Füge eine Handlung in deiner Sprache hinzuA mysterious, morbid professor who has suffered a number of horrid events in his life tries to help a young troubled man, whose girl friend was killed during an illegal abortion.A mysterious, morbid professor who has suffered a number of horrid events in his life tries to help a young troubled man, whose girl friend was killed during an illegal abortion.A mysterious, morbid professor who has suffered a number of horrid events in his life tries to help a young troubled man, whose girl friend was killed during an illegal abortion.
- Regie
- Drehbuch
- Hauptbesetzung
Ciaron Davies
- Graham
- (as Ciaran Davies)
Colm O'Maonlai
- Reginald
- (as Colm Lydon)
Shawn Brewster
- Fisherman 1
- (as Shaun Brewster)
Mike J. Regan
- Monroe
- (as Mike Regan)
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Upon reading other viewers' comments, I have to wonder if we saw the same film! Despite the awful, B-movie title, this was far and beyond the most visually beautiful film I've ever watched. The cinematography was stunning, and the atmosphere was appropriately dark and brooding. The entire town seemed "haunted," with fear and evil oozing from every stone, every tree, nearly every character. I could almost feel the dank air in my own living room!
Having read "Turn of the Screw," and found it particularly unsatisfying (imagine the most overacted, melodramatic soap opera you've ever seen . ..then put it in novella form), and seen previous comments placing this film on a LOWER level than Screw's supposed glorious pinnacle, I admit my expectations weren't too high. Instead, I found the story much more intriguing than Screw, with a couple of little plot twists in rapid succession toward the end. (Saw the first coming, but not the second.) Some may find it depressing because it lacks the Happy Hollywood Ending so typical of American films; however, the screenwriter's refusal to pander to Disneyfication only serves to further raise the level of my esteem for this production.
If you like your movies event-based (like slasher flicks, all about the scary moment, with lots of filler in between and actresses doing bizarre things to get from one event to the next) rather than story-based, you probably won't enjoy this film. If, instead, you like a good story in which nasty ghosties play a role, this is the film for you.
Having read "Turn of the Screw," and found it particularly unsatisfying (imagine the most overacted, melodramatic soap opera you've ever seen . ..then put it in novella form), and seen previous comments placing this film on a LOWER level than Screw's supposed glorious pinnacle, I admit my expectations weren't too high. Instead, I found the story much more intriguing than Screw, with a couple of little plot twists in rapid succession toward the end. (Saw the first coming, but not the second.) Some may find it depressing because it lacks the Happy Hollywood Ending so typical of American films; however, the screenwriter's refusal to pander to Disneyfication only serves to further raise the level of my esteem for this production.
If you like your movies event-based (like slasher flicks, all about the scary moment, with lots of filler in between and actresses doing bizarre things to get from one event to the next) rather than story-based, you probably won't enjoy this film. If, instead, you like a good story in which nasty ghosties play a role, this is the film for you.
A young college student is haunted after his pregnant girlfriend dies during a slipshod abortion.
THE HAUNTING OF HELL HOUSE is a tale of remorse spiraling into obsessive guilt, punctuated by horrible nightmares and possible ghostly visitations. Slow-paced, even plodding in spots, it still has a certain dark charm. Loosely based on a story by Henry James.
Co-stars Michael York as the mysterious Dr. Ambrose, who lives in the titular abode. Claudia Christian plays Ambrose's daughter Lucy...
THE HAUNTING OF HELL HOUSE is a tale of remorse spiraling into obsessive guilt, punctuated by horrible nightmares and possible ghostly visitations. Slow-paced, even plodding in spots, it still has a certain dark charm. Loosely based on a story by Henry James.
Co-stars Michael York as the mysterious Dr. Ambrose, who lives in the titular abode. Claudia Christian plays Ambrose's daughter Lucy...
I expected more from a story by the author of "Turn of the Screw," but didn't get it here. Unrelieved by any humor whatever the narrative unrolls at a lugubrious pace with interspersed quick cuts of blood dripping from tables, walls, portraits, wherever -- and even more blood rolling in rippling overly crimson waves down a hallway (thank you, Stanley Kubrick). Peter York is okay, given his character, a tormented professor who does everything but shriek, "True, I am very very nervous, but why WILL you call me mad!" The other actors do what they can. The most depressing aspect of the film is in many ways its overall eidos -- the material artifacts and the natural backdrop against which the action takes place. Few movies have so many bare blackish twisted tree limbs dripping with cold rain, so many pale bodies wrapped uncomfortably in wet woolen capes and unbecoming gowns that seem to have been built around internal struts made of wire coat hangers. The interiors are just about as dreary, dim candles and fireplaces that seem to throw little heat or light. Given all of this, I still didn't find the movie so bad as to be unwatchable. It's just that it left me so gloomy, like watching the evening news on a particularly bad day.
Roger Corman produced, but not really typical of Corman, yet there's a bit of the style of the old Corman/Poe/Vincent Price series from the 60s here. I'd say that the title would be about the only thing "Cormanesque" about this in regards to making it interesting commercially, to kind of cash in on the same-time remakes of "Haunting" and "House on Haunted Hill". Other than that, it's a nice, yet small, psychological thriller, with some plot elements influenced by The Tell-Tale Heart. York gives a nice and slightly hammy performance as the tortured old professor, and the others are more than adequate. It will keep the interest of those who don't mind a gradual build and don't care for the lack of real terror and/or gruesome displays of killing. There's some violence and slight gore, but nothing gratuitous. Nothing here ever gets beyond being just a grade more than mediocre, say about B-, EXCEPT the really nice use of the Irish countryside as a substitute for old New England, which is an A grade. Nothing grand, but better than average.
This movie had a message: Do not allow the past to destroy your future. It delivers that message under no uncertain terms. But the point is, that it entertains while so doing. The story is rather graphic and the execution was, sadly, mediocre.
Was I scared? Was my adrenaline piqued? No. But I was entertained. The story is dark, but fun, and moves along with a decent pace. There are some serious slow spots, and the version I viewed at least, had an editing problem. Some people should not be allowed near a roll of shot film, with sharp objects, you know? This movie felt edited. Heavily edited. And in all the wrong spots. Perhaps your copy will not have suffered the same fate as mine.
I would recommend its viewing on a rainy Sunday afternoon, as it is a good story, and renders a decent telling of said story, but as it is not riveting, it does not belong on the Friday/Saturday night line-up.
It is a nice suspense/psychological thriller with a good twist or two.
It rates a 4.6/10 from...
the Fiend :.
Was I scared? Was my adrenaline piqued? No. But I was entertained. The story is dark, but fun, and moves along with a decent pace. There are some serious slow spots, and the version I viewed at least, had an editing problem. Some people should not be allowed near a roll of shot film, with sharp objects, you know? This movie felt edited. Heavily edited. And in all the wrong spots. Perhaps your copy will not have suffered the same fate as mine.
I would recommend its viewing on a rainy Sunday afternoon, as it is a good story, and renders a decent telling of said story, but as it is not riveting, it does not belong on the Friday/Saturday night line-up.
It is a nice suspense/psychological thriller with a good twist or two.
It rates a 4.6/10 from...
the Fiend :.
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Details
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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