Stardom

2000
R
1 Std. 40 Min.

IMDb-BEWERTUNG

5,6/10

1874

IHRE BEWERTUNG

trailer wiedergeben1:41

1 Video

34 Fotos

Schwarze Komödie Drama Komödie

Ein junges Mädchen wird aus der Bedeutungslosigkeit einer Kleinstadt gerissen und ins Rampenlicht der glamourösen Welt der Supermodels gedrängt.Ein junges Mädchen wird aus der Bedeutungslosigkeit einer Kleinstadt gerissen und ins Rampenlicht der glamourösen Welt der Supermodels gedrängt.Ein junges Mädchen wird aus der Bedeutungslosigkeit einer Kleinstadt gerissen und ins Rampenlicht der glamourösen Welt der Supermodels gedrängt.

Regie
- Denys Arcand
Drehbuch
- Denys Arcand
- Jacob Potashnik
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,6/10

1874

IHRE BEWERTUNG

Regie
- Denys Arcand
Drehbuch
- Denys Arcand
- Jacob Potashnik
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt

Videos1

Trailer 1:41

Stardom

Fotos33

+ 27

Benutzerrezensionen28

5,61.8K

Empfohlene Bewertungen

5pavfec

A bit boring and long

I also thought that Stardom was interesting, before seeing it, that is. It starts off with some funny moments, but runs too long. You don't really get into the characters so you end up not caring what happens to them. The performances were good, but the whole movie was just all over the place. Definite rental only.

8max von meyerling

A portrait of an idiotic society which finds and discards superficial heroes

Really an excellent little film, it reads like an update of DARLING in that it details the vacuous inner life of a young woman whose physical appearance is her only quality but one which take her around the world as a successful model and to the very pinnacle of her profession. However it is something of a cautionary tale as her inner vacuousness means she can never appreciate what she has or analyze how she got it. Because of her looks and success and fame no one ever stops to ask her. She is a moral imbecile but that too goes unremarked upon because everybody else in her world is one too and the only thing that is noticed about a human personality is material success i.e. either you're a winner or a loser.

The ending is perfect as it plays far more realistically than the comeuppance of Darling where the heroine has achieved the status of a princess but yet she is deathly bored. The heroine of STARDOM doesn't even have that ability to self reflect. While STARDOM plays less bitterly than DARLING because it is less a poison portrait of a manipulating bitch than social criticism, a presentation of an idiotic society which finds and discards superficial heroes, the more blank the better, as a matter of course. If the heroine of STARDOM actually had an intellect, or a central nervous system, she might be regarded as a victim but she seems to have less self awareness than the replicantes of BLADE RUNNER. The ending is chilling for the more sentient audience members, others will be puzzled by what the big deal is at an apparent happy ending.

These are the people who are indirectly being criticized in STARDOM.

8dvanhouwelingen

A good satire of modern life!

Denys Arcand's new film STARDOM is a very funny satire of the celebrity obsessed times we live in. Jessica Pare plays Tina Menzhal, a girl from Cornwall, Ontario who becomes a supermodel. Along the way we see how the media reacts to her and her relationships. The film is funny throughout with wonderful supporting work from Dan Aykroyd, Frank Langhella and Thomas Gibson. Although Arcand goes too far sometimes, the film is overall and excellent satire of modern life.

7gridoon2025

Fast, stylish, funny, and thought-provoking

"Stardom" is the fourth Denys Arcand film I have watched so far, after - in their chronological order - "Gina", "Jesus Of Montreal", and "Love & Human Remains". Apart from "Gina", which was made much earlier and Arcand was still finding his way, in the other three films I have noticed some shared trademarks: Arcand seems to see filmmaking as a kind of intellectual game with the audience, and he also doesn't like to be constricted in the number of topics that his films touch upon - in fact, in "Stardom" he tackles a different topic in almost every other scene! With that said, the main target of the film is the fashion industry, and in that field Arcand achieves what Robert Altman only dreamed of in his "Pret-A-Porter" (1994). Coming before the social media frenzy and things like "revenge porn" really took over, "Stardom" can be considered quite prophetic as well. Arcand plunges the viewer, as well as the heroine, into a frenetic whirwhind of media coverage; the film is often dryly funny, but also has some amazing serious scenes, like when Jessica Pare confronts her long-missing father. Speaking of Pare, she is a radiant discovery; this must also be one of Dan Aykroyd's best performances. *** out of 4.

Clever Jones

A genuine head-scratcher

So...here's the story. As a montrealer and as a Canadian, I'm constantly pushing myself to see some Canadian films. Problem is, there aren't any. Sure, you've got Exotica and The Sweet Hereafter and and The Red Violin, but..uh...other than that, not so much.

