at all. CRAIG HILL never did go on to full-fledged stardom but fit the requirements for leading man roles.
Performances are mostly sub-standard--especially MARCIA HENDERSON as the twin sisters (one blonde, one brunette), and especially ROBERT LOWERY, looking a far cry from the young actor whose career began in the 1940s with small roles in big films. CRAIG HILL, as the lawyer on a mission for a wealthy client, gives the only credible performance in the whole film.
The story moves along at a crawl, never establishing any crackling tension or sparkling dialog--and hampered by a poor child performance from PETER OLIPHANT.
Summing up: Dreary to sit through--no tension at all. CRAIG HILL never did go on to full-fledged stardom but fit the requirements for leading man roles.
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- WissenswertesSeen by a lot of people in the UK towards the end of 1962 as it was the supporting film for the general release of James Bond 007 jagt Dr. No (1962).
- PatzerWhen Morgan arrives with the hired 1961 Thunderbird at Sabina's residence in Acapulco its exhaust fumes are still dark, which suggests that the car had been travelling on full choke for only a very short distance. Either that, or it was running an over-rich carburetion mixture.
- Zitate
Sabena Spence: Family's very important, especially at a time like this.
- VerbindungenReferenced in DVD/Lazerdisc/VHS collection 2016 (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Drehorte
- Fairmont Miramar Hotel Santa Monica - 101 Wilshire Blvd., Santa Monica, Kalifornien, USA(The Tiki-Jo Polynesian Restaurant parking lot, as Hotel Encanto, Acapulco, Mexico)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 10 Min.(70 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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