Ahhhh....but wait! Here's Stardom. And Gosh, it stars just about every montreal actor there is! And Gee! It's directed by Denys Arcand-why he's just fantastic. Perhaps I should see it.

So I did. About a week ago. And I'm still scratching my head. What the heck is this movie? I can't figure it out for the life of me. Jessica Pare is pretty good as Tina. She embodies the role, and does it gracefully. Dan Ackroyd and Frank Langella are also pretty good too. I've never seen Ackroyd like this before, he's very impressive. The overall film is not easy to classify or understand. I guess it's a satire of the media and I guess it's all about fame and celebrities, but gosh darn...I just don't know...

Listen: Go check it out. It's at least cool to see Montreal double for practically every other city in the world.

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Wissenswertes
The majority of shots of Jessica Paré are broadcast or reflected images: she is seen in video clips, on the monitor of cameras, reflected in mirrors, glimpsed through glass, or in still photos, but rarely directly.

Patzer
During Tina's first fashion show, the "Victoria's Secret" lettering can be seen against the backdrop of the curtain as the models begin to walk towards the stage.

Zitate
Montreal Talk-Show Host: [leaving his guest stranded to fend for himself as he comes down to interview girlfriend] Hello?
[in French, causing a deer-in-the-headlights startled look from her]
Montreal Talk-Show Host: What? Pussycat got your tongue?
Tina Menzhal: [uncomfortably] I'm sorry, I don't speak French.
Montreal Talk-Show Host: [in her language now:] Nobody's perfect. But I think you are very close.
[audience loves this]
Montreal Talk-Show Host: I saw you coming in with this guy. Is he your boyfriend?
Tina Menzhal: I can't talk.
Montreal Talk-Show Host: [in French, to audience:] She can't talk. The plot thickens, let's unravel this mystery.
[leads panicking girl to the stage, clowning along the way]
Montreal Talk-Show Host: Why don't you have a seat? Merci.
[to his abandoned guest, in French:]
Montreal Talk-Show Host: Okay, Philippe, that monologue must have exhausted you. Go sit in my chair, it's much more comfortable.
[in effect, shooing him out of the way, with the pretty girl all to himself]
Montreal Talk-Show Host: Go. Thanks.
[to her:]
Montreal Talk-Show Host: So, are you ashamed of this man? Is there a dark secret you wish to share with us?
Tina Menzhal: Well, I'm not supposed to be seen with him.
Montreal Talk-Show Host: Why? Because he is too old for you?
Philippe Gascon: [in French:] Thanks a lot!
Montreal Talk-Show Host: [in French:] Don't mention it!
Tina Menzhal: Well, it's like, if other photographers knew I was with him, they wouldn't hire me.
Montreal Talk-Show Host: We won't tell.
Tina Menzhal: Yeah, right. Now the whole world knows.
[gesturing at Philippe]
Tina Menzhal: Look at him. He's laughing. I'm toast. They're gonna send me back to Cornwall, thank you very much.
Philippe Gascon: Come on, you're going to Paris.
Montreal Talk-Show Host: Paris? Paris, France? My God. But, you don't speak French.
Tina Menzhal: I know a few words.
Montreal Talk-Show Host: Say one.
Tina Menzhal: [delightfully naïve] I can't. They're all dirty words, I think.
Montreal Talk-Show Host: [in French, to Philippe:] You taught her smut?
Philippe Gascon: [in French, laughing:] You gotta start somewhere.
Montreal Talk-Show Host: [in French:] You pervert.
Tina Menzhal: I know this one... Vicieuse. He likes it when I am vicieuse, or...
[tries in French:]
Tina Menzhal: And also, 'slut.'
Montreal Talk-Show Host: [in French, theatrical, to audience, who is lapping it up:] Is it me, or is it really getting hot in here? I'm gonna pass out. I need some water. Be right with you.
[drinks from glass, she looks at him, butter won't melt in her mouth, audience loves this]
Montreal Talk-Show Host: Do you know some other words?
[audience laughter grows]
Montreal Talk-Show Host: Please speak French to me!

Verbindungen
Featured in Best! Movies! Ever!: Fashion (2007)

Soundtracks
Drinking Song
Taken from "Carnaval De Venise"
Written by Giuseppe Verdi
Arranged by André Rieu and J. Huijts
Performed by André Rieu
© 1995 Mercury BV (The Netherlands)
Courtesy of Universal Music France
By Arrangement with Universal Music Special Projects
© Polygram Music Publishing B.V.